Sentences with phrase «created figure ground»

Not exact matches

Create a definite figure in your mind of how much time you can invest per week in order to get your business off the ground.

I'd read somewhere on the internet before that it was super simple to grind the groats into flour, and given that buckwheat flour costs twice as much as groats, I figured I'd just put my trusty blender to use and create my own buckwheat flour.

not all teams will allow you keep the ball on the ground all the time except you do it absolutely brilliantly.so you need that gigantic figure that can create opening for DIRECTNESS, AS A PLAN B OPTION TO FLUIDITY

[161] Blair and his supporters sought to reform the party by further expunging leftist elements and taking it to the centre ground, thus creating «New Labour», with Blairite Peter Mandelson asserting that hard left figures like Livingstone represented «the enemy» of reform.

While government plans would not force churches to hold civil partnership ceremonies, the decision to allow them to do so has created a ground swell of confidence among liberal religious figures.

The piece just has to be not full or poofy and not too fitted — it should graze your figure and create a seamless line almost to the ground.

The resort ground is beautiful and is fully integrated into the surrounding landscape of the expanse rice terraces, river gorge and the forest featuring plenty water features, intricate carving, grand original statues and figure as well as unique earthy style creating magical feeling.

Back then, I absolutely loved it — I spent countless hours, grinding, earning mesetas, trying out different equipment to figure out what worked, and most of all, traversing every inch of the dungeons in order to create my own maps so I could figure out how to get through.

Bite has a trio of irregular white triangles that zig zag horizontally across the centre not unlike clothes on a washing line or bunting, their rhythm echoed by other more or less triangular shapes in green above and below, between them creating eccentric negative shapes that push forward, shifting alternately between figure and ground.

In many of your paintings the foreground and background together create an all - over atmospheric field, while in your recent paintings, large star shapes become significant points of focus constructing much more of a figure / ground relationship.

The combined elements create a pictorial space confounding ideas of ornamentation and desire, high and low forms, figure and ground.

A showcase for her extensive arsenal of techniques and ideas, her ambitious large - scale canvases create patchworks out of different manners of mark - making and toy inventively with questions of frame dynamics and figure / ground illusions, often within a remarkably shallow pictorial space.

Through the use of color, chiaroscuro and an ethereal sense of light and space, Hollowell creates images that play with ideas of foreground and background, figure and ground, and body and landscape.

Modest in size, De Keyser's works have a special intimacy that derives from the physical characteristics of the medium itself, as well as the tension created between plane and depth, figure and ground.

«Whether drawing and collaging on individual paper panels or creating a mural on the floor - to - ceiling wall, Schliebener combines the additive qualities of drawing, reductive acts of cutting, and nuances of figure and ground to explore the ambiguities of gender,» notes curator John Chaich.

Similar to Alois's threads of yarn that never touch but always interact when meeting the eye, the sliver of space between each boulder allows the figure and ground relationship to oscillate, creating this ameba visual sensation.

This combination and juxtaposition of materials blurs the usual distinctions between figure and ground, creating a tension between the mass - produced and handcrafted elements that is further heightened by the contrast of the cold, flat stripe of faded metallic paint across the painting's lower edge and the fleshy white of the oil paint.

These new prints, created during her first collaboration with Wingate Studio, are a radical departure for Moser in her use of a highly charged, vibrantly saturated color palette that reverses the figure / ground relationship with which she typically works.

Her wall paintings aim to dissolve the boundaries between figure, ground and support — creating a new picture plane that differs from her works on canvas.

Follow along withJane Lazenby as she creates a ballerina figure study in coloured pencils on a coloured ground.

Using digital screen interfaces, flat graphic patterns and geometric design forms to interrupt luminous, expansive and seductive depictions of landscape, Perkin's fractured compositions create stirring interactions between image and context, figure and ground, subject and content.

The experience was a bit bewildering at first, since the studio is a laboratory where the artist has more than a dozen «experiments» going simultaneously: a giant firefly contraption takes up a swing - set zone; materials for an upcoming performance are laid out on every surface of the seating and sofa zone; fish tanks surround a computer zone and provide the staging ground for an oceanic corral project; dozens of human arm forms, cast in a Black Power salute and cast in gold, are lined up along a wall, in preparation for a huge installation in Washington, D.C. this fall; a 3 - D printer is on pause as it creates Lilliputian figures for who - knows - what; and everywhere are various staging grounds of plastic models which will eventually be sprayed in gold and mounted on pins, to create Kaino's now - signature six - foot - tall, glittering gold pin drawings that suggest atomized worlds.

Ground and figure are the main components of each work, yet the artist's painterly execution calls attention to his manipulation of color, form, and composition to create an image that transcends traditional portraiture.

Here, black and white wavy lines are close to one another on the canvas surface, creating a volatile figure - ground relationship.

Following a visit to Berlin in 1970, King began his Berlin series — large - scale colour field works in which a narrow peripheral band creates a tension between figure and ground, in which some commentators have seen references to the Berlin Wall and a city divided.

Both artists, extreme in their use of vivid colors, excel at creating paintings with a sense of play between defined and indeterminate forms, an ambivalence between figure and ground, and a resistance to interpretation.

In this instance, such a painterly mixed bag helps to phenomenally ground her shallowly graphic tree / subjects, and creates an equilibrium with the explicit, sometimes illustrative pictorialism of their branching woodland figures.

Her paintings are characterized by her brush work, at once delicate and strong, and her unique composition, which creates the impression that figure and ground have reversed.

Although they were small in scale, the treatment of the image and the figure / ground relationship was pretty frontal and aggressive even though they were tonal and burnt, which created this element of light coming from behind.

Kiernander seeks to create a state of tension where formal relationships such as figure / ground break down and metaphorical resonances remain in flux.

[2] In later work, figures, trees and other more recognizable objects were added to the minimalist flat ground, creating tension.

In particular, the relationship between the definite line of the tape and the spectral expanse of the spray creates the ambiguity between figure and ground, and keeps the depth of field unresolved.

The artist is playing with figure, ground, color and texture to create something more than just paint on canvas.

In many of the compositions of this genre, the flat white background becomes a determining part of the whole, creating ambiguity and struggle between figure and ground, an almost interchangeable gestalt.

Building up the canvas by adding muslin and cheesecloth before pouring the paint, Nelson creates a self - reflexive relationship in which the figure is always pointing back to the ground.

«You need to not only have the scientists on the ground to help you figure out what that service is that's being delivered — clean air, clean water — but you also need the financial institutions that say, OK, just like we have markets for pork bellies, we're going to create market instruments to value clean water.»

With rooflite, landscape architects don't have to worry about figuring out the weights for their green roof systems, and they can enjoy the fun part of creating compelling and dynamic green spaces way above natural ground.

They just need your help to figure out who to give it to.The Fresh 1 % grant was created to take the momentum of the movie and turn it into direct action on the ground for greener, more responsible and healthier food.