Religon is some BS stroy
created by old men to explain a world they did nt understand.
Not exact matches
Paul wants his readers to put off that
old way of conduct, and live their new life in the Spirit with the new
man which was
created by God for righteousness and holiness (Ephesians 4:22 - 24).
It saddens and frightens me that I have to watch the western world controlled, to a large extent,
by a group of people that actually believe that an invisible person, for many an
old man, actually controls and
creates existence.
in the greater scheme of things, as time was
created for us as a means of seperating the day from the night but god, the idea that when God made the heavens and earth before establishing time, many billions of years may have passed
by, even the time frame I mean
men according to the bible used to live for 600 - 11 years
old.
Several studies exist that show carbon dating to be woefully inaccurate, dating rocks that are
created by man and known to be 70 years
old to be millions of years
old.
In the second installment (June / July), I noted that what was at first called a «pedophilia» crisis was now recognized
by almost everyone as a crisis
created by adult
men having sex of various sorts with adolescent and
older teenage boys.
Concert in an Egg, in regards to Genesis 1:27, which was written
by the Priestly Source, stating the first
man and woman were
created simultaneously, whereas the Genesis 2 creation story, written
by the Yahwist, which is the
older of the two creation stories, has Eve formed from Adam's rib, there are other early Jewish myths that provide an explanation, i.e., that Eve was not the first woman Yahweh provided for Adam.
By creating an attractive profile on websites such as olderwomendating or naughtydating, a young
man can attract
older women to hi like bees to a honeypot.
He begins
by creating his own personal brand of plastic explosive which... well, let's just say that soon he has a new team, made up of straight - laced Army Lt. Dixon Piper (straight
man Ryan Phillippe) and
old friend Vicki St. Elmo (Kristen Wiig), who just happens to have been at that fateful wedding years before.
Mendez has to set up a production office on a studio backlot (
manned by a pair of
old - school movie
men, played with gusto
by Alan Arkin and John Goodman), buy ads in the trade mags,
create storyboards and a script and then make his way to Tehran, sneak into the Canadian Embassy to meet with the State Department six and prep them to act like screenwriters, producers, and cinematographers, eager to explore the exotic marketplaces of the city and the scenic desert backdrops that ring Tehran.
We can only write so much fan fiction before an opportunity like this one,
created by Alan Tudyk, seems just too good to be true: getting the
old gang back together for one last go in a series called Con
Man.
Led
by the Professor's arch nemesis Magneto (Ian McKellen), this band of oddities consist of some
old and new comers, including Multiple
Man (Eric Dane), a guy who can
create copies of himself faster than Kinkos; Juggernaut (Vinnie Jones), a big, unstoppable brute; Calisto (Dania Ramirez), an astonishingly fast - moving mutant - detecting GPS device, and of course the ever - popular Mystique (Rebecca Romijn), whose costume made entertainment headlines with her appearance in the initial «X» movie.
It is true that Dr. Lecter
created the vacancy at the Palazzo Capponi
by removing the former curator — a simple process requiring a few seconds» work on the
old man and a modest outlay for two bags of cement — but once the way was clear he won the job fairly, demonstrating to the Belle Arti Committee an extraordinary linguistic capability, sight - translating medieval Italian and Latin from the densest Gothic black - letter manuscripts.
- the team has been adding weapons one
by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed
by the other - there were more new stages than returning stages because bringing back
old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled
by getting 8 players with similar rank points, and then they're split
by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born
by splitting, which means Jelfonzo was born
by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult
man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to
creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run
by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten
by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
Interacting with the serene and whimsical environment, solve playful puzzles
by shaping the landscape, growing the hills to
create the
old man's path forward.
Hoping to take advantage of the momentum for games with an «
old - school vibe»
created by throwback games like Mega
Man 9, Bionic Commando: Rearmed, and Retro Game Challenge, Rockin» Android wants to introduce a number of doujin games (titles
created by hobbyist developers in Japan, like Fate / stay night and Cave Story for example) to the U.S.
«Hoping to take advantage of the momentum for games with an «
old - school vibe»
created by by throwback games like Mega
Man 9, Bionic Commando: Rearmed, and Retro Game Challenge»
These sculptural journals were first
created during a visit to London in the 1970's when he met an
old man who made diaries
by avidly collaging found matchbooks and boxes into books.
In January, Irish artist Stephan Hall and partner Li Li Ren
created a replica of the Fourth Plinth on Munich's Wittelsbacherplatz (the plinth was later retrofitted into a one - room apartment
by Alexander Laner); Elmgreen & Dragset's own It's Never Too Late to Say Sorry (2011/13, in which an
older man shouts the phrase through a silver megaphone on Odeonsplatz, not far from where Hitler's Beer Hall Putsch occurred, each day at high noon) began in March.
by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up
by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island
by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone
by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat
by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls
by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop
by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real
by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made
by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls
by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth
by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an
Old Building Gets New Life
by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit
by Susan Dunne The Economist, Oct. 1, Temple of Delight
by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed
by William Hosley Art in America, October 2015, Coney Island Forever
by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum
by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday
by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries
by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation
by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries
by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening
by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation
by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth
by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The
Man Who Bought the World
by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening
by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback
by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other
by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth
by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth
by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door
by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum
by Sebastian Smee Hartford Courant, June 25, Artist
Creates Site - Specific «Pull Painting» at Atheneum
by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening
by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán
by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame
by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows
by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island
by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning
by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008»
by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum
by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show
by Laura C. Mallonee Republican American, March 1, Coney Island R us
by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other
Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island
by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame
by Frame: Behind «Agbota,» an artist's irony and imagination
by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!
The
Old Man's House Exhibition at the RHK The
Old Man's House exhibition,
created by the Office of Public Works, is an exhibition which tells the story of the Royal Hospital Kilmainham (RHK) one of the most iconic Dublin buildings and Ireland's foremost example of fine 17th century architecture — now home to the Irish Museum of Modern Art.
Intrigued
by creating art at a young age, Boroniec took to ceramics as a means of communication expressing that earth is of the
oldest material known to
man.
The incredibly talented, Kehinde Wiley, a New York - based portrait painter
creates incredibly naturalistic paintings of everyday black
men and women in reimagined paintings
by old masters — such as Tiziano Vecellio and Giovanni Battista Tiepolo.
Royal Hosptial Kilmainham The
Old Man's House Exhibition at the RHK The
Old Man's House exhibition,
created by the Office of Public Works, is an exhibition which tells the story of the Royal Hospital Kilmainham (RHK) one of the most iconic Dublin buildings and Ireland's foremost example of fine 17th century architecture — now home to the Irish Museum of Modern Art.
Sitting in contrast to the award's record for controversy is the list of winners, typically a sculpture
created by a 38 year
old man educated in London.