Using cardboard sheets which are prepared and mounted on canvas, a brush and a spatula Grotjahn
creates layers of oil paints with the end result being almost sculpture alike.
Not exact matches
The animation technique is an innovative mix
of claymation and traditional cel animation, utilizing a thin
layer of oil - based clay that is
painted / altered by hand to
create the illusion
of movement.
Different mixed media
painting techniques, using glue, string, card, wax, paper to manipulate and to
create texture with acrylic
paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic
paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns,
Creating a number
of different textures with acrylic
paint and see what other mixed media
layering one can achieve with chalk and
oil pastel as well to
layer over the acrylic
paint.
In his darker Round monotypes, he painstakingly transfers many
layers of oil paint onto paper to
create infinite space similar to Tang Dynasty bronze mirrors.
Through a process
of applying many translucent
layers of oil paint onto canvases lying on the floor random expressionistic color fields are
created sometimes with broken geometric structures floating on the surface.
Yuka Kashihara uses
oil paint applied in a thinly diffuse manner similar to that
of Japanese nihonga
painting, and by applying it in numerous
layers she is able to
create a unique depth
of color.
Relying on the thinner quality
of acrylic
paint compared to
oil, Nara
creates each
painting by adding and removing pigment until he reaches his desired effect: a canvas made up
of suspended hues that allows the figure to emerge through
layers of color, inviting the viewer to stand still and enter a moment
of contemplation.
Melding these varied images she
creates dense, interwoven tapestries
of thickly
layered oil paint.
Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with
layers of thick
oil paint applied by hand and brush and using a scalpel or Stanley knife to
create great fissures in their surface.
Executed in
oil on canvas from a digital image, the
paintings incorporate
layer upon
layer of fine lines
of colour to
create architectural - like forms, suggestive
of a dense, abstracted cityscapes.
The British artist, Shaun McDowell, has worked to
create distinct series
of paintings using different materials and applications in each body — acrylic
paint applied by hand,
oil stick drawn and smudged,
oil paint applied wet on dry to build up
layers of clear independent marks that form a whole.
Gibson's
painting practice often includes sculpted pigmented silicone, in addition to the simultaneous use
of oil, acrylic, and spray
paint; he employs these to
create layers of patterns in low relief or thick impasto.
The British artist, Shaun McDowell, has worked to
create distinct series
of paintings using different materials and applications in each body — acrylic
paint applied by hand,
oil stick drawn and smudged,
oil paint applied wet on dry to build up
layers of...
His unique expressions
created by a classical technique
of layering thick
oil paint to depict contemporary imagined sceneries reminiscent
of the work
of Van Gogh, have received acclaim both internationally and within Japan.
The results are sumptuous abstract encaustic
paintings that utilize a minimal color palette and repetitive imagery, thick
layers of translucent and opaque wax, paper prepared with batik markings and hand rubbed
oil stick combined to
create multi dimensional panels.
Her
paintings are built up
of light
layers with
oil paint to
create a washed down effect, setting figures in both abstract and interior environments.
Combining them with
layers of acrylic and
oil paint, he
creates...
During my training at the California College
of Arts and Crafts, I began to
create collage drawings that
layered disparate images on top
of one another; I now use
oil paint in a similar way, starting with an abstract background and then adding more photorealistic details, allowing the work to dictate its own construction.
While they often resemble large - scale collage, Kim Fisher's systematically
painted canvases are
created through a process
of layering oil on linen.
Progressive
layers of oil paint are applied to a section
of the canvas» surface,
creating a dense, black field.
Ryan Sullivan's monumental drip
paintings March 8, 2014 - April 15, 2014, 2014, and Untitled, 2014, build
layer upon
layer of paints (
oil, enamel, lacquer, latex and synthetic polymer
paint) to
create a three - dimensional relief surfaces.
mixed media on paper; unframed full sheet 22 x 30 inches signed lower right Neoromantic painter Hiro Yokose fuses multiple
layers of wax and
oil paint to
create mysterious, veil...
mixed media on paper; unframed full sheet size 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple
layers of wax and
oil paint to
create mysteri...
Takefumi Hori's mixed media
paintings are
created using multiple
layers of acrylic
paints, acrylic gels, sometimes an acrylic or
oil crayon for detail along with gold, silver, and copper leaf applied to canvas.
mixed media on paper; unframed full sheet size is 22 x 30 inches; signed lower right corner Neoromantic painter Hiro Yokose fuses multiple
layers of wax and
oil paint to
create myst...
Bernhard Zimmer's abstract
paintings transmit the richness
of multiple
layers of oil paint applied with precision to
create an overall composition that holds opposites - order and ch...
Painstakingly
created by hand using only brushes and
oil paint, her
paintings are
created from thousands
of strokes that
layer, blend and transition colors subtly from one to the other.
Working with
oil paint and cold wax, Sandrine Kern
creates works
of layered luminescence, deeply informed and influenced by color.
Creating his richly textured surface by
painting layer upon
layer of richly pigmented
oil paint, carefully sculpting and applying each brush stroke, Still would often scrape away the surface only to rebuild it again, resulting in a surface both densely
layered with colour or often transcendent, conveying deep, mystical space.
Attentive to the details
of his surroundings, such as the curve
of a green field on the horizon or the shifting shadows as they're cast throughout the day, Kelly builds up his monochromatic
paintings with thick
layers of oil paint,
creating a surface that is impenetrably opaque.
Consisting
of a number
of panels, his abstract
paintings are made
of thick
layers of the
oil paint which
create textured surfaces.
Though the
paintings appear monochromatic at first glance, extended viewing reveals a hidden
layer of prismatic color: Brody incorporates colored pigments into the black and grey plaster bases and mixes gridlines with colored
oil paint,
creating the sensation
of a pulsing center as the underlying color becomes subtly perceptible.