Sentences with phrase «create key art»

You will create key art and mood paintings to establish tone, game mechanics, and / or story beats as needed;
I have also worked for independent filmmakers with small budgets and little to no material to create key art.
I've created key art for major studios with big budgets, and they often budgeted for special photoshoots.

Not exact matches

The organization focuses on five key areas for creating lasting change: Public Health, Environment, Education, Government Innovation and the Arts.
For more on this, check out my last post, «The art of link building: Why creating a connection is the key to success.»
The key of the battle system is to combine Arts and the Soul Voice: that way, you create some rather neat combos.
Working with the Education Redesign Lab, mayors of each city will create and lead «Children's Cabinets» composed of superintendents, heads of health and social services, recreation, cultural and arts activists, and other key community leaders.
Creating vocabulary activities that will get students excited to participate and will also help them realize vocabulary words do exist outside the English Language Arts classroom is key.
Key Responsibilities Teaching: + Provides intensive intervention learning experiences and teaches pre-reading, reading, language arts, mathematics and other general elements of the course of study + Create an atmosphere through personal example and efficacious relationships with students which inspire academic achievement and an enthusiasm for learning.
1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?
It's also best to trademark the game name, art assets and key characters / mechanics as quickly as possible to avoid another Chinese company from trying to create a rip off game under the same name.
New Key Art We have asked Akihiko Yoshida, who was the main character designer for the original FFXII, and Isamu Kamikokuryo, who was in charge of the art direction for the original FFXII, to create new key art for us that will symbolize that world and story of IvaliKey Art We have asked Akihiko Yoshida, who was the main character designer for the original FFXII, and Isamu Kamikokuryo, who was in charge of the art direction for the original FFXII, to create new key art for us that will symbolize that world and story of IvaliArt We have asked Akihiko Yoshida, who was the main character designer for the original FFXII, and Isamu Kamikokuryo, who was in charge of the art direction for the original FFXII, to create new key art for us that will symbolize that world and story of Ivaliart direction for the original FFXII, to create new key art for us that will symbolize that world and story of Ivalikey art for us that will symbolize that world and story of Ivaliart for us that will symbolize that world and story of Ivalice.
Key Responsibilities: Works with the Art Director to create the lighting -LSB-...]
1x Instant Access +1 Extra Launch Key Reserve your username Have your say Exclusive «Wayfarer» title Craft exclusive weapon Craft exclusive wearable Craft exclusive tool Your name in the credits Original Soundtrack Access to World Builder Create biomes for the game Developers» World access 25 % more beacon claims Digital art book (pdf)
Create your hero - Play as Kirito or other key characters from Sword Art Online including Leafa and Asuna or create your own customizable Create your hero - Play as Kirito or other key characters from Sword Art Online including Leafa and Asuna or create your own customizable create your own customizable avatar
The key is creating automated, scalable sales funnels that sell your art consistently, so your art business can grow and expand in the long term.
On the occasion of the exhibition dedicated to Fernand Léger, the Centre for Fine Arts is inviting the Belgian artist Benoit Platéus (° 1972) to present a series of works created in New York, a key ci...
3 The first enlarged bronze key chain, a bird's - eye view of the artist's as - yet - unrealized art school, Fairfield International, was created in 2016 for Gander's solo exhibition The Connectivity Suite (and other places) at Esther Schipper, Berlin.
Beloufa provides keys to these answers so that they are pulled into the middle ground that he creates between the cinema and the art gallery, where speculation and imagination are as valid as truth and observation.
Artists will learn: - Methods of organizing community around social impact through arts and culture emphasizing available assets over deficits - Tools and activities to engage dialogue, break down barriers, and create a shared language among key stakeholders - Incorporation of art into city planning and urban development - How to negotiate, read / build contracts, and build robust budgets that both account for all aspects of project expense, including artist fee, and reflect the story of your project to funders and stakeholders.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.
There were many key artists in Latin America working in Op art, and creating Kinetic works at the same time as the European and North American artists.
Our ambition for this international Artists» Award is to open up a significant new biennial platform for nurturing emerging global talent and to create discursive space for key issues for art, artists and audiences.
Essays by art historian Gerald Schröder and writer - curator Brian Sholis provide new insight into key pictures, and artist Katharina Fritsch offers personal snapshots of her Düsseldorf colleague, creating a portrait of the artist in the round.
He's moved onto incorporating porcelains he's created himself as much less of a rarity, though the tableware of ancient dynasties remains a key ingredient in the art - fashion.
«Our ambition for this international Artists» Award is to open up a significant new biennial platform for nurturing emerging global talent and to create discursive space for key issues for art, artists and audiences,» BALTIC's director, Sarah Munro, said in a statement.
The members of General Idea were key figures in the 1970 - 80s conceptual art scenes and, with equal parts humor and criticality, created work across a variety of mediums and platforms.
09 Feb 2010 Anne Tallentire at the Irish Museum of Modern Art A survey exhibition of key works by Irish artist Anne Tallentire, created over the last ten years, opens to the public at the Irish Museum of Modern Art on Wednesday 17 February 2010.
The organization focuses on five key areas for creating lasting change: Public Health, Government Innovation, Environment, Education, and the Arts.
Arts that dance to a different tune; Tramway scheme creates divisions among key players The Herald; September 18, 2003; Analysis by Phil Miller Arts Correspondent; 700 + words... Douglas Gordon, winner of the Turner Prize, showed his 24 Hour Psycho... extended tenement site in West Princes Street as «squalid».
At Modern Art Oxford, in 1991, Jac Leirner spent time on residency creating one of her key early shows, later to be followed by solo exhibitions of Regina José Galindo (2009), Abraham Cruzvillegas (2011) and London - resident Argentine artist Amalia Pica (2012).
Three key bodies of work include, «Class Pictures» (2002 — 2006), portraits created in collaboration with young people and institutions across America; «The Birmingham Project» (2013), a series of dual portraits honoring the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Ala., presented at the Birmingham Museum of Art and 2014 Whitney Biennial; and «Harlem Redux» (2014 — 2017), in which Bey reprised his first project, «Harlem, U.S.A.» (1975 — 1979, later remounted in the 2010s), post-gentrification.
Our ambition for this international Artists» Award is to open up a significant new biennial platform for nurturing emerging global talent and create discursive space for key issues for art, artists and audiences.
Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent» symphony; Sol LeWitt (b. 1928) the High Priest of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator of «Happenings» Allan Kaprow (b. 1927).
The works were selected in response to both the site - specific context they are shown in — the Contemporary Art Society exhibition space as an office environment or workplace — and to the themes explored in one of the key print suites in The Whitworth's historic collection, William Hogarth's Industry & Idleness, created in 1747.
Working with the Opéra Théâtre de Saint - Étienne and the Musée d'art moderne, it creates a focal point for contemporary American art through a new strand, The New York Moment, which presents a series of exhibitions that bring together key figures in the New York art scene from the 1970s to today.
Dallas Cowboys Announce Art Program for New Stadium 14 Artists Creating Site - Specific Works for Cowboys Stadium, Including Mel Bochner, Olafur Eliasson, Teresita Fernandez, Matthew Ritchie, Lawrence Weiner Unprecedented Art Program Features Monumental Commissions At Key Locations Throughout Cowboys Stadium Arlington, TX (August 7, 2009)-- Dallas Cowboys owners Gene and Jerry Jones, along with their family, today announced the Dallas Cowboys Art Program, an ongoing initiative to commission contemporary artists to create monumental, sitespecific installations for the recently completed Cowboys Stadium.
The Peer to Peer programme is intended to create opportunities to develop critical thinking and creative practice, to encourage discussion and debate around BALTIC exhibitions and key concepts within contemporary art, as well as offer professional development opportunities to artists.
Emerging from her studies about the time of the Op Art movement and that seminal exhibition, The Responsive Eye, presented at the Museum of Modern Art in New York in 1965 and organized by William C. Seitz, Rector could not help but be influenced by the hard - edge structures, dizzying lines, geometric forms and high key and high contrast colors that created optical and illusory effects challenging visual perception.
The members of General Idea were key figures in the 1970's -80's conceptual art scenes and, with equal parts humor and criticality, created work across a variety of media and platforms.
This solo exhibition features some seventy works created since 1966, offering visitors a close look at the Uruguayan artist who may be considered one of the art world's key figures in the second half of the 20th century.
Using quotidian materials to create installations, sculptures, performances, and videos, these artists were key participants in the emergence of identity politics within the visual arts.
The original photographs were used to create portfolios that travelled to museums across the country, playing a key role in a western reading and understanding of African art, and the canonisation of the objects they reproduced.
One is a personal retrospective of the Super-8 films the artist created during his first two decades of art making; another comprises two portraits, one of an old Thai farmer ritualistically toiling through the day and the other of a European artist at work; finally, and most poignantly, a frame - by - frame remake of the great German film - maker Rainer Werner Fassbinder's key film Ali: Fear Eats the Soul (1974).
Key participants in American conceptual art include: the avant - garde composer John Cage (1912 — 1992) who created the controversial musical composition» 4 - 33», whose three movements contain not a single sound or note of music; the sculptor Sol LeWitt (b. 1928) noted for his influential essay «Paragraphs on Conceptual Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 194art include: the avant - garde composer John Cage (1912 — 1992) who created the controversial musical composition» 4 - 33», whose three movements contain not a single sound or note of music; the sculptor Sol LeWitt (b. 1928) noted for his influential essay «Paragraphs on Conceptual Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 194Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 1945).
These works were created between the 1960s and 2010 and are a key strand in Balzar's 50 years of abstract painting, which she produced in a global context, exploring the role and impact of non-referential art — a project that never left real - world references far behind.
KEY ACCOMPLISHMENTS • Created a mural of tiles for the World Art Exhibition help in Denver, CO in 2012.
KEY ACHIEVEMENTS • Created an intricate and elaborate floral mural for the Art Marathon held in January 2012 • Achieved success in winning Floral Design Concepts competition the participants of which were from 22 states
All Stars Helping Kids (Insert City, ST) 2005 — 2006 Director of Fundraising & Special Events • Planned and executed fundraising efforts generating in excess of $ 1.5 million per event • Directed the Ronnie Lott Celebrity Golf Tournament and Art & Heart Benefit Concert • Created sponsorship benefits and secured corporate and private financial and in - kind sponsors • Recruited, trained, and managed volunteer staff of more than 100 people • Built long - term relationships with key corporate and individual donors and supporters
a b c d e f g h i j k l m n o p q r s t u v w x y z