SCAD Museum of Art presents a solo exhibition by Glen Fogel, an installation artist who
creates immersive exhibitions often adapted to specific sites.
Not exact matches
It was only inevitable, then, that someone would do an
exhibition that surveys the trend toward bringing moving images out of the theater space and
creating more
immersive experiences.
He
creates immersive «total» installations, exploring the
exhibition construct's potential for literary fiction writing, and turning forensic and archival information systems into supports for poetic gestures.
EXHIBITION «Nick Cave: Until» @ Massachusetts Museum of Contemporary Art (Mass MoCA), North Adams, Mass. (Opening Oct. 16): Chicago - based artist Nick Cave is
creating his largest work to date, an
immersive installation that will consume a football field - sized gallery.
A major
exhibition will be commissioned under INSERT2014 by Raqs that will bring together local and international artists to
create site - specific works, based on
immersive interactions visits by artists.
Set to be artist Jenny Holzer's longest running and largest
exhibition to date, her project
creates an
immersive environment in which legible texts overlap and ride into a surround of white light and language.
Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the
exhibition juxtaposes graphic patterns with abstracted, figurative paintings,
creating a fully
immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.
Programs include: Affinity Atlas, an
exhibition combining an international roster of contemporary works and an
immersive «cabinet of curiosities,» with rotating displays by Skidmore faculty that forge unexpected connections between the works on view; a collaboration and residency with Mark Allen and Machine Project to
create new installations, performances, and events at the Tang; and a reexamination of the work of Alma Thomas.
The
exhibition, entitled Bas - Reliefs dans une forêt d'éponges,
created an
immersive environment populated by a bristling blue forest of sponges on stands.
The artists included in this
exhibition — Adam Nelson, Yoko K., and Grethe Wittrock — will collaborate to
create an
immersive environment that explores the changing nature of our relationship to the natural world.
«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to
create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the
exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.
Kate Shepherd, Marigold, 2009 A Summer of Modern Art at The Phillips Collection This summer, The Phillips Collection presents Robert Ryman: Variations and Improvisations, the celebrated artist's first major
exhibition in Washington, featuring rarely seen white - on - white paintings; Pousette - Dart: Predominantly White Paintings, an
exhibition of luminous, poetic works
created nearly without paint; and the latest project in the Intersections contemporary art series, in which Kate Shepherd incorporates her paintings and sculptures to
create an
immersive environment in -LSB-...]
New works have been made especially for the
exhibition including Anna Ray's «Margate Knot» (2017), a site - specific work produced by Ray and a host of local Margate makers; and an installation by Samara Scott in the museum's lift that uses a combination of carpet, food colouring and yoghurt to entirely its walls,
creating an
immersive and, in the words of the artist, «Overwhelming experience» for visitors to get in and up close to.
The
exhibition further relies on several
immersive experiences where gallery - goers will
create collaborative «fakes», envision non-visible art, and confess their Real / Fake sins at a confessional.
The new generation of sculptors, including numerous works commissioned for the
exhibition: Phyllida Barlow, Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, Jessica Stockholder, and Kaari Upson
create immersive, color - drenched environments that embrace domestic materials and craft as an embedded discourse, boldly eliminating material.
Anchoring the
exhibition is the stunning Black Mat Oriole video, an ambitious work five years in the making, in which Kang has
created an
immersive narrative influenced by the flow and movement found within classical Korean poetry, calligraphy, and dance but is firmly rooted in the contemporary landscape.
Known for her bombastic,
immersive paintings, German artist Katharina Grosse has
created a site - specific work for her first institutional solo
exhibition in London.
This
immersive summer course provides a firm basis in the historical and contemporary theory of curation, complemented by a practical toolkit for
creating world - class
exhibitions.
Titled, «Light Show», the
exhibition showcases artworks
created from the 1960s to the present day, including
immersive environments, -LSB-...]
This past week Juxtapoz Magazine, in conjunction with Mana Urban Arts Project,
created an
immersive artist retreat and
exhibition space in Miami's Wynwood District.
Moderated by Andrea Tarsia, Head of
Exhibitions at the RA, this immersive course provides a firm basis in the historical and contemporary theory of curation, complemented by a practical toolkit for creating world - class e
Exhibitions at the RA, this
immersive course provides a firm basis in the historical and contemporary theory of curation, complemented by a practical toolkit for
creating world - class
exhibitionsexhibitions.
Alt Art Space hosts Moving Image
Immersive Media's special
exhibition New Realities, featuring an international group of artists
creating works...
Through out the
exhibition Aitken takes these elements, rendering them in a variety of forms to
create an
immersive installation formulated in dialogue with the architecture of the gallery.
Currently, Kahn has a solo
exhibition at Friedman Benda, entitled Return of Saturn, for which he has
created an
immersive environment, complete with floor and wall coverings inspired by the linoleum floors of his childhood summer home.
The organization
created an ambitious
Exhibitions Program, developing projects with international artists that focus on site - specific,
immersive and socially engaged work.
The museum has also unveiled two other
exhibitions: «The Feminine Sublime,» a group show that takes ideas of the sublime, generally depicted from a male point of view, and gives it a decidedly feminine twist, as well as an installation by Ana Serrano, who is
creating an
immersive «garden» out of simple art materials such as cardboard, paper and paint.
Born in Japan but currently living in Paris, Ikeda is a master at
creating strong
immersive installations and performances, this is the
exhibition I'm the most excited about this month and I'm really pleased to see that Almine Rech Gallery is opening its program to installation art:» Japan's leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and aesthetics.
Projectors installed for Ho's
exhibition will be utilized to
create an
immersive visual experience that synthesizes the multichannel audio of the piece.
The
exhibition showcases artworks
created from the 1960s to the present day, including
immersive environments, free - standing light sculptures and projections.
Through experiments with scale, color, material, and space, the
exhibition will
create an
immersive environment that raises questions about art and display and enables fresh takes on the specific works.
Artist Megan Rooney
created an
immersive, durational performance in the context of Duane Hanson's
exhibition at the Serpentine Sackler Gallery.
Since his solo
exhibition Aurora in 2014, he has been
creating major
immersive installations, making space for the audience to have a total experience.
For Habitat at The Contemporary Austin — Jones Center, Sosnowska's largest monographic
exhibition to date at a U.S. museum, the artist has
created an
immersive, two - floor installation of dystopic domesticism.
Inspired by Tarek Atoui's current
exhibition The Ground: From the Land to the Sea at NTU CCA Singapore, this screening series features artist videos, documentaries, and filmic essays that examine how the image and the sonic
create immersive ways for multiple sensorial elements to come together and form a singular space.
The third
exhibition will feature artwork by contemporary artists who continue to push art into the perceptual realm with new materials and technologies that
create visual sensations,
immersive experiences, and viewer - active engagement.
Using Paul Bowles» novel The Sheltering Sky as a point of departure, Amy Granat
created an
immersive environment of projected images for her 2010
exhibition at The Kitchen, NYC.
In this
exhibition, Hentschlager
creates an
immersive environment of sight and sound reflecting on the nature of human perception and the accelerated impact of new technologies on both individual and collective consciousness.
For the 2015 Summer
Exhibition's Annenberg Courtyard installation, Shawcross has
created a large - scale,
immersive work consisting of five steel, cloud - like forms.
Projects 102, part of The Elaine Dannheisser Projects Series, is the first solo New York museum
exhibition of the work of emerging artist Neïl Beloufa (Algerian - French, born 1985), who combines moving images and sculptural forms to
create immersive viewing spaces.
The
exhibition at Gavlak will be an
immersive experience for visitors, featuring floor - to - ceiling wallpaper that Alvarez has
created in his signature Technicolor pinks, blues, greens, and yellows, depicting psychedelic patterns and linear forms.
Poitras screened and discussed pre-Snowden research on US - government surveillance in the 2012 Whitney Biennial and returns this spring to mount her first solo museum
exhibition, for which she will
create a series of
immersive spaces from a personal archive of materials related to her ongoing investigations of post-9 / 11 America.
Nicolas Fleming focuses his research on the presence of the visitor in the
exhibition venue by
creating immersive environments, which praise construction materials and recall temple - like pavilions.
Last year he had his first solo
exhibition, The Seth Bogart Show, in Los Angeles at 356 S. Mission Rd.. He likes
creating immersive worlds filled with paintings, video, sculpture, and music.
Showcasing some 50 galleries representing 11 countries, the fair features a special jewel - box
exhibition presented by Maison Giampiero Bodino in the Armory's Tiffany - designed Library Room and a large - scale
immersive environment, titled Parley for the Oceans, which addresses threats to our ecosystem, which was
created in collaboration with artist Doug Aitken.
Richards has
created an
immersive sound work for the
exhibition, which envelops the redesigned -LSB-...]
General admission $ 15 Students & Members $ 10 — About «Dreamlands:
Immersive Cinema and Art, 1905 - 2016» This fall, the Whitney Museum of American Art presents Dreamlands: Immersive Cinema and Art, 1905 — 2016, a landmark exhibition that focuses on the ways in which technology has created new forms of immersive experience using the movi
Immersive Cinema and Art, 1905 - 2016» This fall, the Whitney Museum of American Art presents Dreamlands:
Immersive Cinema and Art, 1905 — 2016, a landmark exhibition that focuses on the ways in which technology has created new forms of immersive experience using the movi
Immersive Cinema and Art, 1905 — 2016, a landmark
exhibition that focuses on the ways in which technology has
created new forms of
immersive experience using the movi
immersive experience using the moving image.
The Turner Prize nominated artist James Richards has selected Francis Bacon's «Study for a Portrait» (1953), for the fourth and final presentation of works from the V - A-C collection, Moscow, and as a response to Bacon's iconic figure, the artist has
created an
immersive sound work for the
exhibition, which envelops the redesigned gallery space and -LSB-...]
For the
exhibition, Attie is
creating an
immersive multi-media environment comprised of a large - scale sculpture surrounded by a six - channel video projection and audio soundtrack.
This unprecedented
exhibition gathers together almost fifty captivating film, video, and
immersive installations
created during the past twenty - five years by more than three dozen artists from nearly twenty nations, filling the galleries of the 1905 Building and its Sculpture Court as well as the Gallery for New Media and the Auditorium.
For
exhibitions, they install macro-arrangements of these sculptural instruments to
create immersive light - sound - scapes.