Sentences with phrase «create text paintings»
For the current exhibition at Gagosian Gallery in Beverly Hills, Alex Israel and Bret Easton Ellis, Israel has collaborated with the celebrated author to create text paintings — fragmented narrative combined with lush stock imagery — that mine their native landscape.
https://www.swissinstitute.net/ Not exact matches
In this lovely biography, poetic text and gorgeous paintings come together to create a portrait of Cousteau and the magic of oceanography.
One of the main ideas when creating a painting or calligraphy text is that it shouldn't be too busy and should leave some space.
With vivid paintings and clear, accessible text, Roy creates a heart - stopping look at what great white sharks do best — hunt for their next meal.
About 65 objects created from 2011 to the present will be featured including figurative works, text - based wall hangings, a significant selection of beaded punching bags, painted works on rawhide and canvas, and video.
Hybrids of poetry, painting, and sculpture, Jablon's works are crafted from found materials and texts, created from vibrant swathes of paint, sequins, mirrors, and tiles.
While its iterated cuts conjure a dynamism that has an undeniable debt to Italian Futurist painting, the elongated, serial composition and slick objecthood of Concetto spaziale, Attese can also be seen in relation to such Minimalist formats as the boxes and «stacks» created by Donald Judd, whose groundbreaking text «Specific Objects» had been published in 1965.
More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.
Standout artists in the show include Tomashi Jackson, who uses Josef Albers's 1963 text Interaction of Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his figurative paintings and drawings with found materials; and Kennedy Yanko, who makes abstract sculptures by blending rubbery skins of poured paint and crumpled paper with bits of marble and scrap metal.
Lerma uses layers of figurative as well as abstract elements, charcoal and colours, text, the blank canvas and smudges of paint to create vibrant, erratic compositions in which you recognize cartoonish figures, mysterious calligraphic signs, and vegetal varieties.
Although Wool pretty much shut down his franchise in text paintings after 1992, there are a pair of late stragglers in the show, one from 1997 and the other from 2000; but the artist keeps changing his tactics, trying new ways of creating «false fronts and psychological stances.»
EPIC TALES FROM INDIA: PAINTINGS FROM THE SAN DIEGO MUSEUM OF ART A selection of paintings from the 12th to the 19th century, created to illustrate literary texts, comes to PPAINTINGS FROM THE SAN DIEGO MUSEUM OF ART A selection of paintings from the 12th to the 19th century, created to illustrate literary texts, comes to Ppaintings from the 12th to the 19th century, created to illustrate literary texts, comes to Princeton.
Murphy creates a new sublime - a form of art that refers to a profound unknowing - by incorporating elements of chance in the form of lines, data, and text in his paintings, drawings, digital works, and LED matrix work.
Hans Op de Beeck (b. 1969) creates large - scale installations, sculptures, films, drawings, paintings, photographs and texts.
Collage, documentary photography, poetic text, painting, needlepoint, crochet, textile work and animation are all methods enlisted by these artists to create works that deal with various social issues.
At 18th Street, Wood created a series of inkjet print, which combined digital photographs with text and her own painted images.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
SANDOW BIRK: AMERICAN QUR» AN The artist has created more than 300 gouache paintings in which every verse in the Islamic holy text is transcribed in script based on Los Angeles graffiti.
Dahlia Elsayed combines text and imagery to create narrative paintings that document internal and external geographies.
Also in the booth are several of Ms. Mishima's collage - paintings from the 1960s, which include texts and images in both Japanese and English, creating a cross-cultural, East - West mash - up.
The author notes, «Johanson eschews in this set of paintings the strategy of inserting text directly into the worlds he creates.
Other collages are created out of torn images and texts from magazines, which are then painted or drawn over.
His exquisitely rendered drawings and paintings draw on dream imagery, where the surface of his work relates to both the mind and the body, and becomes a skin on which to create layers of marks, volumes of text, leading the viewer into another world.
Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.
Building on the performance at Performa 15 in New York, at ICA Miami Artist Theater Program will fuse elements of each participating artist's practice — including painting, sculpture, text, sound, and light — to create a new, unified, and site - specific work bridging visual and performing art.
The artist often combines film, text, sound and paintings to create a dream - like environment and existential experience for viewers.
More recently, Lancaster has created paintings based on the handwritten texts found on the borders or reverse sides of photographs.
As a result, each bold line and cross-hatch the artist used to construct the image is vividly communicated, revealing White's signature style, which blends gestures of painting, printmaking, and drawing with text to create new visual content.
The work utilizes paint, text, and a range of materials to create a space between what is read and simply seen.
Text from Scott's recent exhibition at the Danforth Museum (MA) describes her work as «Influenced by the aesthetics of contemporary painting, as well as the thrifty and improvised nature of folk art, Susan Scott manipulates traditional painters» materials such as canvas, wood, staples and paint to create an elegant and quirky hybrid of painting and sculpture.»
Nathanson uses gels, decorative paper, and adhesives in combination with poured acrylic paint to create the support structure of her pieces — a formal play that points to the creation of the earth in the text.»
The artist's densely layered works incorporate text, drawing, collaged paper, plastic, felt, fur and paint to create a collision of symbols and visual tropes that evidence Hancock's singular vision and distinctive means of storytelling.
Sam Gilliam's takes a more immersive Rothkoesque approach in April 4, a tribute to Martin Luther King created a year after his assassination, staining and knotting the canvas to create wash - like veils of muted colour dotted with clots of crimson, which «may suggest bloodstains» the texts argue — though the painting doesn't hit quite the note of transcendence it aspires to.
Paul Stephen Benjamin is a multidisciplinary artist who employs painting, sculpture, installation and video to create multi-layered works that incorporate history, text, and popular culture.
In creating his closely observed and patterned paintings, Di Fabio works in tandem with his reading of texts of chemistry, physics, and biology.
In the process he not only isolated specific details of the Städel paintings but also partially overpainted those details and combined them with texts formally reminiscent of excerpts from Hollywood film scripts to create large horizontally or vertically divided diptychs.
Rochelle Feinstein explores the history of painting, including text - based work, Neo-Expressionism, and collage, to create her distinctive if varied oeuvre.
In the process, he not only isolates specific details of the Städel paintings, but also partially overpaints those details and combines them with texts formally reminiscent of excerpts from Hollywood film scripts to create large horizontally or vertically divided diptychs.
Originally referring to the ecstatic verses created by ancient Greek followers of Dionysus, the term, for him, stands for what the wall texts call «the primacy of the artist's expressive power over the subject» — that is, the nominal subject that triggered the improvisatory process of picture - making loses its original meaning by being translated into this new state of being, since any painting is both abstract and a fiction.
Private galleries have their major players out in force: the reliably disturbing Marlene Dumas's latest work takes the crucifixion as its starting point (Frith Street Gallery, W1, Fri to 26 Nov); Tal R's turned to old master techniques to create paintings that are radiant; and Doug Aitken, the man who turned video art into a Hollywood - standard production, is showing text works (Victoria Miro, N1, Wed to 12 Nov).
Viewed aesthetically, the composition of the piece — the weight of the letters fluctuating with each line, the spacing between the lines methodically decreasing as the text progresses, the winding italics creating rhythmic markers on a background of «ghost text» from the same selection peering through a thin overcoat of white paint — encourage appreciation of the textural qualities of the written word.
These trails are at times definable as text and images, intended to create a desired tension in the paintings.
They come both in the form of artworks of an intimate character and large staged installations in which painting, photography and documents, text and sound, writing and memory, combine to create visual tales.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
Created through an intricate process, the 18 works on paper in this exhibition serve as a foil to the large painting also on view, the stark shapes of which recall archaic hieroglyphic text.
Today, Chann's enduring legacy is the unique and fascinating blend that he created of text and image, abstract and figurative art, ancient Chinese culture and modern Western painting.
For his upcoming show at Nicole Klagsbrun, he has created paintings that contain the texts of obituaries — of living people in the public eye — funny paintings with a darkly critical underbelly.
Painter in Residence Tim Gould used paint layers, stencilled text and imagery, highlighted with gold leaf, to create a table inspired by the marks it had gained over the years.