Sentences with phrase «creating color field»

Melissa Dickenson's works utilize a repetitive process of stretching thin sheets of fragile plastic creating color field abstractions where each superimposed stratum creates depth and spatial perspective.

Within twelve years after her first class at American, she began creating Color Field paintings, inspired by the work of the New York School and Abstract Expressionism.

The horizontals run all the way from thin lines to thick bands, and their spacing varies as well, creating color fields without color.

Returning to Washington, DC., they began to produce the major works that created the color field movement in the late 1950s.

Returning to Washington, D.C., they began to produce the major works that created the Color Field movement in the late 1950s.

Dickenson's work utilizes a repetitive process of stretching thin sheets of fragile plastic, creating colored field abstractions where each superimposed stratum creates depth and spatial...

Assing's «Incessant Movements» series of photographs in quick succession explores the movement of light and how it creates color fields with background shadows.

Influenced by Jackson Pollock and other Abstract Expressionists upon moving to NYC, she developed a unique method of painting, the soak - stain technique, in order to create her color field paintings, which were a major influence on such other color - field painters as Morris Louis and Kenneth Noland.

Clouds & Rainbows (2017) is an example of such a nod, masterfully executed in two canvases with a pastel pink, baby blue, and creamy yellow bar pattern that creates a color field first layer.

Montana - based Anne Appleby creates color field abstractions that embody life cycles of plants growing on her property.

Not exact matches

It was an emblem of the central place of Jesus when, under the terms of the Geneva Convention of 1864 for the Amelioration of the Condition of the Wounded and Sick of Armies in the Field, the international organization created to carry out that moral imperative took the name «Red Cross Society»; its symbol, based on a reversal of the colors of the Swiss flag, is a red cross on a white background.

PMHA - WOC Statement: PMHA - WOC was created to fill a gap in support services for professionals and communities of color around perinatal mood and anxiety disorders, and we are thrilled to have our work supported by an organization that has been a leader in our field.

Constant development work in the field of plastics creates a moving target for accurate color realization across product lines.

Camera, depth of field, color grading — the support for manipulating these already existed in our game engine, it was only a matter of creating an interface for them.

Tour the universe with more than 100 brilliantly colored photos, starting with scenes of Earth, such as a satellite view of the massive debris field created by the 2011 Japanese tsunami.

It also incorporates a modified color palette and elements, including a blue sky and multiple shades of green, creating a rolling hay field.

Poons, Christensen, Davis, Landfield, Seery, Lipsky, Zox and several others created paintings that bridge Color Field painting with Lyrical Abstraction and underscore a re-emphasis on landscape, gesture and touch.

Frankenthaler developed her own technique of pouring diluted paint directly onto canvas, then manipulating it with mops and sponges to create vivid fields of color.

Surprisingly few artists used the spray gun technique to create large expanses and fields of color sprayed across their canvases during the 1960s and 1970s.

Bunikyte's large paper sculpture, Zero Point Field (2015), is a remarkable piece that speaks to the meditative process by which it was created: it features tiny, hand - drawn markings to form overlapping blocks of color — red, blue, and black, of course.

Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pColor Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture pcolor spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane.

The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.

Gorky created broad fields of vivid, open, unbroken color that he used in his many of his paintings as grounds.

In the late 1960s Richard Diebenkorn began his Ocean Park series; created during the final 25 years of his career and they are important examples of color field painting.

By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusColor Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illuscolor and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

She favors optical activity over conceptual rigor in «pencil paintings» from 1968, where diagonals in several colors of pencil on acrylic create a single vibrant field of blue - gray.

Mark di Suvero's painted steel sculptures are a burst of color in a green field, artists in residence create installations across the island and work in the studios near the ferry, and the Governors Island Art Fair crowds the island every summer.

My work can be considered color field, first created by Helen Frankenthaler.

In the 1970s, Tworkov redefined his style again, creating ever more refined themes where rhythmic brushwork played against fields of muted color.

In his self - portraits, Binion layers photocopies from his address book from the 1970s into collaged tiles, creating geometric fields of abstract color.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

Gorky created broad fields of vivid, open, unbroken color that he used in many of his paintings as grounds.

Dense areas of detailed linework and fluid, abstract gestural fields of color create a palpable push and pull in the work.

In his installations, he has created silver Celotex walls that invite museum - goers to become vandals, and transformed shag carpets into grand echoes of Color Field paintings.

Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.

Using carefully sculpted carrots as tools, Dyrehauge stamps raw canvases with gridded fields of colored dots and marks, creating iterative blocs of rhythmic patterning that meet, bleed and coalesce in organic and dynamic motifs.

Halley goes on from there in his own curious fashion, creating visual parallels between the color fields in abstract painting and, yes, prison cells, circuit diagrams, and flowcharts.

Irish - born American painter Sean Scully creates textured architectural compositions of stripes and fields of color.

An early and influential pioneer of Color Field painting, Louis gained renown for his innovative method of staining raw canvases with washes of pigment to create vibrant, large - scale works.

Slightly undulating fields of pale color are bisected by confident lines, creating demarcated negative spaces throughout.

Small sections of each canvas are left blank, where the artist has drawn a simple pencil outline of a lemon, thereby creating a field of white - colored citrus forms.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

His large - scale abstract paintings feature fields of solid color with little depth or perspective, created by pouring, spraying, and sponging paints and dyes onto the canvas.

In his «Eccentric Polygon» series, from 1965 and «66, he embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas.

Her «Tuning Fields» series, now numbering over 300, uses line - driven layers of color to create loose yet formal fields of motion that are abstract and at the same time evocative of shapes and patterns found in nature.

Manny Farber's monumental color field paintings created in New York and California during... Continued

One can see this development in Feitelson's Untitled (July), 1968, in which curves of red and white bisect a field of blue to create movement, but not volume, as neither color can be interpreted as shadow.

Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.

Influenced by both textiles and jazz, these paintings create around themselves a field of active energy as color interaction and mark improvisation blend and riff off each other.