The spatial installation serves as a projection surface for a large number of mostly newly
created cinematic works by the artist.
Not exact matches
It appears that Bethesda has hired Guillermo del Toro's production company to
create a
cinematic trailer for its unannounced RPG Fallout 4, according to the LinkedIn profile of a 3D artist contracted to
work on it.
Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as
Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films:
Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.
The vast technical background necessary for
creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose
work continually delight and move us in every way possible.
Those inserts starkly contrast with the rest of the film's classical, almost formal style; the convincing staging and scrappy scariness of the films - within - the - film
create a
work more «real» and horrifying than the frame around it, which seems much more safely removed and traditionally
cinematic.
Look closely at Audiard's
work, however, and you can see that he
creates entire
cinematic worlds as distinctive as any proffered by more obvious «auteurs» like Pedro Almodóvar and Wong Kar - Wai.
Deadline has also reported that Stallone has been
working on the script for the sequel to the first film, which was brought to the big screen by director - and - writer Ryan Coogler and based around the Rocky Balboa
cinematic universe which Stallone
created in 1976.
At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's
work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they
created this rich, lush
cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.
However, it contains at least one outstanding short, Park Chan - wook's closer, «N.E.P.A.L. Never Ending Peace and Love», where
cinematic aesthetics and social outrage combine to
create a brilliant and moving
work.
As the years went on and Wright continued to
create equally wonderful
cinematic gems in Hot Fuzz, The World's End and the criminally underseen and underrated Scott Pilgrim vs The World, Wright would further cement himself as one of the most imaginative and hilarious directors
working not only today, but throughout the history of cinema.
Working with editor Masahiro Kirakubo (whose credits appropriately include Danny Boyle's similarly jittery «Transpotting»), von Einsiedel places his focus into a
cinematic framework: Sweeping images of nature and glimpses of animal life combine with various genre tropes to
create the impression of an operatic tragedy with no clean end in sight.
Whether you find director Peter Jackson's
work majestic and whimsical, or just bombastic and twee, his Tolkien films have
created an indelible set of
cinematic images over the past dozen years.
Two exclusive private sundecks in the living and the bedroom overlook the city while the art
works of eminent artist Julius Macwan & old cine posters
create a
cinematic sojourn.
Insomniac Games is looking for an artist to
create effects to
work and assist in gameplay, environment, and the
cinematics of the game.»
To simply mock it is to deprive one's self a view of the unique triumphs of early game development: to make an engaging experience under dire hardware constraints, to
create a game world with a tiny amount of program space to
work with, to get players to percieve the wonders of a
cinematic triumph in the form of simple blocky graphics and approaching footsteps.
Created in collaboration between Tequila
Works and Abstraction Games, Deadlight: Directors Cut will deliver the definitive Deadlight
cinematic experience on June 21, 2016 for $ 19.99.
The trailer is a CG
cinematic created by the world - renowned 3D animation studio DIGIC Pictures, who also
worked on Kingsglaive: Final Fantasy XV.
Carefully constructed installations involve sculptural,
cinematic, acoustic, musical and curatorial considerations to
create works of extraordinary intensity.
Using both digital and analogue techniques to
create an immersive
cinematic experience, he now presents the
work alongside large scale, silver gelatine photographic pieces, as well as archival material.
This body of
work constructs sculptures inside of photographs, using the language of sculpture in an image and
creating a
cinematic landscape inside of the image.
As she always felt connected to
cinematic storytelling, she started as an on - set photographer for film and television and did entertainment reportage for AP, all the while making portraits and
creating personal
work.
Outside of Chicago, my interest is continually peeked by the
cinematic work of the New York - based, Jacolby Satterwhite, who
creates augmented reality, hyperreal visual environments.
David Lawrey & Jaki Middleton's collaborative practice draws on popular visual culture, art history and
cinematic traditions to
create works that engage the viewer via optical phenomena, juxtaposition and repetition.
The
work is tuned in situ, with Richards reacting to the acoustic contingencies of the space,
creating a
cinematic and multi-sensory experience — an arrangement of vivid emotional cues to be navigated subjectively.
Cindy Sherman draws on
cinematic styling in her
work Film Still # 60 (1980),
creating a dynamic scene that suggests the narrative quality of a film persona.
Using actors, prop styling, and an array of lighting and post production
work, Wall
creates singular images that encapsulate an entire
cinematic narrative, often with strong historical and literary references.
For more than 40 years, Robert Bibler (American, born 1948) has combined a fascination with
cinematic storytelling, classic film, and Renaissance art to
create a beautifully rendered and thoughtful body of
work.
The
works are
cinematic in scale and their Noir aesthetic, and are
created with a mix of digital and analogue techniques.
To
create the large - scale photographic
works, he has used both digital and analogue techniques to
create an immersive,
cinematic experience.
Most recently, Shonibare has begun to
work with moving images and he has
created two
cinematic works, «Un Ballo in Maschera» and «Odile and Odette,» in which he plays with the notions of black and white imbedded in Tchaikovsky's «Swan Lake.»
Blending performance art, pop - up storybook design techniques, and a
cinematic score, the Center - supported
work features a series of bold visual installations and an evolving, circus - style environment
created in collaboration with installation artist Steven Dufala.
Singapore - born, Los Angeles - based artist Jolene Lai
creates narrative oil paintings and mixed - media
works that blend
cinematic and mythical notions.
The emerging artist Willa Nasatir (b. 1990)
creates photographs routinely informed by a
cinematic vocabulary, inspired by the shifting landscape and individuals who inhabit New York, where she
works and lives.
While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin
works printed on Ilford paper and as large scale
works where Julien has used both digital and analogue techniques to
create an immersive,
cinematic experience.
Preferring a process more aligned with the
cinematic to a low - fi aesthetic or documentary one, Just
creates choreographed and grand
works of art.
Take on Team Nasty in the Movie and Deleted Scene modes, then let your creativity
work in the Movie Maker and four way Multiplayer modes to
create cinematic history and entertain millions over Xbox Live!