Sentences with phrase «created by other visitors»

The VIP Lounge is where visitors can watch specially commissioned films of leading private art collections and artists» studios, check out Fair tours created by other visitors, access status updates on art market news, and learn about new works on view in the Fair.

Not exact matches

Created by Goodby Silverstein & Partners (GS&P), OurTam.org is an interactive 3 - D re-creation of Mt. Tam that allows visitors, organizations, schools, and others to travel to their favorite spots on the mountain and leave their personal stories in the form of text, photos, or videos.

Other than the obvious satisfaction of doing a good deed and having a positive impact on the place you are visiting, voluntourism offers other perks — a chance to see areas that are not usually open to visitors, experience «the real thing» outside of the usual tourist activities, work side - by - side with local residents (and gain their heartfelt appreciation), and create a unique vacation memory unlike any oOther than the obvious satisfaction of doing a good deed and having a positive impact on the place you are visiting, voluntourism offers other perks — a chance to see areas that are not usually open to visitors, experience «the real thing» outside of the usual tourist activities, work side - by - side with local residents (and gain their heartfelt appreciation), and create a unique vacation memory unlike any oother perks — a chance to see areas that are not usually open to visitors, experience «the real thing» outside of the usual tourist activities, work side - by - side with local residents (and gain their heartfelt appreciation), and create a unique vacation memory unlike any otherother.

Its constantly evolving space gives its visitors a fresh experience every time they visit, and offers original artworks, limited edition prints, and many other collectibles created by its artists on sale for quite reasonable prices that fit anyone's budget.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Righother by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RighOther Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

The room's other notable feature is a mosaic of triangular prisms, made out of black foam, that lines its four walls: the vestiges of an installation by Haroon Mirza for his recent exhibition, designed to create an «anechoic chamber» that shuts out all sound and light (and potentially triggers a hallucinatory state for the sensory - deprived visitor).

Created as hybrids and varying in size, from that of a bus shelter to a fashion runway, the pavilions operate as quasi-functional spaces that are activated by the presence of the viewer, as visitors are encouraged to walk through the sculpture and encounter reflections of themselves, others and the space around them.

I think our visitors will be surprised about the complexity of the monochrome Minimalist paintings: some are created by applying layers upon layers of colour; others have a metallic shine or a very delicate, sensitive wax - like surface.

It was unfortunate that the flea market created by Gavin Brown last year, which included Rob Pruitt among others, was not for this fair; instead, a suite of prints by the sculptor Eduardo Paolozzi adorned the front wall welcoming visitors to Brown's stand (designed by Urs Fisher).

Other programming elements incorporated a performative element with the artist - run Galerie offering visitors the opportunity to request, engage with and experience performance and immaterial works enacted by artists Adriano Wilfert Jensen and Simon Asencio, and Jamie Felton's daily sunset dance performance that took place on the beach, Stork Phrase Lines Up With The Shoreline, created in collaboration with choreographer Alexsa Durrans and curated by Untitled's Krysta Eder.

Created in 2002 by British - German artist Tino Sehgal, who was shortlisted for the prestigious Turner Prize last week in Britain, the work is a «constructed situation» where a pair of museum guards - two men, two women or a man and a woman - kiss each other when a visitor enters an exhibition space.

As «John» puts it, «by removing navigation, you are creating a «sterile» conversion environment... In other words, you want to be in complete control of what the visitor sees, interacts with and hopefully this will lead them directly to the conversion.»

Are you building trust with your visitors by creating resource pages on your website that exchange links with hundreds of other legal websites?

Programmer / Business Analyst (Year — Year) • Created an online nutritional applications that services needs of more than 710,000 visitors per month • Served as lead IT specialist in the creation of an online presence for the Corporate Social Responsibility business partner • Published online reporting and surveys achieving client goal of transparency before the public and doubled site visits • Partnered and led other business units to create a support site for McDonald's employees affected by Hurricane Katrina • Facilitated the location of housing, transportation, employee and financial assistance of over 6,000 displaced employees

The NEAR@Home toolkit was created, reviewed, and tested by home visitors, mental health providers, and other experts in the field of NEAR and home visiting in Region X (Alaska, Idaho, Oregon, and Washington).

To help visitors quickly identify property they can realistically afford, as well as the locales or types of homes or locations that may interest them, create a main listings page with a sub-directory of property grouped by price range and other criteria, such as style or size of home, neighborhood, or school district.