Sentences with phrase «create immersive»

Working from an archive of slides, I create immersive tableaux that critique nostalgia.

Anne Imhof's paintings and her water and whisky - filled resin sculpture at Isabella Bortolozzi creates a booth that is both representative of Imhof's majestic performance memorabilia and more accessible and market - oriented pieces, proving that in spite of the standardised fair format one can still create an immersive booth.

In the atmospheric «Untitled» paintings, Ammerlaan uses passivated zinc and steel to create immersive colour palettes formulated by the natural world.

I hope to create an immersive work that encourages the viewer to enter the an interior psychological world which revels in my interest in the performative properties of sculptures.

Inspired by Tarek Atoui's current exhibition The Ground: From the Land to the Sea at NTU CCA Singapore, this screening series features artist videos, documentaries, and filmic essays that examine how the image and the sonic create immersive ways for multiple sensorial elements to come together and form a singular space.

Mikhail Karikis» work embraces a variety of media to create immersive audio - visual installations and performances which emerge from his long - standing investigation of the voice.

Each artist will create an immersive installation that guests can move through and experience.

Through experiments with scale, color, material, and space, the exhibition will create an immersive environment that raises questions about art and display and enables fresh takes on the specific works.

Each week, she will select a color from Charlotte's landscape and apply it to the gallery walls and furniture to create an immersive color - field painting and meditative space.

Projectors installed for Ho's exhibition will be utilized to create an immersive visual experience that synthesizes the multichannel audio of the piece.

In reference to meditation tapes and mantras various field recordings are compiled and folded into repetitions of the word O.K. to create an immersive sonic experience.

To create the large - scale photographic works, he has used both digital and analogue techniques to create an immersive, cinematic experience.

Glacier by Charles Atlas, uses a 360 - degree projection to create an immersive environment.

Some artists use this hue to create immersive, meditative experiences for the viewer.

Gathering materials from her home island of Paros, Greece, local Bay Area beaches and international travel destinations, Skandali collects, dries and crochets strands of seaweed, among other materials, to create an immersive environment within the gallery.

In close dialogue with curator Francesco Stocchi, American artist Alex Da Corte has taken Le miroir vivant's provocation as a starting point to create an immersive tableau utilizing the Boijman's collection as raw material: nearly fifty paintings, sculptures, photographs and videos by artists such as Cady Noland, Marcel Broodthaers, Jim Shaw, Gilbert and George, Alexandra Bircken, Carel Visser, Domenico Gnoli, Barbara Hepworth, Duane Hanson, David Hockney, among others.

The Virginian - born artist will present Movement IV, an epic work selected from an ongoing series of sound - based sculptures which create immersive environments when activated by a performer.

Ontario - based artist Stev» nn Hall is someone who loves to mix up his mediums a little, bringing together photography and art to create immersive multimedia landscapes that pay homage to some of the world's best impressionist paintings.

We spoke to the artist Shantell Martin about her unique approach to drawing, which uses the intimate medium to create immersive multimedia experiences.

Through out the exhibition Aitken takes these elements, rendering them in a variety of forms to create an immersive installation formulated in dialogue with the architecture of the gallery.

More than 50 new works on paper will also be exhibited along side and embedded in a large wall painting to create an immersive experience which will leave the viewer pondering the same questions of meaning, value and love.

For its Design Commission, awarded biannually to early - career architects or designers, the fair invited the 36 - year - old MIT Media Lab alum to create an immersive, site - specific installation in its 30,000 - square - foot, Herzog & de Meuron — designed entrance hall — making it the first (and last) work visitors will see and the largest commission for the fair to date.

Exploring our bodies» capacity to communicate, the work will create an immersive live environment in Bluecoat's galleries and includes performance, film projection and sculptural objects.

Jonah Freeman and Justin Lowe create immersive environmental installations that play on ideas of drug culture, psychedelia, architecture and film.

Jenna Burchell is an anti-disciplinary artist whose practice emanates from her desire to activate otherwise banal spaces and create immersive sensory experiences.

Baga unites video projection, painting and sculpture to create immersive compositions, flooding gallery spaces with light and sound.

Sensory Overload features the work of four contemporary new media artists who create immersive spaces using hypnotic soundscapes and pulsing imagery to explore the invisible data that permeate our environment.

Unrivalled in curated content, quality and range, Frieze New York will create an immersive cultural experience overlooking the East River.

Related Installation Invites Community to Create Immersive Work in Collaboration with Sumi Ink Club.

Founded by L.A. - based artists Sarah Rara and Luke Fischbeck, Sumi Ink Club invites the public to create an immersive work using age - old calligraphic and brush techniques.

The new generation of sculptors, including numerous works commissioned for the exhibition: Phyllida Barlow, Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, Jessica Stockholder, and Kaari Upson create immersive, color - drenched environments that embrace domestic materials and craft as an embedded discourse, boldly eliminating material.

Using the architectural specificity of the Slovenian Pavilion, a repurposed private residence, and referencing state architectural strategies, Cibic will create an immersive multi-media installation that appropriates the entire space and explores issues around national representation and framing as well as specific modes of exchange and reception.

His work embraces moving image, sound and other media to create immersive audio - visual installations and performances which emerge from his long - standing investigation of the voice as a sculptural material and a socio - political agent.

Other artists use the color to create immersive, meditative experiences for the viewer, whether by bathing him in red light, as in Dan Flavin's untitled (to Sabine and Holger), 1966 - 71, or by confronting him with an immense red void, as in Robert Motherwell's Open No. 153: In Scarlet with White Line, 1970.

Anne Hardy will create an immersive installation consisting of sound, sculpture and light in the former headquarters of the Nicholls & Clarke building, courtesy of British Land and an exclusively managed Location House site.

Kate Shepherd, Marigold, 2009 A Summer of Modern Art at The Phillips Collection This summer, The Phillips Collection presents Robert Ryman: Variations and Improvisations, the celebrated artist's first major exhibition in Washington, featuring rarely seen white - on - white paintings; Pousette - Dart: Predominantly White Paintings, an exhibition of luminous, poetic works created nearly without paint; and the latest project in the Intersections contemporary art series, in which Kate Shepherd incorporates her paintings and sculptures to create an immersive environment in -LSB-...]

Jena Priebe (b. 1978, Michigan) uses vintage and found objects to create immersive environments that juxtapose organic and mechanical, real and surreal.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

The projected images scroll across the large windows and walls of the gallery space to create an immersive environment.

The artists included in this exhibition — Adam Nelson, Yoko K., and Grethe Wittrock — will collaborate to create an immersive environment that explores the changing nature of our relationship to the natural world.

Every detail of the spaces was considered and altered to create immersive — total — environments.

Sir Norman Rosenthal, incidentally, helped create this immersive piece, complete with period music and film clips.

On view from January 13 through May 20, 2018 at the Frances Young Tang Teaching Museum, Elevator Music 35: Ephraim Asili — Jazz Salt is the 35th version of the Museum's Elevator Music series, which activates the Museum's elevator and engages artists across the visual and performing arts to create immersive, sound - based installations.

LAURA POITRAS The filmmaker who was recently awarded a Pulitzer Prize for her reporting on N.S.A. surveillance will create an immersive film environment, accompanied by other programs and events.

The human scale and graphic silhouette imagery of David's recent work create an immersive experience - one which the artist aims to be both seductive and unsettling.

Rather than create immersive or site - specific installations — as he did for the Venice Biennale in the summer of 2017 (representing the United States), and more recently at the Hirshhorn Museum in Washington, D.C. — Bradford presents ten colorful paintings built over nine months in the studio, on layers of comic book pages that he uses as a point of departure.

Here Wilcox revisits the «cinema in - the - round» panoramic presentations that appeared at the dawn of film history in the late 19th century, bringing the concept up to date with state - of - the - art technology to create an immersive cinematic environment.

Her work explores new technologies to create immersive digital environments with video and sculpture.

The two large - scale installations reuse discarded paper and cardboard and fabric to create an immersive environment of paintings, drawings, papier - mâché sculpture, and handmade books.

More: Pratt alumnus Pat Kim will present new experimental work that treads the line between sculpture and product; The Principals, which includes Pratt alumni Charles Constantine and Drew Seskunas, were commissioned by the editors of Sight Unseen to create an immersive installation that uses light to reflect users» biorhythms and create a calm, soothing oasis.