Sentences with phrase «create visual illusions»

Photographs, particularly those in online dating profiles, can never show us the reality of what we would think of that person in real life, primarily due to technologies like Photoshop, which create visual illusions that projects deceptive characteristics from the one displaying the image.
Ramachandran developed a «mirror box» that creates the visual illusion of two hands for people who actually only have one (see They do it with mirrors).
the form or shape of the garment can help you hide, or enhance parts of your body to create a visual illusion that helps overcome «problem areas».
Although a photo of you with a group of friends can create a visual illusion called the cheerleader effect, where individual faces appear more attractive, you should go for solo shots of you.
Each data point represents a monthly observation of overlapping five - year periods, creating a visual illusion of more observations than we actually have.

Not exact matches

Mathematical physicist Roger Penrose drew his famously impossible triangle, and visual scientist Dejan Todorovi of the University of Belgrade in Serbia created a golden arch that won him third prize in the 2005 Best Illusion of the Year Contest.
Visual illusions show us that color, brightness and shape are not absolute terms but are subjective, relative experiences actively created by complicated brain circuits.
«We hope to use this illusion as a tool to uncover why peripheral vision seems so rich and detailed, and more generally, to understand how the brain creates our visual perceptual experiences.»
Ending January 2 Artist M. C. Escher famously created «impossible» visual illusions, such as never - ending staircases, perpetually flowing streams and off - kilter perspectives.
I feel like the visual effect of having my tops over my pants creates the optical illusion that my backside is more reasonable.
Plus when you create a high visual mid-point you in turn create the illusion of a long leg.
«Seeing Double» goes into detail about the visual effects employed to create the illusion of two Hayley Millses.
And the side glass wraps around the blacked - out D - pillars creating a floating roof illusion and somewhat reducing the visual mass of a vehicle designed to seat 7 or 8 people.
The designers have borrowed a visual trick from the Nissan GT - R supercar, using blacked - out A pillars, as well as mid-car B - and kick - up rear C - pillars, to create an illusion the roof is floating above the body.
The visual angles create the illusion that you are floating right above the waters of the Pacific.
Clever visual design helped sell the illusion: EAD's graphical designers used some effective illustrative tricks to create a sensation of depth, of a raised racetrack hovering above futuristic landscapes, flanked by electric orbs that acted as bumpers and hazards to prevent driving off the road.
Head tracking is an interesting technique in which your head's movements are tracked and the game's visuals adjusted accordingly to create a very convincing illusion of depth.
In the process, he realizes his visual manipulations in a variety of ways: he creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial illusions and visions of the future.
More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding visual perception by creating the illusion of three - dimensional space and motion using mostly line and color.
Rejecting tradition, they favored bold, abstracted forms that broke free from the illusion of depth, creating simplified and stylized landscapes that expressed their personal, subjective encounter with nature and response to the region, rather than trying to imitate the exact visual appearance of a location.
Grotjahn's geometric abstractions employ disjointed vanishing points, the kind originally invented to create a convincing figurative illusion but here swallowing up visual energy as if some vividly chromatic black hole.
Op compositions create a sort of visual tension in the viewer's mind that gives works the illusion of movement.
He accomplishes this by joining sculptural elements with projected video imagery to create audio / visual illusions that trap the viewer between conflicting interpretations, thereby forcing a state of self - awareness that is otherwise absent while watching television.
In creating an illusion of rotation, «Drought» demonstrates that the intensity sought by Noland was visual rather than emotive.
Mirroring the three - dimensionality of the film's visual narrative is the dub soundtrack to Nightlife, a space - filling and deliberately low - tech soundscape made by the artist using a variety of analog filters and basic sound effects, such as reverb and delay, creating a disorienting illusion of expanded space.
Optical illusions such as the Fraser spiral strikingly demonstrate limitations in human visual perception, creating what the art historian Ernst Gombrich called a «baffling trick.»
Calibrating, smoothing, blending, and graphing to create visual correlation, a subjective illusion, is dishonest, and in dealing with the public, unethical.
Besides using an ultra slim NeoPDP panel with the latest and greatest in plasma technology, two aluminium profiles bent inward in a V - shape — one in black and one in natural high - gloss polished aluminum — create an optical illusion giving the TV a thin, light and extremely elegant visual expression.
Hanging several smaller mirrors in a group can add lots of visual interest, while using one large mirror will instantly create the illusion of more square footage.
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