Sentences with phrase «creates real character»

At the end of the day, it is what we do with regret that creates real character.

The two - time Oscar winner works hard to create a real character out of this collection of eccentricities, but this shallow, condescending movie constantly undermines her efforts

The dialogue between Willis, Malkovich and Mary - Louise Parker was hilarious, and was further proof that the Hoeber brothers are masters of creating real characters and having them react in a real way.

Learn how to create real characters readers love!»

Not exact matches

Here is a real character that we're creating and it has to be as human as the characters around them.

But remember one thing: All the judges ask is that you make it as easy as possible on them to find the real you, by creating content that allows them to understand your business» character.

The studio's animators, in a fight to keep up with Pixar, had created the most realistic human characters ever before seen — in fact, they were too real for human comfort.

A persona is a single person — a ficticious character created from REAL customer data that any business should have.

They took a real life situation, turned it into a shoot during a live broadcast, then created the worked character of Mr. McMahon to capitalize on the heat created by the shoot while making the action somehow simultaneously a work and a shoot.

How about a real life Animation Studio where families create clay characters (which they can take home) and make -LSB-...]

The experiment compared player reactions to two combat games, one that used «ragdoll physics» to create realistic character behaviour and one that did not, in an animated world that nevertheless looked real.

I love to bring stories to life — real stories of the guests I interview on my podcast, the life experiences I write about, and the characters I create in my fictional worlds.

I love to bring stories to life — real stories of the guests I interview on my podcast, the life experiences I write about, and the characters I create in my fictional worlds.

«Me, Myself & Irene» is a labored and sour comedy that rouses itself to create real humor, and then settles back glumly into an impenetrable plot and characters who keep repeating the same schtick, hoping maybe this time it will work.

Season 2 was more subtle and was a good examination of conflict tearing people apart, the characters were developing and were interesting, they have now turned into soundbite gimps, the creators have severely erred in trying to reconcile a fictional conflicts of a biker gang with a real world conflict of the IRA without any attempt to create even an iota a sense of realism or use skillful tact, (its difficult to see how a biker gang could make such in roads to the IRA when whole arms of government have tried and failed) The outcome of which is to turn a decent and interesting show into farce.

Playing real characters this time rather than sounding - board side pieces or just familiar types, Zoe Lister - Jones — a scream in «Lola Versus» — and Adam Pally — such a delight on TV's cancelled - too - soon «Happy Endings» — reveal their inherent dramatic chops and create genuine pathos amidst their biting interactions.

In The Disaster Artist, he has created a unique character with his portrayal of the real Wiseau.

The real strength of Transformers: Fall of Cybertron is how expertly High Moon leverages the characters and mythology to create a cinematic shooter that stands on the strength of its design and gameplay, rather than leaning on its license as a crutch.

Because the main character Billy (Adam Wingard) is a photographer who creates erotic murder scenes, it is often difficult to tell if what is happening on screen is real or just another prop for his scene.

Sigourney Weaver's performance however, is the real stand out here, and James Cameron creates a great story arc for Ripley's character as she faces her demons, and then starts fighting back.

This creates a complex character that reflects the desperate personal circumstances that often cause real people to turn to crime.

The Creative Assembly are going through pain - staking efforts to bring the cast of Alien Isolation to life and instead of creating virtual characters and simply hiring voice actors to voice them, they have employed a real cast of actors whose likenesses are being scanned into the game and their acting is also being motion captured.

Where other rom - coms would settle for over-the-top antics, that moment is just one of the examples of the movie's ability to create fully fleshed - out characters with a real sense of agency.

Brad's Status is an honest film that captures White's incisive deadpan humor and his ability to create characters who talk and act like real human beings, not cardboard caricatures.

The characters may think they sound brilliant when they crib from Oscar Wilde with lines like, «What is true about music is true about life: that beauty reveals everything because it expresses nothing,» or «A real artist creates beautiful things and puts nothing of his own life into them.»

The film opens on the island of Themyscira, a paradise island created by the god Zeus and hidden from the real world by a protective shield, and the film stays there for a while as we follow Diana from curious little girl to fully trained warrior princess but once Steve Trevor's fighter plane crashes there and Diana realises there is a war being fought in world she does not know of that is not too far away then we swiftly get brought into London in 1918 and this shift from fantasy into a «real world» scenario gives the film a greater sense of depth, and when combined with characters that you actually care about then Wonder Woman is head and shoulders above all of the other DCEU movies on the strength of that alone.

But Cameron kept it more about the characters and focused on creating a real good old fashion melodrama feeling film.

By never focusing in on one main character, the ensemble comes together creating a tapestry of unique stories that hints at the real - life enormity of this battle.

«Jon Lucas and Scott Moore are masters at creating relatable characters that audiences instantly embrace, and then putting them in hilarious, real - life situations for great comedic results,» said STX's president and CCO Oren Aviv.

The world Nichols creates for his characters is real and rock - solid; the relationships all make sense... but the filmmaker leaves it to us to form our own opinion of his protagonist.

With the exception of a couple of bumbling cops who never see any real action, we realize that in this fictional world, only the four main characters can solve the mess they've created, so suspension of disbelief is warranted to properly enjoy it.

Though it creates intensely compelling portraits on the surface, it shies away from examining the characters, especially du Pont, in real depth (once the triangle grows strained, Mark is essentially sidelined) and avoids any probing of du Pont's interior life or motive for a cold - blooded killing.

Given the reins, Hemingway did what he does best: create a cast of actors who embody the real - life characters without overtaking the story with their own celebrity.

The filmmakers discuss how the Japanese character models, influences and design create a fusion experience into this hyper real world; «New York Comic Con Presents Batman Ninja.»

I have to applaud Cannon and the writers for creating the character of Sam and presenting her as a real teenager who is confused with her sexuality.

Beginning with Bobby: The Making of An American Epic, this «making of» documentary fills in the details of how writer / director Emilio Estevez was inspired to create the huge cast of fictional characters based on real life events and situations.

«Bad Moms» continually seems confused as to just how to lean in, lurching between outlandish comedy set pieces based on public meltdowns and misbehavior that would likely get one arrested or injured in real life while also wanting to create some semblance of an emotional reality for its characters.

45 Years may only be his second fictional feature film, after 2011's Weekend, but British director Andrew Haigh has already established himself as a man who creates characters that feel ripped from the real world.

As the spring launch on App Store and Google Play of Harry Potter: Hogwarts Mystery, Jam City has released a video that showcases not only the game but also real - time reactions to the game from Harry Potter fans (including film talent) at the A Celebration of Harry Potter event in Orlando showing their excitement for the game's premise of creating a student character and attending Hogwarts.

But their real achievement is creating two strong, intelligent, and unforgettable characters: the emotionally wounded but unshakable Kimble and the well - meaning but obsessively determined Gerard.

Given his experience as an actor, and given the characters he created for Gosford Park, this is a real surprise.

Though the character of Black Panther (real name: T'Challa) was created in the 1960s, he has never had his own movie.

Granik never strains to dot the story with regular dramatic peaks and troughs, instead managing to create and sustain an atmosphere where every moment and every character is charged with raw and real emotion.

Even so, I Feel Pretty embraces its central character for all of her faults — real, perceived, or created by having too much self - confidence — and all of the qualities that she either didn't know or had forgotten that she possessed.

The characters she created were so real, so accessible that you believed they could be living next door to you.

In its third iteration, players will again utilize real - world interactive figures to activate original storylines (Play Sets) in the virtual game worlds of popular Star Wars franchises and create new adventures with a variety of characters from Marvel, The Walt Disney Co. and Disney / Pixar properties in the Toy Box mode.

To help create the appearance of a real movie, Chambers brings in a veteran Hollywood mogul named Lester Siegel (a hilarious Alan Arkin), a fictional character that the real filmmakers say is a composite of industry figures.

«The duo [Simon Pegg and Nick Frost] show a real gift for creating characters that can still bicker and needle each other in a very specific way even while running for their lives, and the blokes here get ample opportunity to do so.

The only actor who warrants any real awards consideration is Mark Ruffalo, but while he creates a fully realized character with his spot - on impersonation of impassioned Globe journalist Mike Rezendes, the role lacks the necessary depth to make him a serious contender.

Several characters, including Rick (Andrew Lincoln), Morgan (Lennie James), and Ezekiel (Khary Payton), tried to resist the call to battle that was Maggie's (Lauren Cohan) unwavering response to Negan's psychotic display, but their reservations were swatted away with no real debate, creating the illusion that war was the group's only viable alternative.