Sentences with phrase «created color relationships»

The way Cézanne captured light and created color relationships made a lifelong impact on the young artist.

Not exact matches

Music, literature, and the visual arts all depend upon the ability of the artist to select and arrange individual components (notes, words, colors) and to create relationships among them in which each element contributes to the beauty of the whole work while the unity of the work enhances the value of each individual part.

«In this anthology, we are exploring how we are informed by and participating with those mothers, especially radical women of color, who have sought for decades, if not centuries, to create relationships to each other, transformative relationships to feminism and a transnational anti-imperialist literary, cultural and everyday practice.»

With the software, students used color tools to identify and explain the multiple sizes of squares they created in the rows and columns, their composition (number of triangles making a square, number of triangles making a parallelogram, etc.) and relationships (e.g., nested and overlapping sets of triangles).

Instead, whites and people of color have to work intentionally to create more equal and respectful relationships and to honestly confront racial differences.

The strategies that leaders from each RPP described for improving opportunity structures for young men and boys of color focused on disaggregating data by race and gender, naming racist and patriarchal practices to be dismantled, creating culturally responsive environments to nurture masculine identities, and fostering trusting relationships among students and adults.

Part philosopher and part poet, the artist Richard Tuttle creates works that challenge the formal, and often oppositional relationships between time, space, color, and open and closed forms.

Weber taught him about Cubism and non-representational painting; Gorky taught him about Surrealism, the imagination, and mythic imagery; and Milton Avery, with whom he was good friends for many years, taught him about using thin layers of flat color to create depth through color relationships.

Creating patterns on top of color fades, other patterns, and flat color, I explore the relationship between composition, structure, and color.

I strive to create intense, even and stunning color relationships that are balanced by form and texture into a controlled elegance.

When painting, Cross pays special care to creating engaging color relationships, sometimes harmonious and sometimes dissonant.

«Northern Village» is one of the many paintings Klee created that demonstrates his use of the grid as an abstract way to organize color relationships.

The artists created a new model of depicting space by using only the relationship of color and line without texture or shadow to achieve movement that projects and recedes.

Diane Ayott, by contrast, attempts to erase any distinction between foreground and background, thereby creating an orchestrated relationship in which her use of color and geometric forms interacts with viewers and constantly draws attention from the surface deep into the structure of the work and then seamlessly back again.

Reduced color palettes and the repetition of simple geometric forms, as well as industrial materials that have a symbiotic relationship to architecture, create new mash - ups that mix formal rigor with sensuality, subjectivity, personal narrative, and contemporary sexual politics.

While the layered pigment renders every crease and crevice of clothing and flesh, the colors also work to create vibrating relationships that define the mood of the figure they make.

With multiple layers of paint, color and line, she creates an ambiguous space that affords the viewer an intimacy with her subject matter and both obscures and recalls the pain it evokes («Pietà») In her catalogue essay, Tina Kinsella writes, «Bracha's recent paintings beckon us to reprise the work of mourning, to return to the grounds from which the act of lamentation arrives and to reappraise the particular emotion that the laboring through grief produces... the Pietà always threatens to disclose this excess of sorrow by surfacing the penumbra of future loss that lurks in the heart of the maternal relationship between mother and child.»

When creating her prints, she employs experimental techniques, concentrating on color relationships and focusing on images that depict the natural world.

Fascinated by the relationship between shape and color, Ellsworth Kelly created fields of rich, uninflected color.

These new prints, created during her first collaboration with Wingate Studio, are a radical departure for Moser in her use of a highly charged, vibrantly saturated color palette that reverses the figure / ground relationship with which she typically works.

Rail: Color relationships themselves create the light in painting, and I want to know how your color has evolved and how it relates to lColor relationships themselves create the light in painting, and I want to know how your color has evolved and how it relates to lcolor has evolved and how it relates to light.

Ricky Molander's paintings use the grid as a starting point; he creates geometric abstractions with some illusion, focusing on color relationships.

Turrell created variations on all of his projections, exploring the relationship between form and color.

Audrey Stone is an artist known for creating ink, paper and thread artwork that explore the relationship between lines angles and colors.

Lynda Schlosberg creates intricately detailed paintings that combine abstract expressive techniques overlaid by layers of intertwining pattern and color, characterizing a relationship between form and formlessness.

Nassos Daphnis, a Greek - American artist who deployed brilliantly colored geometric forms in precise formal relationships to create nervous, dynamic paintings on a heroic scale, died on Nov. 23 in Provincetown, Mass..

Using a 3D imaging program, Zitelli creates realistic depictions of nature in an attempt to record the manifested color relationships and to bear witness to a deep regard for those who have historically made «the utterly human, and ultimately futile, attempt to record nature.»

It inspired him to think about the relationship colors have to each other when placed next to each other on the canvas, independently of what image they were being used to create.

Where Halley's works rely on color relationships to create depth in an otherwise flat image, the drawings in Measure borrow the same simple geometric structures while relying on the materiality of surface to challenge the limits of human observation.

This space is emphatically black and female — explicitly created for homosocial relationships between women of color in order for them to feel agency over their own likenesses.

Direct and confrontational at times, Brennan uses color and form to activate the space creating a real relationship between the natural and unnatural as well as the expected and unexpected.

Fusing architectural environments with colored light, Flavin's pieces were meant to create a relationship between the viewer, color, and form.

Maintaining a persistent focus on the dynamic relationships between shape, form and color, Kelly was one of the first artists to create irregularly shaped canvases.

Working with acrylics, Stanczak creates meticulous compositions that center on the complexity of color relationships and their effect on forms and space.

I was very interested in creating a certain resonance between colors, so I went for colors that had very strong relationships and I reduced my palette very severely, much as in Albers's The Interaction of Color.

Moscoso's facility with color relationships and his remarkable ability to seamlessly blend images and lettering into a single entity was used to create a series of groundbreaking concert posters that propelled him to international fame.

Created with the utilitarian and hopeful gesture of attracting something you can't see from the surface, Dunlap's tackle making possesses the formal qualities of form, texture, and color, while also harboring a relationship to place.

The first of Gottlieb's signature «Burst» paintings, Black, Blue, Red (1956), will be included in the exhibition as well as a series of nine small, untitled canvases he created in 1968 that reveal Gottlieb's interest in exploring new color relationships.

Kenneth Noland was known for his simplified, abstract forms such as chevrons and followed an «interaction of colors» mantra, relying on associations between contrasting and complementary colors to create vibrating edges and dynamic relationships.

Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensColor is a plastic means of creating intervals... color harmonics produced by special relationships, or tenscolor harmonics produced by special relationships, or tensions.

The formal qualities of paint application and color palette creates an interesting emotive relationship between the subject and the viewer.

For the 0,10 exhibit, Malevich created paintings that completely obliterated all references to the recognizable world and focused instead on the inherent relationships of geometric shapes of various colors that seem to float against their white background — floating so free, it would seem, that the paintings did not warrant a frame.

It is the contrasting compositional format which slyly creates indeterminate spatial relationships in each work — what is foreground, what is surface, what color is it exactly, for the colors shift as one moves around the canvas, enhanced by his use of iridescent pigments.

Natkin explored color relationships by juxtaposing colors of differing widths to create a range of visual effects from vibrational to serene and meditative.

Because of their sequential arrangement and the relationship of their color values, these patterns create optical sensations of rhythmically vibrating surfaces.

By exploring the relationship between the flat plane of a canvas and the basics elements of artwork and sculpture — color, shape and composition — Frank Stella created his Black Paintings.

Through his abstract oil and acrylic paintings, Phillips plays with color, form, and volume — the building blocks of our artistic experience — to create dynamic, shifting spatial relationships.

By examining the value, temperature and saturation relationships of the colors used to create green, we also begin to understand the role of green in our paintings.

We will work together to ensure working class communities and communities of color lead the fight for climate justice by working on relationship building and training on structural racism and creating a definition for climate justice.