Sentences with phrase «creating emotional response»

... Pathos is an appeal to emotion, and is a way of convincing an audience of an argument by creating an emotional response.

Grabbing attention, engaging your learner, creating an emotional response, all these things can be done with a well - chosen image or video.

As long as they're relevant and concise, these stories will create the emotional response you're seeking.

Achieving virality requires not only that you create an emotional response, but also that the emotional response is one that will drive people to share content.

One way to do this is to create an emotional response scale.

Engineers are right to design robots that create an emotional response in humans as these machines become part of everyday life, says Jamais Cascio

The way to do this by telling stories that create an emotional response in her.

With thought and planning you can use this effect to create an emotional response in the learner which leaves a longer lasting impression than a still image.

should create an emotional response in your potential readers.

Designers are looking to create an emotional response.

«We have been hoping to create an emotional response that might act as a seed for reorienting awareness around the impacts of climate change,» Songster explained.

But they are going to schedule a showing because the listing created an emotional response.

Not exact matches

In an article from Co.create.com, Abigail Posner, Head of Strategic Planning And Agency Development at Google explains our societal fascination with sharing cat memes and videos: «In the language of the visual web, when we share a video or an image, we're not just sharing the object, we're also sharing in the emotional response it creates.»

Could Piper have psychological issues with women that in turn create unhealthy emotional responses to women that in turn determine the way he uses scripture to prevent women from teaching men?

You would do far more good in just educating people instead of trying to use these emotional, traumatic stories for which you do not have permission and creating visceral response.

One of the challenges for healing of emotional trauma is that although trauma - worlds are created in response to external events, once established, they form rigid and closed internal systems.

A baby's cry has been shown to cause aversion in adults, but it could also create an adaptive response by «switching on» the cognitive control parents use in effectively responding to their child's emotional needs while also addressing other demands in everyday life, adds Haley.

«Not only do we want to have the lip sync correct, but we are building in seven different facial, emotional tags to create any number of different emotional responses.

«Both 2 - D and 3 - D are equally effective at eliciting emotional responses, which also may mean that the expense involved in producing 3 - D films is not creating much more than novelty.

The scientists also found that the cellular responses persisted long after each of the photographs disappeared, further suggesting that the amygdala cooperates with other brain regions to create awareness of the emotional content of faces.

Those who will speak for you in the video will help to create a bigger impact as opposed to using a written testimonial - which can easily be faked and encourage a strong emotional response in your customers.

Trauma - filled experiences can be sudden or subtle, but the neurobiological changes from negative experiences cause our emotional brain to create a sensitized fear response.

I would also urge that if a simulation is focused on creating a certain emotional response out of the students, such as the anger of the colonists in The King's M&M's, be sure to debrief students before the end of the class period, so the students understand the relationship of the activity to the historical concept in the instructional objective.

When used properly, fonts can create visual interest and hierarchy, give your course personality, and even evoke an emotional response from your learners.

In October 2013, DSC released a new revised version of the Model Code, which includes new sections on: social and emotional learning, prevention and response to bullying behavior, reducing tickets and summonses issued in school, reducing racial disparities in discipline through culturally responsive classroom management, creating safe schools for LGBTQ students and other topics.

The person who created the Starlight Headliner: Alan Sheppard Head of Colour, Materials, and Accessories, Rolls - Royce Motor Cars To create a strong emotional response, we started researching how to get ambient light from the headliner.

By working to build a quality brand, by considering the perceptions of your audience, you can create that kind of emotional response, loyalty and perceived value in the minds of your potential customers.

On the other hand, the emotional responses of individual investors creating short - term price volatility are fragile and fleeting.

However, the most efficient method to create a strong positive emotional response to stimuli is to not only condition the response with the first experience, but also to have the novel stimulus (e.g., nail trimmers) precede the pleasant one (treat), as in the following steps:

When Animal Rescue Corps posts images and videos on social media that document our rescue operations, it creates a strong emotional response.

«When creating our line of backyard game toys, we focused on products that would primarily inspire an emotional response from the owner; after all, they are the ones making the purchase.

In training terms, it is called creating a positive conditioned emotional response (CER).

When you offer a treat every time you touch the collar, you create a conditioned emotional response.

It's not the overdue bill, traffic jam, or fight with our spouse that causes stress — it's our thoughts and the story we tell ourselves about an event or circumstance that create the emotional upset, racing heart rate, shallow breathing, and other symptoms of the stress response.

The bar for what constitutes ethical business practices should not be set higher for games than it is for say groceries, but we would do well to remember that games elicit powerful emotional responses whereas groceries rarely inspire people to create fan art.

Karwacki believes that through abstract design, the artist «transcends the limitation of medium, thus creating work that can produce an emotional response.

Childs creates objects that physically interact with their environment in the hope of evoking an energetically emotional response from viewers.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Austrian artist Peter Kogler is interested in spatial illusion, projections, brains, ants and creating projections of graphic environments that give the illusion of changing a fixed environment to generate an emotional response from the viewer.

Soemantoro works through her emotional response to the catastrophe by creating drawings based on the eruption, which she turns into layered lithographic prints through complex and intensive processes.

I am less concerned with crafting something for the sake of beauty - but to create a visual emotional connection and response of familiarity from within.

Abstract art's defining essence, what made it a departure from previous methods, is that instead of endeavoring to present an image of something recognizable, like an object or a landscape or a human figure, it endeavored to create new imagery that would inspire an emotional response from viewers.

Her group exhibitions include «Healing Through Art» Exhibition, the Montclair Public Library Gallery, Montclair, NJ (2017); «Art and Chaos: a Response» Exhibition, Studio 5404 Art Space, Massapequa, NY (2016); «Artwork created through Emotional, Spiritual and Structural Inspiration» Exhibition, Studio 5404 Art Space, Massapequa, NY (2015); «Blossoming Seeds of Vision» Exhibition, China Institute Gallery, New York, NY (2014).

Trained as a painter, Calzolari started exhibiting widely from 1968 onwards, initially creating performances and works including animals and people, then subsequently combining and staging different materials to evoke direct physical and emotional responses in the viewer.

Creating art of great intellectual and emotional complexity is often the result of manipulating received ideas to provoke an unanticipated response.

And when used together, various colors seem to vibrate, creating unpredictable emotional responses in viewers.

While they utilize different geometric elements (squares, rectangles, stripes or bands, grids, and lines) they all explore how the interaction of color creates physical and emotional responses in the viewer.

The propaganda campaign creates an icon around which emotional responses are formulated.

This initial impression is critical and should not only create an emotional effect, but also a direct response.

The video is obviously meant to create some sort of emotional response in the viewer, compiling scenes of people killing people in videogames without any commentary.