Sentences with phrase «creating dance costumes»

Not exact matches

Her favorite fairytale will come to life as all children dress in beautiful costumes and dance with props to enchanting music creating a magical experience that is tutu much!

In our weekly workshops, your child will use music, dance, costumes and more to create a Fun performance!

The bridesmaids tops were created by «Fi Bourke Design» who creates beautiful pole dance costumes for the pole dance competitions.

On 27 and 28 January 2017, the renowned Trisha Brown Dance Company will re-stage her influential work Set and Reset using the original set and costumes created by Robert Rauschenberg in the Tanks.

How Cunningham transformed postwar culture through collaboration Renowned as both choreographer and dancer, Merce Cunningham (1919 — 2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works.

Presented by Art Basel in collaboration with Kaserne Basel, L.A Dance Project will perform Merce Cunningham's «Winterbranch» (1964), an early piece Cunningham created together with Robert Rauschenberg (concept, costumes, lighting design, accessories) and La Monte Young (music); and «Moving Parts» (2012), a collaboration between dancer and choreographer Benjamin Millepied and artist Christopher Wool.

Chris Ofili joins a long list of visual artists who have famously crossed into the theater and dance worlds, including Sonia Delaunay, who created costumes for Sergei Diaghilev's Cleopatra (1918); Donald Judd, who oversaw the visual design of Trisha Brown's Son of Gone Fishin» (1981); and, more recently, William Kentridge, who directed and designed a production of Dmitri Shostakovich's opera The Nose (2010).

Following Schlemmer's approach, only when the costumes were created could the movements of the dance materialize.

The concurrent exhibition on view at the Walker and MCA Chicago foreground Cunningham's artistic collaborations, focusing on his key concept of «common time,» whereby the elements of his performance apparatus (e.g. dance, music, costumes, décor, and lighting) are created independent of one another, but come together as interdependent, kept under the same constraints.

By showcasing the remarkable sets and costumes created for Armitage productions, Making Art Dance calls attention to a significant, unique art — dance partnership that has played a critical role in her work's endurance and sucDance calls attention to a significant, unique art — dance partnership that has played a critical role in her work's endurance and sucdance partnership that has played a critical role in her work's endurance and success.

Merce Cunningham (American, 1919 — 2009) was a seminal figure in modern dance, revolutionizing performance through his choreography and world - renowned dance company and through partnerships with leading artists, who created costumes, lighting, and set designs for his company's performances.

Throughout his career he created stage props, backdrops and costumes for a variety of theater and dance productions.

For Tate & Egg Live they will create a new «dinner show» combining music, dance, costume and video.

Renowned as both choreographer and dancer, Merce Cunningham (1919 — 2009) revolutionized dance through his partnerships with dozens of artists who created costumes, lighting, films, music, and décor for his choreographic works.

Calder's creative enterprises were cross-disciplinary and exceeded the traditional definitions of painting and sculpture; throughout the course of his career Calder developed sets for a variety of theatrical, musical, and dance performances, collaborated on films, illustrated books, produced wallpaper, fabrics, and costumes, created designs for racing cars and airplanes, and embraced humanitarian causes.