Sentences with phrase «create planes of color»

Designed to allow for open spaces between the panels, the curtains create planes of color that can be reconfigured into alternative groupings.

Designed to allow for open spaces between the panels, the curtains create planes of color that can be reconfigured into

Not exact matches

She embraced the «synthetic cubist» method of painting, using small, geometric planes of strong color to create stunning, empowering portraits of women.

She creates small patches of color from carefully hatched lines to show skin; each plane works to delineate the exposed volumes of her sitter's body.

Highway overpasses, empty offices, cityscapes, and even public figures» faces are reduced into planes of flat color, which the artist carefully paints in taped - off portions, creating crisp images that sit somewhere between the handmade art of paintings, cartoon - like animation, and mass - produced perfection.

Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap divides the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.

Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pColor Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pcolor spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

Initially, Sanín created works using a gestural abstract style, like contemporaries Elaine de Kooning, Lee Krasner, and Joan Mitchell, but found her true voice in the geometry of hard - edge, symmetrical compositions filled with flat planes of color.

Schutz creates unsteady cornucopia compositions that build out of paint, creating shifting spatial planes that flip - flop, flickering in confetti color and, until recently, with creamy paint, which flower into bucolic clusterfucks.

Melbourne - based artist Michael Staniak (born 1982) creates paintings that intentionally confuse the digital with the handmade; rugged planes of color and texture evoke the hyper - saturation of our technology - centered world.

Scholars note the influence of post-impressionist arranging of color planes to create a pictorial space in Giacometti's work, «model [ing] according to Cezannean technique of building up volume with a patchwork of complementary colors and highlights.»

The structure of Hofmann's well - known Slab paintings of the 1960s, with their hovering rectangles, is similarly informed by the generous planes of Synthetic Cubism, while his life - long exploration of color as both a vehicle for emotion and means of creating space can be related to his admiration for the work of Henri Matisse.

Using designs, icons, and colors from all of the world's national flags, without hierarchy or political prejudice, Kimsooja's installation To Breathe — Zone of Nowhere creates a visual canopy where national differences exist on an equal plane.

The broad planes of color created an impression of redefining the space through the relation of line and colors.

Inspired by European modernism and closely related to Abstract Expressionism, Color Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pColor Field painting is a style of abstract painting characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pcolor spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

She creates each uniquely shaped panel by hand to augment the crisp geometric lines of her vivid and pastel color planes.

DeFeo often applied paint to canvas in thick layers, while Lawrence and Davis created flat planes of vivid color.

Color interactions create space beyond the picture plane in the liminal space of Hans Hofmann's «push - pull.»

Since 2007, Tadasky has reintroduced optical effects by infusing his atmospheric circles with brightly colored drips of paint that activate the surface and create a three - dimensional illusion as though the circles bulge out of the picture plane.

Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings where he worked in a unique wet - on - wet method creating linear colored bands across the surface plane.

Albers's precise application of color also created plays of space and depth, as the planar colored shapes that make up the majority of his works appear to either recede into or protrude out of the picture plane.

Finally, a translucent sheet of abaca paper was applied, promoting unique aspects of the papermaking process, and enabling a contrast between the portion of the work that is determined — color and string combinations — and the length of the strings, which extend below the plane, creating an effect of unknown possibility, more and more choices.

For example, in a painting on paper from c. 1946 - 1949 inscribed and gifted to Anni Albers, Asawa uses subtle modifications in color and form to create a sense of depth and motion within the otherwise flat picture plane.

Emerson's paintings create powerful vibrations by combining strategically situated colors in layered geometric patterns that jump out of their two - dimensional plane.

In doing so, he used multiple planes of solid color to create the illusion of depth, space, and movement amid smooth, uninterrupted surface textures.

Works such as Latz (2014) depicts Neukamp's ability to create almost vector - like graphics, which oscillate between ambiguous planes of texture, geometry and color.

Then, in later years, the artist moved back to conceptual art and created the lyrical planes of color in what now is his most celebrated work, his Ocean Park series.

The diffusion of intense, hot color is punctuated by crisp elements that fragment the surface and create movement and tension across the picture plane.

Moving back and forth between abstraction and figuration, he has depicted geometrical forms including dots, lines, triangles, square and ellipses, and rhythms of fresh and vivid colors on the pictorial plane, and has created unique, illusionistic worlds of painting wherein each motif influences and merges into each other while preserving a descriptive quality.

Grids and Planes, in 2012, was the second solo exhibition that presented classic grid structures with endless gradients of color that, depending upon the palette, either created a portal to access a world beyond or the center of the grid seemed to lift off the wall and intervene in the gallery space.

Using the plastic, elastic and malleable characteristics of the material, he began creating highly - detailed facsimiles of any and all types of vehicles — trucks, planes and automobiles — that satirize and celebrate the metal realities with bright - colors.

Large planes of color executed with a loose brush stroke create a structured tension that asserts the artist's underlying abstract arrangement of form.

He explored differences between surfaces that were highly polished and roughhewn, and experimented with the impact of planes of color colliding to create forms.

She separates hard - edge shapes with painterly passages of carefully modulated markings, and she uses subtle tonal shifts to create an illusion of overlapping planes of transparent color.

Other works include Christoph Büchel's video projection originally created for the Sydney Biennale in 2008, showing rehearsals of a punk song performed by senior ladies; African - American artist Kara Walker's installation Darkytown Rebellion, a theater of silhouette and colors dealing with race, gender, and identity; 2000 Turner Prize winner Wolfgang Tillmans» work Rachel Auburn & son and Bulgarian artist Nedko Solakov's large - scale installation The Truth (The Earth is Plane, The World is Flat).

He explored shaped canvases, reductive color palettes and multi-component canvases to create the illusion of three - dimensional space in a two - dimensional picture plane.

By exploring the relationship between the flat plane of a canvas and the basics elements of artwork and sculpture — color, shape and composition — Frank Stella created his Black Paintings.

In Matthíasdóttir's case, she expressed her synthesis of abstraction and representation by dividing the picture plane into discrete sections of color, as if she were creating a map.

Renowned for his use of bold, monochromatic planes of color, Ellsworth Kelly (1923 - 2015) created a fifth of his oeuvre in black and white.

Since the beginning of his career in the mid - «60s, Robert Mangold (b. 1937, North Tonawanda, NY) has combined the classic elements of composition — shape, line, and color — to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.

The stained surfaces create layered, non-hierarchical spaces where colors, shifting planes and chunks of paint float like fleeting thoughts.