Sentences with phrase «creates figurative forms»

From unconventional materials and processes, he creates figurative forms such as Self (1991).

Not exact matches

In G.S.F.C. 2.0 (Geometrical Sci - Fi Cyborg), hard - edged geometries filled with solid colors converge with organic lines to create vaguely figurative forms.

In line with the recent trend of figurative painting, this show, curated by Katrina Neumann, brings together a multigenerational group of artists who create paintings that consider the human form within real and imagined environments.

For his large sculptural installations, Ward reclaims materials he finds in his neighborhood — everything from debris to precious treasure — to create abstract and figurative forms.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

Like Sun Ra, who destabilized an origin myth to create the possibility of new potential, Better Dimension investigates the potential of abstract form approached through a composition of destabilized figurative elements.

In the 1980s, Smith turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system.

Using both figurative representation and formal abstraction, Ted Lawson creates a narrative progression of forms that reveals something conceptually greater than the sum of their parts.

Belgian artist, Michaël Borremans, creates mystery on the canvas through figurative painting, filing inanimate objects with a sense of humanity, and obscuring the life from any human forms.

Superimposing intricate networks of lines, dots and planes of colour, with recurring figurative motifs such as doors, windows, aeroplanes, railway tracks and fragments of the human form, Bernard Cohen creates dizzying arrangements, within which an internal sense of order is revealed to the viewer gradually over time.

Burr's various working forms - large scale platforms and installations, mirrored folding screens, found object arrangements, hinged figurative forms, pinned collages, and blanket paintings, for example - are sometimes created for particular situations and bear the marks of that context.

She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the figurative tradition; analysis, by making something vast,» the role of race in the history of figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the figurative tradition is refashioned.»

Employing multiple mediums at once to create forms both abstract and figurative, she presents an array of clues and many layers of meaning in her work.

Working in a bright palette and always with one eye on figurative forms and the other on architecture, Stokoe creates his scenes from a combination of memory, photographs and the everyday imagery.

After gradually moving toward working with three - dimensional forms, in 1970 she made the artistic changes in scale and material and began creating figurative and non-figurative sculptures from burlap and resin, eventually moving to bronze, wood, stone, and steel.

Figurative studies leading to non-representational lines and forms are then reflected upon and transcribed to the plate to create an internal dialogue.

Exploring the aesthetics of self - destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures — surprisingly organic forms that appear distorted by dismemberment and decay.

Szymczyk's Documenta has been constructed according to the same idea that motivated, for example, Massimiliano Gioni, the artistic director of the 2013 Venice Biennale: to create an exhibition, one with numerous sites for viewing the art, that «blurs the line between professional artists and amateurs, insiders and outsiders, reuniting artworks with other forms of figurative expression — both to release art from the prison of its supposed autonomy, and to remind us of its capacity to express a vision of the world.»

Incorporating figurative, botanical, and abstract forms in his sculpture, Tony Matelli creates uncanny objects that are both unsettling and comical.

Upritchard aims to create figurative sculpture that simultaneously looks back at the history of the art form and to its future.

The 18th century witnessed wonderful human forms created by William Hogarth, (see also English Figurative Painting) and the academic classicist J.A.D. Ingres - see his Valpincon Bather (1808).

The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate abstract forms that could still be relatable to a larger universal language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's further progression into purely abstract imagery using an evocative and highly developed lexicon.

By breaking boundaries between classic forms and contours, he creates figurative and abstract landscape images using symbolic and geo shapes.

Working with a huge variety of media, such as bronze, steel, and wood as well as «found» objects and cow hide, to create architectural or figurative compositions in the form of sculptures, assemblage, installations and video.

In the 1980s, Kiki Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system.

Known for her crepuscular landscapes and figurative tableaux that engage with the history of painting, Otto - Knapp's signature style employs subtle washes of watercolor, slowly built up layer by layer on the surface of the canvas to create form.

All - media artists, sculptors, and photographers have created visual works interpreting a «figurative» theme in multiple ways: thorough the human form, or by exploring a broader interpretation of the theme, such as figures of speech.

All - media artists, sculptors, and photographers are invited to create visual works that interpret the theme «Figuratively Speaking» in two different ways: by depicting human forms, faces and features in representational or abstract works (portraiture, sculpture and all subject matter including people); or works which depict a broader interpretation of the theme, such as figurative language and figures of speech.