Sentences with phrase «created by individual artists»

Not exact matches

The lawsuits, each filed by individual artists in a US federal court in Los Angeles, ask a judge to create a class - action suit in which other alleged victims can collectively seek damages.

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.

Working in oils, Renaissance artists could create a vivid illusion of reality by making individual brush strokes disappear.

Now Rosefeldt is releasing his project as a single 90 - minute feature, described on his website as «a series of striking monologues -LSB-...] created by editing and reassembling a collage of artists» manifestos, from declarations penned by the Futurists, Dadaists and Situationists, to the musings of individual artists, architects, dancers and filmmakers such as Sol LeWitt, Yvonne Rainer and Jim Jarmusch.»

3D character models are used to render individual animation frames, which are then rasterized into sprites and manually hand - touched up by talented 2D artists to create cel - like characters and movement.

Used by millions of individuals, tens of thousands of charities, hundreds of companies and many of the most famous artists and athletes in the world, CrowdRise enables people to creatively leverage their resources and networks to unlock the power of the crowd to support positive social missions and create massive impact.

3D character models are used to render individual animation frames, which are then rasterized into sprites and manually hand - touched up by talented 2D artists to create cel - like characters and movement.

In the state of Tennessee there is very little funding for individual artists and the way that art communities are coping with that is by creating these nonprofit residencies and arts organizations.

Edwin Heathcote of the FT commented: «A new vaulted ceiling has been created here and decorated with infinite care by artist Alan Johnston, whose delicate pencil work carefully articulates the individual vaulted segments.»

By bringing together the talents of an artist, a block carver, a printer, and a publisher, shin - hanga works mimicked the traditional collaborative process of ukiyo - e printmaking, as opposed to the «creative prints» (sosaku - hanga), another movement that emerged in Japan at the same time and advocated artists to create prints through their individual effort.

With their obsessive nature and encyclopedic magnitude, Darboven's visualizations of time and recent history, as well as the collection, selection, and rearrangement of knowledge in form of handwritten excerpts, photographic, literary, and journalistic documents of cultural history, bear witness to the artist's attempt to counter the information flood and the alleged chaos of the (post --RRB- modern world by creating an autonomous classification system and by placing herself in an individual framework of meaning.

Brooklyn - based artist Jean Shin uses the cast off materials of everyday life — including broken umbrellas, empty bottles, used lottery tickets, and dryer lint — to create complex and laborious sculptures and site - specific installations that speak to the collective notion of memory as lived by countless anonymous individuals.

Against the backdrop of these questions, the group exhibition presents pieces by artists who have grown up with the Internet as well as those produced by an older generation and brings together works that explore, unclose and question pictorial worlds in addition to ultimately creating individual original works with the tools of the digital cosmos.

The answer was that, for us, artists like Levine and Bender have deliberately and steadfastly embraced a «critical» practice — work that is, at its core, committed to challenging the dominant culture and creating a space for debate — while those like Prince and Koons did not do so consistently over time, up to and including their most recent work (although individual works by both artists might arguably be described as such).

At a time during the Civil Rights movement when African American artists were expected by many to create figurative work explicitly addressing racial subject matter, Gilliam persisted in pursuing the development of a new formal language that celebrated the cultivation and expression of the individual voice and the power of non-objective art to transcend cultural and political boundaries.

ARTICLE 3 The Works in the exhibition are from the collection of Marieluise Hessel, created by the following individuals, hereby referred at as The Artists: Vito Acconci, John Baldessari, Jonathan Borofsky, Tom Burr, Scott Burton, Patty Chang, Louisa Chase, Saul Fletcher, Felix Gonzalez - Torres, Mona Hatoum, Nancy Holt & Robert Smithson, Jenny Holzer, Robert Mapplethorpe, Mario Merz, Pieter Laurens Mol, Sigmar Polke, R.H. Quaytman, Carolee Schneemann, Cindy Sherman, and Andy Warhol.

As a gratifying collection of new work by a vast range of Chicago - based artists, this exhibition aims to create «a contemporary sense of semiotic flexibility as a whole while allowing for individual experiences,» according to the catalogue essay by curator Britton Bertran, former director of the city's Gallery 40,000.

The Museum's Second Floor presents a broad selection of Trockel's work in conjunction with a selection of artifacts created by individuals not normally recognized as professional artists, whom she considers kindred spirits, nonetheless.

The Art of Chess brings together 16 chess sets designed by some of the world's leading contemporary artists who have chosen to create outstanding works of art, each infused with their individual style, in celebration of the «game of kings» and its continued relevance to the creative arts.

Created by «Studio Drift» (AKA Amsterdam - based artists Lonneke Gordijn and Ralf Nauta) in partnership with BMW and Pace Gallery's Future \ Pace program, the piece was inspired by the way in which starlings cluster together in massive acrobatic flocks, and the artists see the piece as exposing the «delicate balance between the group and the individual.»

Their first collaboration came ten years later in the shape of a cycle ride by tandem through France, a shared experience that led to each artist creating individual bodies of work.

The Freedman Gallery seeks to create, expand, and engage our passion for personal expression, individual creativity, and intellectual curiosity through exposure to the highest quality of contemporary artwork by, primarily, living American artists.

Placed within the vibrant, immersive environment created by the paintings, Kusama's new stainless steel sculptures depict fantastically scaled, individual flowers featuring the artist's distinctive bold palette.

In addition to individual issues, which are published twice a month, Packet publishes wire - bound compendiums of six issues at a time, each featuring a cover created by an artist in seasonal «residency.»

The exhibition transforms the individual act of masturbation into a collective one by comparing the first meaning of the word «masturbation» with the pleasure the artists take whilst creating their works.

As a leading, progressive arts and cultural agency, DCA empowers Los Angeles» vibrant communities by supporting and providing access to quality visual, literary, musical, performing, and educational arts programming; managing vital cultural centers; preserving historic sites; creating public art; and funding services provided by arts organizations and individual artists.

We do so by joining forces with local, national and international organizations and individuals, to create a community that inspires art lovers, artists, professionals and collectors all around the world.

Inspired by that performance, the artist then set out to create 1,000 individual word paintings, intending the series to be presented en masse once complete.

These artists will explore their individual roles within this concept, by means of the ongoing dichotomy created by using manual and automatized creative process.

From this revolutionary turning point, the artist led a series of work for multiple or individual projectors during 10 years or so: a universe of light in which conceptual rigor was only matched by the sense of marvel they created.

Campers will work with professional visual artists to create both individual and collaborative works inspired by the Museum's Collection and great works of art from around the world.

Isabelle Cornaro has created Mixed Feelings to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

«By highlighting each artist's individual approach to materials, composition, color and content, Magnetic Fields creates a context for a lively and visual conversation among these artists,» said NMWA Director Susan Fisher Sterling.

David Ostrowski has created the special c - type print F (I think you may have something here)(2014) to accompany the Beware Wet Paint group show of individual paintings by artists for whom painting forms a single strand within a multidisciplinary practice.

Individual painted shapes are peeled and collaged onto a canvas entitled «Nimaima, 2014» created by the Colombian artist Omar Chacon.

Gaia November 18, 2012 — May 5, 2013 Site - specific installation Baltimore - based street artist Gaia has created two mural - sized artworks inspired by the museum's iconic Vahine no te Vi (Woman of the Mango) painting by Paul Gauguin and individuals living in the Museum's neighboring Remington community.

Artists have drawn on their own racial identities to create ennobling depictions of historically marginalized individuals, such as the detailed portraits of African American individuals and families by Charles White.

By privileging the often - alchemical ways that paint and paper interact, these artists create works that are distinctly individual and that reflect an intuitive engagement with process.

The Bluegrass community is invited to come discover UK's talented young artists at the popular Open Studio annual event, which gives individuals an opportunity to see the various media of artwork created by UK's undergraduate students, graduate students and faculty.

In addition, Ryan worked in conjunction with nine artist members of The White Room Gallery to create a single artwork made up individual panels by each artist that were conjoined by a calligraphy character made by Ryan.

The works range from Joan Snyder's My Pain Is No More Than Being's Pain, which dates from 1983 and is in the Bruce Museum's collection, to individual installations by paired artists Alois Kronschlaeger and Lin Yan that were created specifically to explore this exhibition space.

Her brand new works, commissioned and created especially for this exhibition, include a large - scale sculptural installation, with large plaster works meticulously coloured by hand, and another work suspended from the ceiling which has been hand - crocheted by the artist using thread that has been coloured using dyes created from individual flowers.

The emerging artist Willa Nasatir (b. 1990) creates photographs routinely informed by a cinematic vocabulary, inspired by the shifting landscape and individuals who inhabit New York, where she works and lives.

Handpainted Tiles can be handpainted by artists with an individual motif or a mixture to make a mural — possibly using inks or special enamels before firing and glazing to create a protective finish.