Sentences with phrase «creates on the film set»

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Before long, r / deepfakes users were building on each other's data sets to create even more convincing facial swapping models — like this training set illustrating the morphing of adult film actress Little Caprice into simulated versions of Watson and Kate Mara.
This product is used on TV and film sets to create the look of sweat..
Being on set, it was amazing seeing so many moving parts coming together to create a film.
He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.
Spielberg starts off the discussion with commentary about he didn't want to create just another «War Is Hell» film, and the featurette continues with a look at the creation of the film, from location scouting to on - set direction to costuming.
With the first trailer for Rise of the Planet of the Apes set to be released on Thursday, Fox has released a first look at one of the film's digital apes created by WETA.
For her a source of inspiration was the film's elaborate hotel lobby set, created by production designer Adam Stockhausen, a previous Anderson collaborator and recen Oscar nominee for his work on «12 Years a Slave,» in a former department store in the storybook German town of Görlitz, near the border with Poland and the Czech Republic.
The award - winning director behind such fare as Her and Being John Malkovich tried his hand at creating a «live dance film» for the first time, on the set of The Tonight Show With Jimmy Fallon.
And production designer Giorgio Giovannini, who created many of the film's forbidding sets for its shoot on the Titanus Appia Studios soundstage, deserves credit as well.
Chopra also is in pre-production on «It's My City,» a series she created for the nexGTV digital platform, and is set to release three Indian regional films through her production company Purple Pebble Pictures.
The Combo Pack includes access to a Digital copy of the film as well as the following: Blu - ray · Feature film in high definition · Bonus Content: o Part 1 — SOUTHERN REACH § Refractions — See how director Alex Garland created the tone, textures and color palettes for the various film environments on set.
Known for predominantly using natural settings in their films, Ghibli again doesn't disappoint in using the available palette of colors to create a visual treat for its audience, and the picture on this DVD does it justice.
At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.
While Arcel smartly chose to focus on the characters» emotions and motivations throughout the film, Costume Designer Manon Rasmussen and Production Designer Niels Sejer also created visually stunning, unique and realistic clothing and sets for every scene.
Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.
Though digital effects artists are behind most of the robots in the film, actor Tudyk created about 80 percent of lead character Sonny's performance by donning a motion capture suit on set.
It was a film that set the bar for the decade that followed, creating film - makers that essentially said «Screw You» to the Hollywood system, going on the make movies that said something about the ever evolving world, showing the ugly side of human nature and how man was really capable of behaving.
Unlike many motion capture performances that are shot entirely in - studio, Nighy and his crew donned special suits to shoot on - set with the film's other actors, creating an incredibly realistic digitally enhanced performance.
«Haunted Hospital: On Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecOn Location» — Cast and crew discuss what it's like to film at a haunted location (Blu - ray exclusive) «Leigh Whannell's Insidious Journal» — A look at making the film through the perspective of writer / actor Leigh Whannell (Blu - ray exclusive) «Work in Progress: On Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecOn Set Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effeSet Q&A» — Barbara Hershey, Patrick Wilson, Jason Blum, James Wan, and Leigh Whannell discuss their experiences filming «Insidious: Spectral Sightings» 3 - Part Webisodes — Specs & Tucker find an unexpected ally in their early days as paranormal investigators (Blu - ray exclusive) «Peripheral Vision: Behind the Scenes» — Go on the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effecon the set and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effeset and see how the second installment was created «Ghostly Transformation» — Discover how actors were transformed into ghosts in The Further through make - up effects
Jurassic World Evolution is based on Universal Pictures» record - setting film franchise and created in collaboration with Universal, expanding on the original Jurassic World mythology and putting playe...
In some films, like Code Unknown and Caché, Haneke creates multiple on - screen realities, through movie sets and cameras that are part of the story, to blur the boundaries of time and space within the world of the movie.
A ten - minute clip (or shorter) from a film like The Story of the Weeping Camel from Mongolia might suffice to create a powerful discussion prompt on geography and language, on different perspectives about material luxuries, survival, family, how loved ones are cared for, being kind and considerate, what different living environments look like and how they are built, and how kids play or entertain themselves in different settings.
There are so many things that are happening on a film or TV set, and even more that goes into a creating a picture, so directors often don't have the time or patience to repeat themselves if a dog doesn't listen the first time.
Now, optimists might suggest such painstakingly slow progress is an encouraging sign, demonstrating Sony's desire to create something that lives up to the original series rather than simply cashing - in on the IP in the manner of the Resident Evil films, but considering how long it's taken Sony to make a decision regarding something as basic as the setting — let alone the script or cast — as a fan, it's difficult not to feel at least a little apprehensive.
During the last ten years she has created two animations, a documentary, and a short b & w film set in 1947, while remaining always focused on her painting.
Then I try to set on the feeling or atmosphere that I want to create, this normally comes from books, films or my own memories.
As she always felt connected to cinematic storytelling, she started as an on - set photographer for film and television and did entertainment reportage for AP, all the while making portraits and creating personal work.
Lilit has also served as Production Designer on films and commercials, creating sets, props, and wardrobe.
Reeds breaks the boundaries of panel painting with his famous settings based on Alfred Hitchcock's film classic «Vertigo», in which the artist creates bedroom situations in the exhibition space including his own pictures.
The set is presented with two films, a black and white dance choreography by Anita Pace in the manner of Martha Graham's mythological dance pieces, and a large color projection of a dance filmed in Kelley's installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory experiments, with violent movements evoking the films of psychologist Albert Bandura's studies of the effect of televised violence of on children.
His recent series, the «Demo» projects are interventions in the public space that use some of the same characteristics as a theatre set to create playful, surreal, large - scale illusions captured on video and presented as short films.
Following on from his «Archidirector» series, Italian illustrator Federico Babina creates clever film splices that reveal famous film sets.
Calder's creative enterprises were cross-disciplinary and exceeded the traditional definitions of painting and sculpture; throughout the course of his career Calder developed sets for a variety of theatrical, musical, and dance performances, collaborated on films, illustrated books, produced wallpaper, fabrics, and costumes, created designs for racing cars and airplanes, and embraced humanitarian causes.
If you are really set on creating a non-traditional resume but lack the necessary film, web, or design skills, there are a number of companies you can hire to help you create your dream resume.
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