Sentences with phrase «created powerful portraits»

For the series Persons Unknown, Hunter created powerful portraits of squatters who formed a community by settling in the abandoned warehouses of Hackney, in east London.

Russell Crowe has created a powerful portrait of loss and redemption with fine performances, not least his own as lead.

Not exact matches

WBFO»S Focus on Education Reporter Eileen Buckley spoke with the student, who created a powerful self - portrait in his art class displaying the strife he left behind in his home country and the difficulties he experienced while living in Buffalo.

At the end of their first week of witnesses, federal prosecutors sought to refocus attention on Silver as they continued to create a portrait of a powerful political figure whose greed they allege led to multiple corruption schemes.

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

She has created thousands of powerful, haunting portraits of prisoners housed in Louisiana.

Over the past ten years, New York - based artist Jeff Sonhouse (b. 1968) has created a powerful body of portrait paintings depicting often - masked black male figures that consistently defy and obscure classification.

The seventeen new portraits created specifically for the New Museum show continues Lynette Yiadom - Boakye's powerful reinvigoration of figurative painting.

The human figure and the very particular figure of her husband created a challenge to one of the core aspects of her approach in the studio — that of doubt that haunts every brush stroke, and something new to her work happens in these portraits that is different than the encounter with landscape: in the first portrait of Bill, in the hospital, the overworking or overthinking becomes a powerful expression of the drama of the human body pushed to the limit of survival, where «overworking» is an embodiment of flesh itself in flux.

The Turner Prize nominated artist James Richards has selected Francis Bacon's «Study for a Portrait» (1953), for the fourth and final presentation of works from the V - A-C collection, Moscow, and as a response to Bacon's iconic figure, the artist has created an immersive sound work for the exhibition, which envelops the redesigned gallery space and audience alike, creating a new «space» in which Bacon's powerful work sits at its heart.