Sentences with phrase «creating an installation where»

Painting on sheets of plastic, on the floor, and on clear plastic tubes, to create installations where one is engaged in a continually changing relationship to the image / painting / object, as she put it one experiences «movement and duration».

According to Benno Tempel, chairman of the international jury, «Sala succeeded the best in creating an installation where the viewer is constantly challenged by image, sound and movement.

Not exact matches

The Solomon R. Guggenheim Museum in New York utilized it to create an immersive installation called PSAD Synthetic Desert III by artist Doug Wheeler where visitors can escape the sounds of the city — it runs until 2 August.

You create and manage your user types from the «User Types» page, where you can also see a listing of all existing user types in your eFrontPro installation.

The Museum is located opposite the Japanese American artist's former home and workplace for most of his career, where he created drawings for many installations, beautiful large sculptures, and projects for gardens, furniture, and other forms of art.

Fantastic youtuber ThisNthaT has created a very detailed and thorough installation guide for ACM Overhaul including where to get and how to install the...

We are creating a playful place where — as is in our past exhibitions — we give people time to linger, digest and unpick puzzles, giving space to let the installation resonate.»

Mayer's artistic practice encompasses film, sculpture, photography and installation, to create «kaleidoscopic» spaces where multiple references converge and enduring boundaries dissolve.

The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.

AB: The exhibition's design, which you created, has been described in the press release as a city, where each room is an installation of various aspects of your practice.

For the exhibition, they have created room - size installations where visitors can undergo four cognitive experiments.

At Paul Kasmin Gallery at New York City, The Noguchi Museum creates a special installation in the rear gallery of an exhibition devoted to the Parisian alley called l'impasse Ronsin, where numerous twentieth - century artists had their studios.

Mary Mattingly (b. 1978, Connecticut) is a Brooklyn - based artist whose interest in home, travel, and cartography have propelled her to create photographs, sculptures, «wearable homes» and ecological installations that reject the impinging control of corporate and political entities in a time where our physical environments are endangered.

While the organizational principles of the first presentation remain — such as gallery installations aligned with the geographic locations where the works were created — a deeper understanding of Still's imagery and themes are revealed through new comparisons and associations, suggesting there is still much to learn about this extensive body of work.

For Ms. Anderson, Mass MoCA is creating installation galleries; a production studio where visitors can watch her create audio and video works; and a display of the costumes, instruments, paintings and other objects she makes.

Born in Taiwan in 1964 and currently living in New York City and Paris, Lee Mingwei creates participatory installations, where strangers can explore issues of trust, intimacy, and self - awareness, and one - on - one events, where visitors contemplate these issues with the artist through eating, sleeping, walking and conversation.

Roy began to receive grants for this work, the first from the New York Foundation for the Arts, and invitations to create installations around the world: Japan, Finland, Italy, Brazil, Canada, Costa Rica, France, Korea, Taiwan, and the United States (he recently returned from a residency on the tidal shore of the Mississippi River south of New Orleans where he created a piece in the water from black willow sticks).

With «Remnant Recomposition» (2014), artist Cayetano Ferrer has created a site - specific installation composed of dozens of different carpets specifically manufactured for casinos, where frenetic visual stimuli are designed to both obscure the wear and tear of 24 - hour gambling palaces and to brighten up the cold mechanics of adverse probability.

Her objects often employ materials and forms traditionally associated with African art; her performance - influenced installations create spaces where historical precedent and self - determination comingle.

For the LVMH site - specific installation, he created a space where viewers are enveloped in light and their own mirrored, dreamy reflections, set beside a pool of water on the building's lower level, or grotto, as they call it.

More than an exhibition of separate and self - contained works, the scale and simultaneity of the works installed over 4 floors of TRAFO will create a single installation where the works echo physical and topographical layers, addressing issues of modernity and the human condition in front of changing political and technological realities.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

As with the open spaces at Minnesota Street, SoEx creates an environment where visitors can see artists at work and watch an installation take shape in real - time.

Whereas the language of installation creates a universe where the viewer is God - like at its centre as part of the language of the work — intrinsically linked; sculpture is its own universe whereupon the viewer is external to the language of the work.

The set is presented with two films, a black and white dance choreography by Anita Pace in the manner of Martha Graham's mythological dance pieces, and a large color projection of a dance filmed in Kelley's installation of the same work created in 1999, where dance movements were derived from the monkeys in the laboratory experiments, with violent movements evoking the films of psychologist Albert Bandura's studies of the effect of televised violence of on children.

Delbecq creates multilayered objects and installations that utilize text as a foundation for immersive environments where creative writing is animated via photographic and sound - art compositions.

Asae's paintings, videos and installations develop deep visual scenes where sight is armed with the ability to create a sense of sound.

A third artist, Gina Phillips, has created a room - size installation in which a quilt, «Holt Cemetery Tooth Comforter,» makes reference to cemeteries in her adopted city of New Orleans where human teeth and bones emerge from freshly dug graves.

The works on show are a natural progression of my on - going research around the chapel as an installation space, where architecture and art collaborate to create a holistic experience for contemplation.

For this floor, Marina Abramovic has created a site - specific sound installation «Ten thousand stars», where the audience can embark, with headsets, in asonic journey into the universe, facing the infinity of the night sky.The installation is also an open invitation to think about the unanswered question of whether there is a higher purpose behind the order of things and proportions that regulate the universe, and how human beings locate themselves within this order.

The earliest piece, I Am Sitting in a Room (1969), is a slide - and - sound installation created with composer Alvin Lucier, where duplication of analogue, audio recordings, and Polaroid photographs compromise media integrity.

Not far away from where Mark Bradford's paintings and installations were on display in the U.S. Pavilion, artwork created by another Baltimorean was quite literally disrupting the international group show of 120 artists that is the centerpiece of the 57th Biennale.

For the exhibition «The Institute Presents: Neurosociety» at Pace Gallery's Menlo Park branch, Mr. Byrne and his collaborator, Mala Gaonkar, have created room - size installations where visitors can undergo four cognitive experiments.

First created in 1969 for a solo exhibition at London's Whitechapel Gallery, the installation has been reconstructed at the Whitney Museum of American Art in New York, where it is currently on show as part of a touring US retrospective of Oiticica's brief but dazzling career.

Weems (American, born 1953) began the work while completing an MFA at the University of California, San Diego, where the late artist Allan Sekula created a similar installation about this family, Aerospace Folktales (1973), on view in the historical wing of the museum during the run of the exhibition.

Unlike his large - scale installations in museums, galleries, and biennials, where the artist carefully calculates and manipulates artificial elements to create a desired effect, Kempinas's outdoor sculptures are experimental and adapt to fluctuating weather conditions.

Renowned for his local Oakland Cakeland installation, Hove recently relocated to Los Angeles where he has created immersive experiences for the LA Art Show and Banksy's Dismaland.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

Using designs, icons, and colors from all of the world's national flags, without hierarchy or political prejudice, Kimsooja's installation To Breathe — Zone of Nowhere creates a visual canopy where national differences exist on an equal plane.

Using simple materials such as sand, paper, wood and felt the installation creates a symbolic patchwork world where memories and fictions collide.

Delbecq creates multi-layered objects and installations that utilize text as a foundation for immersive environments where creative writing is animated via photographic and sound - art compositions.

Also worthy of mention is a large - scale installation by Trevor Gould, titled God's Window, created specifically for the Musée Sculpture Garden, where it has been built onto the fountain.

«Hanging Garden, 2009, is a site - specific installation where over 100 floral patterned found garments suspended from the ceiling create a three dimensional expanding garden landscape.

At the end of the performance, where I created the makeshift shelter (continuously making and searching for a space - theme of the installation) for myself, I got back into the beginning position.

She created a site - specific installation for the exhibition, «Plenty,» where she wrapped the ceiling of the museum with the phrase «You want it / You need it / You buy it / You forget it» presented in black and white.

In 2005 he had a solo show at the Galleria dello Scudo in Verona, curated by Lea Vergine, where he exhibited a series of installations in burnt wood which create new and unusual inhabitable spaces.

Scottish artist Susan Philipsz created an enchanting sound installation in the large stairwell of the New Hermitage, where unobtrusive piano music envelops the visitor as they descend the stairs.

Rafaël Rozendaal is a Dutch - Brazilian artist who has risen to international fame in recent years lives in New York, where he creates internet art, tapestries and installations.

The Dutch - Brazilian artist who has risen to international fame in recent years lives in New York, where he creates internet art, tapestries and installations.

According to the museum, «Thomas will create an installation in SMMoA's Project Room 2, to reinvent Marcel Duchamp's «Etant donnes», where the «peep show» reveals an unexpected surprise.»