He creates life from a dead substance that you call sperm and egg in his own subtle way trough the mechanism which you call natural process.
Not exact matches
Because God can give
life to the
dead and make existent what does not exist, faith in God is always possible and nothing
created can separate the believer
from God's love (Rom.
Anyone who sends his or her children to a place where people believe that (i) the entire world was
created in 7 days about 6,000 years ago, (ii) a guy
lived in a whale, (ii) another guy got two of every animal on the planet on a boat, (iii) guy rose up
from the
dead and floated up into the clouds... should be banned
from reproducing.
Less oxygen reaching the interior, meanwhile, a product of both this increased stratification and significant nutrient runoff
from farms,
creates dead zones, a massive threat to marine
life.
While he borrowed some elements
from earlier films, Romero
created certain behaviors and rules that would render his
living dead the model for zombie films for the next three decades.
Important early works, «With
Dead Head» (1991) and the «Natural History» piece «Away
from the Flock» (1994), were exhibited alongside a butterfly monochrome diptych
created specifically for the collection: «Monument to the
Living and the
Dead» (2006).
In this interview Rauschenberg speaks of his role as a bridge
from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received
from musicians Morton Feldman, John Cage, and Earl Brown; his goal to
create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the
dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for
Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.
Dead or Alive follows upon themes first presented in the inaugural exhibition of MAD's new home, Second
Lives: Remixing the Ordinary, which featured contemporary works
created from multiples of ordinary manufactured items.
Blooms also remove oxygen necessary for animal
life from the water,
creating massive «
dead zones» — areas where the oxygen is so low that the water is inhospitable to
life, suffocating large amounts of fish and crustaceans.
Hypoxia, or low oxygen levels, can
create large
dead zones that snuff out marine
life and threaten dozens to hundreds of coral reefs worldwide, according to researchers
from the Smithsonian Tropical Research Institute or STRI.