Sentences with phrase «creates fictive»

The work creates fictive worlds reminiscent of Manga comics, gesturing towards Monet's Water Lillies and Matisse's Fauvist work.

Giehler appears to create the fictive architecture from taped lines, partly or wholly painted over.

Through her art, she is able to «create fictive architectural spaces based on familiar iconic architecture which she photographs,» according to her artist bio.

In Mullican's large wall pieces, grids of letters, numbers, and childlike pictures are combined with abstract forms to create a fictive cosmology.

Not exact matches

I argue that Black students» responsibilities to their mothers, fathers, and other extended and fictive kin create tradeoffs they must navigate as they try to juggle the demands of college with ongoing demands from family.

With Ahab's Wife, I wanted to create a female fictive character of intelligence and courage, one capable of sustaining an epic quest for meaning that was both physical and metaphysical.

Challenging the tradition of documentary / ethnography as objective, woods creates ethno - fictive documents that investigate invisible dynamics in society, remixing memory and imagining other possibilities.

DiCorcia employs photography as a fictive medium capable of creating uncanny, complex realities out of seemingly straightforward compositions.

The most ambitious of his choreographic «services» to date, No. 5: Dare to Keep Kids Off Naturalism extends for fifty hours across ten days as four performers occupy the SLG's main gallery, utilising modular costumes to create ever - changing fictive situations that reconsider the relationship between their theatrical sensibility and the exhibition space.

Inasmuch as actual physical parts form shapes and surfaces to be painted, Stella's rich illusionistic mix has pushed composition outward from the wall, while retaining the idea of pictorialism in the use of pattern and gesture to create an anomalous fictive space on any given surface.

Through these varied approaches and diverse presentational strategies, I fabricate fictive artifacts, create biomorphic, sexualized schematics, and orchestrate transient theatrics and temporary monuments for incidental audiences in civic spaces.

So, of course, it makes sense for me that a fictive artefact created from the palette of a progressive, forward - looking, small, quirky Arab state in the 60s be played out by committed actors from Damscus, Beirut, Baghdad, Kuwait, Saudi Arabia — wherever, I don't mind.

The Master is Drowning [2012, digital video, sound, 10 min 25 sec] In The Master is Drowning the artist extends her use of found film beyond home movies to historical documentary, combining private and public film sequences to create a story that is both fictive and «real».

Halfway through, it occurred to me that the Kabakovs» efforts that I'd previously responded to were assemblies of found, highly charged material, recombined to create resonant, albeit fictive environments — for example, the haunting purported residue of an abandoned Soviet - era elementary school, complete with battered examples of the students» work, official pictures, and tattered textbooks, installed in an unrestored former army barracks in Donald Judd's Chinati Foundation, in Marfa, Texas.

He has created an entire fictive world, based on the imaginary town and environs of Nobson.

The widely traveled artist Martin Kippenberger ultimately made drawings on hotel stationary his hallmark and thus created a kind of fictive auto - geography.

Bader appropriates film, music, text, digital images, and found objects, creating complicated hierarchies of cultural production that mine the intersection between the real and the fictive, and frequently employ double - entendres and wordplay.

In «Hyphenated Lives» (2015), a collection of artworks that resemble zoological and botanical drawings, Kallat has created hybrid birds, animals, trees and flowers by artistically fusing species appropriated as national symbols in conflicted countries — symbolically unifying the divided nations which are their habitat, through fictive wildlife.

Although the color and canvas are bound together on a totally flat surface, our eye moves, in her words, «miles back and forth» through the fictive space the artist creates out of her large, open washes of color.