Sentences with phrase «created figurative works»

Collaborative mural at 7th Street and Pierce Several artists have created figurative works reflecting their distinct styles on a north - facing wall behind the building that currently houses Space 55 and Palabra.

Choosing a different direction from his abstract expressionist peers, King has created figurative works that have resonated for art lovers and critics alike.

At a time during the Civil Rights movement when African American artists were expected by many to create figurative work explicitly addressing racial subject matter, Gilliam persisted in pursuing the development of a new formal language that celebrated the cultivation and expression of the individual voice and the power of non-objective art to transcend cultural and political boundaries.

His use of encaustic, with its physicality, impasto and transparencies, allows him to create figurative works in which the gesture, the actual act of painting, is just as important and meaningful as the depicted subject.

Scale shifts to create figurative works that meander through space like air conditioning ducts — breathing structures that inhabit and divide a room.

Within the medium of sculpture, she creates figurative work that is rich in plasticity.

This is the first time Kaapcke has worked from imagination to create figurative works, she said.

Not exact matches

Working primarily in oil, and in a figurative style, the artist reflects and expands on his interactions and experiences — his work aiming to elaborate on moments from the recent past to create personal and explorative responses.

In her latest series of work, Michelle creates figurative narratives with her usual needle and thread.

Although the artist's figurative abstractions may appear crude at first glance, closer examination reveals works vibrating with energy and pulse, creating an all - out assault on the viewer's concept of reality.

About 65 objects created from 2011 to the present will be featured including figurative works, text - based wall hangings, a significant selection of beaded punching bags, painted works on rawhide and canvas, and video.

Considered one of the leading figurative artists today, Rego draws inspiration from many sources including literature and fairy tales to create mysterious and narrative works.

During this time he created both abstract and figurative works, using organic, curvilinear shapes and curvy lines.

Wanting to be free, he made a radical transition to figurative work, creating cartoonish paintings that he's arguably most famous for.

In her works on paper, Bhabha creates atmospheric images, often figurative, blending animal and human features.

Leslie Lyons and J.B. Wilson draw inspiration from this art historical oddity, creating sublimated print tiles that both reference the «Unswept Floor» as well figurative tile works which «remove the trappings of mythologizing human behavior and return to a place of rational accounting and purification.»

Working with figurative and portrait styled imagery, Lewis creates sculpted paper photo works that highlight bodies and the unseen tensions of the past, present and future.

Matisse stands as the artist who most directly got under the skin of his work, and indeed there have been few artists who have engaged as deeply and as intelligently with Matisse's paintings, and yet managed to create a distinctly American panorama, both in his figurative work and, to a point, his later abstract canvases.

The exhibition is the first to explore Still's striking figurative work created before World War II, which points to the significance of figuration throughout the artist's oeuvre, even in his most apparently non-representational compositions.

Nathan Sawaya works with the popular toy to create large - scale figurative sculpture.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

The Serpentine displays a selection of her most compelling works — each created in just one day — in celebration of her innovative approach to contemporary figurative painting (to 13 September).

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

Adding and obscuring in rotation, she builds a surface of thickly textured impasto from alternating layers of black and white, creating a body of work that engages both with the figurative tradition of Pop illustration and the action and materiality of Abstract Expressionist gesture.

Best known for creating powerful, immersive, large - scale installations, Nelson selected historic and contemporary figurative works from the V - A-C collection for his presentation, by artists including Pawel Althamer, Louise Bourgeois, Constantine Brâncusi, Alberto Giacometti, Sherrie Levine, Henry Moore and Willem de Kooning.

By looking at a selection of thirty figurative paintings and sculptural works created between 1930 and 1945, Michael Rosenfeld Gallery attempts to answer this question in its group exhibition American Identity.

One of Australia's foremost contemporary artists working today, Barton's distinctive use of line across painting, illustration, video and collage creates a vibrant figurative dream world, rich with personal references and poignant juxtapositions.

In a concurrent show of recent work at Accola Griefen Gallery, she still mixes figurative and abstract elements to create controversial compositions fraught with drama, sexuality and politics.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, LFigurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Lfigurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Figurative works are placed in relation to machines as apparatuses or instruments of power created by human beings.

Employing a range of materials including bronze, wood, terracotta, silicone, concrete and silver, Tallur L.N. creates sculpture, wall pieces, site - specific installations and interactive work that delve deep into the dichotomies between the tangible and the ethereal, the figurative and the abstract, and the decorative and the conceptual.

His work hovers enigmatically between the abstract and the figurative, creating a window onto the outside world, which is simultaneously familiar and mysterious.

Inventing Downtown presents works from fourteen of these crucibles of experimentation, highlighting artists» efforts to create new exhibition venues for innovative works of art — ranging from abstract and figurative painting, assemblage, sculpture, and works -LSB-...]

Burr's various working forms - large scale platforms and installations, mirrored folding screens, found object arrangements, hinged figurative forms, pinned collages, and blanket paintings, for example - are sometimes created for particular situations and bear the marks of that context.

She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the figurative tradition; analysis, by making something vast,» the role of race in the history of figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the figurative tradition is refashioned.»

During 2014's «Prospect.3: Notes for Now» — the third iteration of the city - wide contemporary art triennial in New Orleans — the Contemporary Arts Center was filled with a selection of abstract paintings, figurative works, video installations, and fish tanks full of coral — all pieces created by artists from around the world.

The human component has the most notable impact in the work Convergence # 3 (2011), which uses geometry to create a sense of posture in the work, thereby imparting a memorable sense of figurative portrayal.

The precision with which Ali creates her small, figurative, gouache paintings on paper is such that it takes her many months to complete a single work.

Christina A. West Working in ceramic and resin, Christina A. West creates arresting, skin - crawling figurative sculptures.

Vanessa Garwood, working and residing in London, creates paintings which are focused on landscapes and on the figurative.

Among her better known, Henry Moore - inspired shapes, she has created a new strain of figurative works.

While on the West Coast, she created a new body of work that was shown this past summer at L.A. gallery, The Cabin; «Tropicana» continued Self's investigation of the black female body through figurative collages composed of paint, fabric, and dry leaf.

Known for pushing the boundaries of the paint medium, Wheat presents two new sculptural works along with new «tapestries» — figurative works in which the artist pushes paint through wire mesh, creating rich, fiber - like surfaces.

Employing multiple mediums at once to create forms both abstract and figurative, she presents an array of clues and many layers of meaning in her work.

In Kohler's aesthetic deviation into the abstraction in his Pareidolia series of geometric cardboard constructions, we see him continuing the conceptual threads created in his figurative work which speaks to hope and hopelessness.

For nearly fifty years, De Keyser has created subtly evocative paintings and works on paper which appear at once straightforward and cryptic, abstract and figurative.

In his previous work, the 29 - year - old artist created figurative and highly personal paintings and sculptures, often using tropes from the Spanish Baroque style.

The artist has appropriated her own photography of landscapes she has encountered and uses the prints to create new figurative works.

em16 / emily north (July 27 — August 14) is an artist creating immersive work on bodies and paper to bring forth a queer analysis of figurative representation.

Employing a range of materials, Tallur L.N. creates sculpture, wall pieces, site - specific installations and interactive works that delve deep into the dichotomies between the tangible and the ethereal, the figurative and the abstract, and the decorative and the conceptual in order to reveal new meanings on contemporary existence.