Sentences with phrase «creating classical painting»

Not exact matches

Opie has posed Streb against a black drop cloth and uses theatrical lighting to create a formally classical portrait that recalls seventeenth - century painting with allegorical dimensions.

Most artists until this turning point painted according to Classical Realism methods, using realistic perspective, shading, and other techniques to create recognizable scenes and subject matter.

In these stills from the scene that appears in Belz's original trailer, Richter very thoughtfully creates classical gestural abstractions: Which remind me of nothing so much as the great, underappreciated - until - just - now, large - scale paintings of Willem de Kooning from the mid-1970s.

Working in Paris, Feitelson no doubt was aware that Picasso had already moved in this classical direction, creating beautifully outlined figures inspired by classical sculpture and Renaissance painting.

Subsequently, this inspired him to create The Flag, a painting in encaustic — this classical technique has its roots in ancient Egypt and it is based on mixing pigments with melted wax.

Paolini's belief that a work of art is not just reflective of the «here and now» but is also resonant of earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

In classical paintings, the female body has often been depicted as part of a landscape, or perhaps more flatteringly, as the muse for a man to create art.

Each of these installations is loosely based on a classical landscape painting by the 17th - century artist Nicolas Poussin (1594 — 1665) created as three - dimensional interpretations using sets of pedestals and standing walls in varying dimensions to display objects in meticulous arrangements.

With the aim of drawing attention to the lack of racial diversity through the history of painting, Awol Erizku creates photographs, paintings, sculpture, and video installations that evoke classical artworks whose subjects are replaced with models of color.

In these early silver works, the result was an iridescent layering of muted color, in which the undercoats of paint glimmered through the overlying metallic sheen, creating an almost classical illusion of luminous space.

Rauschenberg's use of juxtapositioning various things out of a context, creating a whole new environment and context, always appealed to me more so than making a painting about something; about a landscape, portrait, still life, or historical or classical event and so forth; biblical thing.

Whether through painting, drawing, sculpture, video, or other media, contemporary artists have drawn on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.

In her paintings, Wróbel creates portals to imagined, meditative worlds inspired by travel, ancient architecture, jazz / electronica / classical music, neural networks, lyric poetry of Mary Oliver and Rainer Maria Rilke and esoteric philosophy.

The media of the show is diverse, ranging from classical modes like painting and sculpture, to experimental video and animation, and using the tropes of science fiction including dystopia, cosmology, and fantasy to restructure narratives and create alternate realities.

His unique expressions created by a classical technique of layering thick oil paint to depict contemporary imagined sceneries reminiscent of the work of Van Gogh, have received acclaim both internationally and within Japan.

Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure

Equally striking in a much different way are the monumental paintings of Kehinde Wiley, who borrows from classical baroque paintings to create eye - grabbing backgrounds and compositions for his own contemporary self - portraits.

This, combined with constant inspiration drawn from classical comic book imagery, pop art and American cinema (especially the horror genre), as well as the aesthetic of classic prints (Durer, Goya, Daumier, Kathe Kollwitz, etc.), creates Hancock's unique approach to collaged painting.

Indebted to both classical painting and Hollywood set design, he has created a book where the reader can create his or her own installations using Israel's artworks.

Hovering between figuration and abstraction, Daniels has created a series of oil paintings based on classical arches.

«The objects assembled in this exhibition challenge the way African - Americans have historically been seen, creating alternate narratives to the traditional Western art accounts from ancient Egypt and classical Greece, to the birth of modern painting, to postwar abstraction and conceptual practice,» according to a news release.

His sculptures use natural colored marble, paint and found materials to create figures reflective of animation, popular culture, and even classical heroic figurative sculpture.

It was created with an array of paint applications, from washes to scrapes, and represents a departure from the classical to highlight the physicality of the medium.

Painting with a renewed sense of observation, intensity and joie - de-vivre, Hockney embarked upon creating paintings composed in a classical still life format.

During the early 1960s, following his first showing at the New York gallery of Leo Castelli (1907 - 99), he began to include more colour in his painting, together with numerous classical references (Leda and the Swan, the Birth of Venus) and scatological imagery, a process which peaked in the «Ferragosto paintings», as well as his series entitled «Nine Discourses on Commodus» (1963), a portrait of the power - crazy Roman emperor created under the influence of works by Francis Bacon (1909 - 93).

This newly created large painting — it's six feet high — evidences intriguing new directions in her work, from the incorporation of what appear to be classical Indian motifs to surreal shapes that lend an otherworldly dimension to the erotic encounter depicted.

Committed to creating paintings that were intimate and grand, timely and timeless, Gottlieb combined Abstract Expressionist dynamism with Classical restraint.

English rocker Billy Childish paints classical composers in a manner reminiscent of Edvard Munch, while Sonic Youth's Kim Gordon pours a Minimalist circle of black glitter on the floor, creating a sort of negative spotlight, but also evoking a ring of pulverized LPs.

In Hong Kong's recent sales, Chinese Classical Painting stood tall amid the carnage created in the art market by the credit collapse.

Robert Ryman's work explodes the classical distinctions between art as object and as surface — between sculpture and painting, between structure and ornament — emphasizing instead the role that perception and context play in creating an aesthetic experience.

Employing found Google images, her own pictures and the paintings of masters from art's classical and modernist canon, Gorczynski has created eight unique, yet related, digital paintings and an accompanying video piece for Never Forever.

Her passion for plein air painting — a fundamental practice for the Impressionists — in tandem with her deep reverence for Classical and Renaissance painting, spills onto her canvases to create abstract works that interweave echoes of history with the contemporary in a fresh and enduring way.

Mohanty will exhibit paintings created in classical and digital media.

Yet throughout his prodigious and successful career, he and his bustling workshop also created imposing altarpieces and smaller religious paintings for private devotion or collectors, striking portraits, depictions of sensual episodes drawn from the classical tradition, and majestic allegories glorifying the Venetian state.

The exhibition features paintings created between the period of 2014 and 2016, whose intimate language refers to the past and the present with a constant disregard to the classical abstraction and representation.

Coinciding with the classical Arcadian landscapes of Claude Lorrain and Nicolas Poussin, working in Rome, the Dutch school began to produce great examples of Baroque landscape painting, of which the finest works were created by Jacob van Ruisdael (c.1628 - 82) and his pupil Meindert Hobbema (1638 - 1703); other top artists included Philips de Koninck (1619 - 88) who specialized in large - size panoramic views; and Aelbert Cuyp (1620 - 91) noted for his soft light and impastoed highlights.