In a groundbreaking achievement, director Richard Linklater has
created cinema history by filming over the span of twelve years the same cast to tell a story about a six - year - old boy growing up in Texas.
Not exact matches
M. Night
created one of the best horror films in the
history of
cinema in 1999 with The Sixth Sense but he also
created The Happening.
I can't help but feel that the classically - trained horror icon has never truly gotten the respect he deserves for
creating one of the most iconic movie monsters in the
history of
cinema.
Scorsese has an eye for film like no other and, in his daring nature,
creates some of the most memorable films in the
history of
cinema.
To try and chart the
history created by this false binary in
cinema is an entire other beast.
As the years went on and Wright continued to
create equally wonderful cinematic gems in Hot Fuzz, The World's End and the criminally underseen and underrated Scott Pilgrim vs The World, Wright would further cement himself as one of the most imaginative and hilarious directors working not only today, but throughout the
history of
cinema.
She uses imagery culled from
cinema and art
history to
create works in video, sculpture, painting, and drawing, which set up ambiguous juxtapositions of time and space.
His work draws on varied sources, including philosophy, literature and early
cinema to
create intricate art works and spellbinding environments in which he explores theories of time and relativity, the
history of colonialism and the aspirations and failures of revolutionary politics.
Here Wilcox revisits the «
cinema in - the - round» panoramic presentations that appeared at the dawn of film
history in the late 19th century, bringing the concept up to date with state - of - the - art technology to
create an immersive cinematic environment.
This catalogue documents a two - part project that included an exhibition with works by Eadweard Muybridge and Jan Dibbets, together with a documentary
created by Chris Dercon for Dutch television on the
history and future of
cinema.
Sean Downey's recent paintings combine sources, images, and fictions from American
history and
cinema to
create allegorical, open - ended narratives.
Between 1994 and 2002 he
created the Cremaster Cycle, a series of five films described by Jonathan Jones in The Guardian as «one of the most imaginative and brilliant achievements in the
history of avant - garde
cinema.
Using
cinema in an expanded form to reactivate lost or forgotten
histories, they
create new modes of collective engagement with contemporary thought through the creation of feature films, exhibitions, sound and video installations, performances, event - works, radio shows and books.
Her landmark achievement, «Untitled Film Stills,»
created between 1977 and 1980, surveys the
history of women in
cinema, using little more than makeup and wigs.
Between 1994 and 2002 he
created The Cremaster Cycle, a series of five films described by Jonathan Jones in The Guardian as «one of the most imaginative and brilliant achievements in the
history of avant - garde
cinema.»
His work draws on varied sources, including philosophy, literature, and early
cinema to
create intricate artworks and spellbinding environments in which he explores theories of time and relativity, the
history of colonialism and the aspirations and failures of revolutionary politics.