Sentences with phrase «create pictures of things»

Striving to heighten our understanding of time, they also create pictures of things that we are rarely patient enough to observe or that our eyes can never see.

Not exact matches

Think what he meant by imagination is to create a stories of who is GOD connecting things to him... but was not as how to imagine GOD picturing him in our minds which can not be done except by some one that might crack insane any time...!

Aside from all of the things that consume my day as I learn the ropes of true «adulting,» the main obstacle I have faced when wanting to post on here is that I have absolutely zero new pictures of the food I have been creating lately.

The one thing I am not sure of is whether his body language and used by Wenger create a distorted picture of him.

Valence has already modified a Prius... Marc Kohler, business development manager for Valence's vehicle systems program, says the major automakers appear to be acting disinterested, but it's not the full picture... «Publicly they have to say one thing, but R&D guys are actively researching it,» says Kohler, pointing out that high oil prices, national security issues, the fact that the technology is available, and the slow progress of fuel - cell cars has created an ideal environment for pursuing plug - in hybrids.

Based on the Pinterest model, where users upload pictures of things they like, Dattch allows users to create a kind of personality mood board, making profiles much more revealing.

The only thing you have to do now is create your profile by adding in some pictures of yourself and a description of what you are looking for.

Some of the features that you can unlock with a paid membership include the following: • View full profile and all pictures of members • Contact all of your matches • Create a list of up to 1,000 favorite members • Enjoy full messaging features • Access support through phone As an excellent choice for the top casual sex sites, it is a good thing that there is different membership plans that are available.

The Best Picture winner of that year — one that heralded for many the ascendance of the «indie» and predicted, if one were cynical enough to predict such a gloriously retarded thing at the time, the major studios scampering to erect boutique «major - minis» and hence create their very own independent movies — was of course Sam Mendes's grimoire of suburban gothic archetypes, American Beauty.

Working from a sensational, intimately layered script written by Simon Beaufoy (Slumdog Millionaire, The Full Monty) and directed with dexterous skill by Little Miss Sunshine impresarios Jonathan Dayton and Valerie Faris, this empowering, exuberantly enthusiastic motion picture creates such a palpable sense of joy in the viewer it gives one hope things really will turn for the better sooner rather than later.

I think one of the most important things that picture books do is help to create a language for the things that move us deeply, particularly for things that don't always have an established language yet.

The student chooses 14 things, characters, or events that played a part in the book and creates two cards that have identical pictures of each of those things.

Every school leader should have a clear picture of how things should work and who makes what decision so that they can create role and goal clarity for teachers.

In addition to the features mentioned above, you'll find in these pages annotated bibliographies that deal with architecture and construction in picture books (p. 13), stories of overlooked inventors and the things they created (p. 4), and examinations of gaming and coding in middle - grade novels (p. 29).

There's a decent degree of extra detail present within every inch of the game, allowing you to pick out small things that you couldn't before and therefore creating a richer overall picture, enhanced by slightly stronger colors.

It is fun to take pictures of things around you randomly, but today I will teach you the know - how necessary for creating stages in an intended design.

Austin believed that what he called contemporary «living things» — «pictures, sculpture, architecture, decorative arts, even music and movies» — must take their places beside great works of the past because «we must surely seek to live in the present and try to create the new forms which are to be our legacy to the future.»

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

It's a difficult thing since I want both to create depth with one continuous gesture and maintain the flatness of the picture plane.

I feel the same way BUT a lot of my over extension is spent on the non work hobby side of things which leads to me creating a lot of freevcontent (pictures & video), but I really love doing it and I always feel like I'm on a mini vacation

So here, on a fundamental level, is what you need: you need to know how to use a computer, to use outlook (or some other contact system), to create a PDF, to send and open attachments, to download and upload pictures, to connect your computer to a wireless hub, to surf the web, to click on links, and a host of other things.

I would peruse magazines for pictures of things I liked, send the pictures to them and they would create it... even blending a couple different ideas if I asked them too.

Give your room plenty of personality by creating a picture wall of the things you love, be it family photographs, landscapes or even your favourite sporting stars.