Sentences with phrase «created by other artists»

A mashup is a style of music that contains elements or samples from songs created by other artists.

Innovative Birdhouses And Bat Roosts The «Nest in Peace» exhibit Wegworth and Kalaman organized at the plan12 Architecture Biennale also featured easy ways for architects and builders to integrate animals» needs into their projects, as well as various birdhouses and bat roosts created by other artists and designers.

Not exact matches

The lawsuits, each filed by individual artists in a US federal court in Los Angeles, ask a judge to create a class - action suit in which other alleged victims can collectively seek damages.

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.

The free admission, family - friendly Cultural Survival Bazaar features art, crafts and other ethically made cultural products created by Native artists from around the world in Plymouth July 23 - 24 and in Jamaica Plain August 6 - 7 (Plymouth + Jamaica Plain)

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Created by legendary Japanese artist Yuji Kaida, Kong and the island's other monsters take center stage.

The symbiote, created by David Michelinie and artists Todd McFarlane and Mick Zeck, was first introduced in print in 1988 and is still a fan favourite villain and has appeared in other Marvel Comics including Iron Man, Deadpool and the Hulk.

The «King's Dream Unite» mural created by artist Ya La» ford with the help of MYcroSchool Pinellas high school students and other volunteers will debut at the historic Manhattan Casino on Monday, Jan. 18, 2016, at 9:00 am.

CCRA.R.9) calls for students to «analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take,» which suggests a strong case for adding the visual «text» to these comparisons, creating a whole other layer by bringing an authorial artist's approach and intention to the mix.

Headed by flashy airline and music entrepreneur Sir Richard Branson and self - help writer Deepak Chopra — an odd couple if ever there was one — Virgin Comics launched in 2006 with a line of comics based on figures from Indian mythology and soon added two other lines, Directors Cut, which featured comics created by well known movie directors, and Maverick / Voices (the imprint was renamed), featuring comics by musicans, actors, and relatively unknown artists.

The Brian Michael Bendis - created character will join her husband, Spider - Man, Wolverine and an as yet undetermined number of other heroes in the relaunched series helmed by the creative team of Bendis and artist Stuart Immonen.

But those artists weren't copying other people; they were inspired by others, but created their own stories.

In Barcelona, one pissed - off Catalan graffiti artist lets his frustrations out by painting the streets of the Gothic Quarter creating lanes: one labeled «tourists,» - the other labeled «normal» for the locals.

Created by several artists, this project was created by PangeaSeed, an international organization that raises public awareness for the conservation of sharks and other marine sCreated by several artists, this project was created by PangeaSeed, an international organization that raises public awareness for the conservation of sharks and other marine screated by PangeaSeed, an international organization that raises public awareness for the conservation of sharks and other marine species.

While Alan Wake's original score was created by Petri Alanko, the game did feature a few songs from other artists such as David Bowie, Roy Orbison, Nick Cave, and Depeche Mode which could be problematic for renewing the music licenses.

Most galleries like to work with established and known artists to be safe.How does an upcoming artist break through this glass wall created by galleries?Either I have to be terrific in my work for them to want me or I have to go gallery hopping to show them my works.What are the other options?

The Armory will be the setting for a series of groundbreaking performances, temporary installations, events, and other programs, all free to the public, by Biennial artists from March 4 to March 23, creating an exciting opportunity to present works that could not be accommodated within the Whitney's walls and remaining true to the fluid, interactive way in which these works were conceived.

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Some artists, galvanized by the spirit of the civil rights movement, created images that spoke of solidarity, strength, and resistance, while others focused primarily on color, form, and concept.

The exhibition is the culmination of a multiyear collaboration between Smith and Los Angeles — based conceptual artist Glenn Kaino and will feature sculptural installations and other works by Kaino, objects from the Tommie Smith archives and an animation of Smith's winning race created from contributed drawings.

Foreground, Cedrick Tamasala's «How My Grandfather Survived» (2015), along with other sculptures created by Congolese artists and cast in chocolate, at the SculptureCenter in Queens.

Other lots to watch at Christie's are a 1982 painting by Jean - Michel Basquiat, Woman Reading by Roy Lichtenstein, and a 2004 work by Cy Twombly created by the artist in his home off the coast of Italy.

In the Company of Alice presents portraits and figurative paintings by a diverse group of artists - some established and some emerging, some for whom portraiture is the crux of their practice and others for whom creating a portrait has been a new exercise.

When invited to create a retrospective of her sculptural works, Janine Antoni preferred to ask herself what her works would look like when interpreted by other artists and translated into movement.

Most of the artists of the sixties and seventies that the Whitney features were influenced by and created derivative variations of the work of Joseph Beuys, Marcel Duchamp, Jean Dubuffet, and various other European Dadaists and Surrealists.

B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is published by the artist and printed at Apiary Press, run by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

Artist Vik Muniz has created Afterglow at the Palazzo Cini in response to its exceptional collection of Old Master paintings by Francesco Guardi, Dosso Dossi, Canaletto and others.

Gavin Brown even creates an installation from Rob Pruitt's silvered desk chairs and wheelchairs facing paintings and wallpaper by other gallery artists, with no seating allowed.

Influenced by Italian art in general, and arte povera in particular, Bolognese artist Francesca Pasquali (b1980) creates fully immersive — often site - specific — installations, using everyday and industrial materials, reappropriating them and bringing them into the public's realm of vision, and of the other senses too.

Walton Ford (American, b. 1960) is a painter who uses watercolors to create large - scale paintings influenced by the style of John James Audubon and other artists from the Naturalist Illustration Movement.

More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.

Night Vision: Nocturnes in American Art explores the critical importance of nocturnal imagery in the development of modern art by bringing together 90 works in a range of media — including paintings, prints, drawings, photographs, and sculptures — created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O'Keeffe, Albert Ryder, John Sloan, Edward Steichen, and Andrew Wyeth, among others.

For the Whitney, he will create a room made of adobe that will also display works by other artists.

About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.

When he created what was originally known as the Motherwell Foundation in 1981, its purpose was stated as follows: «To serve the public interest by endeavoring to foster, cultivate, develop, and support public understanding and appreciation of the principles of modern art expressed through the theories of modernism as expressed in the works and writings of Robert Motherwell and other artists.»

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In addition to this initiative, other programs undertaken by the Foundation include the Emerging Artist Grant Pilot Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

Artists working in this style do not try to hide what was used to create the painting by smoothing out any texture or marks left in the paint by a brush or other tool such as a palette knife.

Critic's Pick: Few artists are as right on as Mierle Laderman Ukeles, who in her five - decade - plus career has created a generous and muscular body of work of performances, interventions, and other projects that have dealt swift, sharp blows to the systems and frameworks imposed on art and culture by capitalism.

Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit program

I was inspired by the ability of some photographer / artists to capture unique moments of reality and the impetus that others felt to create their own imaginary reality — not an oxymoron in today's digital & virtual worlds.»

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

At the other end of Tate Britain, the contemporary artist Olafur Eliasson, who created The Weather Project — the wildly popular Turbine Hall commission at Tate Modern in 2003 — has been given a room where he is showing new works inspired by Turner.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

Phoebe Washburn on October 30, 2012 New York - based artist Phoebe Washburn creates large - scale architectural installations by amassing together cardboard, wood planks, and other varied building materials.

Another new direction in her work can be seen in EXPO Chicago's brochures, posters, and other marketing materials, which pulled imagery from another new body of the artist's work that she made when she was commissioned by a Florida tourism association to create a series of paintings based on Robert Rauschenberg's fabled art compound on Captiva.