Photographs, particularly those in online dating profiles, can never show us the reality of what we would think of that person in real life, primarily due to technologies like Photoshop, which
create visual illusions that projects deceptive characteristics from the one displaying the image.
Ramachandran developed a «mirror box» that
creates the visual illusion of two hands for people who actually only have one (see They do it with mirrors).
the form or shape of the garment can help you hide, or enhance parts of your body to
create a visual illusion that helps overcome «problem areas».
Although a photo of you with a group of friends can
create a visual illusion called the cheerleader effect, where individual faces appear more attractive, you should go for solo shots of you.
Each data point represents a monthly observation of overlapping five - year periods,
creating a visual illusion of more observations than we actually have.
Not exact matches
Mathematical physicist Roger Penrose drew his famously impossible triangle, and
visual scientist Dejan Todorovi of the University of Belgrade in Serbia
created a golden arch that won him third prize in the 2005 Best
Illusion of the Year Contest.
Visual illusions show us that color, brightness and shape are not absolute terms but are subjective, relative experiences actively
created by complicated brain circuits.
«We hope to use this
illusion as a tool to uncover why peripheral vision seems so rich and detailed, and more generally, to understand how the brain
creates our
visual perceptual experiences.»
Ending January 2 Artist M. C. Escher famously
created «impossible»
visual illusions, such as never - ending staircases, perpetually flowing streams and off - kilter perspectives.
I feel like the
visual effect of having my tops over my pants
creates the optical
illusion that my backside is more reasonable.
Plus when you
create a high
visual mid-point you in turn
create the
illusion of a long leg.
«Seeing Double» goes into detail about the
visual effects employed to
create the
illusion of two Hayley Millses.
And the side glass wraps around the blacked - out D - pillars
creating a floating roof
illusion and somewhat reducing the
visual mass of a vehicle designed to seat 7 or 8 people.
The designers have borrowed a
visual trick from the Nissan GT - R supercar, using blacked - out A pillars, as well as mid-car B - and kick - up rear C - pillars, to
create an
illusion the roof is floating above the body.
The
visual angles
create the
illusion that you are floating right above the waters of the Pacific.
Clever
visual design helped sell the
illusion: EAD's graphical designers used some effective illustrative tricks to
create a sensation of depth, of a raised racetrack hovering above futuristic landscapes, flanked by electric orbs that acted as bumpers and hazards to prevent driving off the road.
Head tracking is an interesting technique in which your head's movements are tracked and the game's
visuals adjusted accordingly to
create a very convincing
illusion of depth.
In the process, he realizes his
visual manipulations in a variety of ways: he
creates computer images, photographs or silkscreens through to whole room - filling installations which represent still lifes, spatial
illusions and visions of the future.
More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding
visual perception by
creating the
illusion of three - dimensional space and motion using mostly line and color.
Rejecting tradition, they favored bold, abstracted forms that broke free from the
illusion of depth,
creating simplified and stylized landscapes that expressed their personal, subjective encounter with nature and response to the region, rather than trying to imitate the exact
visual appearance of a location.
Grotjahn's geometric abstractions employ disjointed vanishing points, the kind originally invented to
create a convincing figurative
illusion but here swallowing up
visual energy as if some vividly chromatic black hole.
Op compositions
create a sort of
visual tension in the viewer's mind that gives works the
illusion of movement.
He accomplishes this by joining sculptural elements with projected video imagery to
create audio /
visual illusions that trap the viewer between conflicting interpretations, thereby forcing a state of self - awareness that is otherwise absent while watching television.
In
creating an
illusion of rotation, «Drought» demonstrates that the intensity sought by Noland was
visual rather than emotive.
Mirroring the three - dimensionality of the film's
visual narrative is the dub soundtrack to Nightlife, a space - filling and deliberately low - tech soundscape made by the artist using a variety of analog filters and basic sound effects, such as reverb and delay,
creating a disorienting
illusion of expanded space.
Optical
illusions such as the Fraser spiral strikingly demonstrate limitations in human
visual perception,
creating what the art historian Ernst Gombrich called a «baffling trick.»
Calibrating, smoothing, blending, and graphing to
create visual correlation, a subjective
illusion, is dishonest, and in dealing with the public, unethical.
Besides using an ultra slim NeoPDP panel with the latest and greatest in plasma technology, two aluminium profiles bent inward in a V - shape — one in black and one in natural high - gloss polished aluminum —
create an optical
illusion giving the TV a thin, light and extremely elegant
visual expression.
Hanging several smaller mirrors in a group can add lots of
visual interest, while using one large mirror will instantly
create the
illusion of more square footage.