Sentences with phrase «creating illusionistic space»

Frank Stella has been recognized for his artistic innovations since the age of 25, when he cast aside the concept of creating illusionistic space in his canvases in favor of privileging flat surfaces.

1 How to create an illusionistic space and to draw from first hand observation using blind drawing skills, contour line drawing, upside - down drawing and mark - making.

«Three primary colours, as the source of endless sequences of tones... The shades and forms emerge through the constant blending of brushstrokes; they create an illusionistic space, without any need for me to invent forms or signs» — Gerhard Richter «Richter succeeded in taking the inpaintings to a threshold where they exist — period.

Not exact matches

The Los Angeles based artist will continue to explore ideas of space and motion with these works and is applying new media technology to create the illusionistic environments.

There is a well - worn narrative of twentieth century painting that goes like this: From Cezanne to Picasso to Pollock, the illusionistic space of painting flattened more and more until the picture plane and the surface created by the paint itself became the primary subject matter, eliminating images altogether in favor of abstraction.

Exploring how to force illusionistic space out of painting, Stella created the seminal Black Paintings, credited by some as reinventing Modernism and establishing the basis for Minimalism.

Sculpture was felt to be more socially engaging because it occupied actual space rather than creating an illusionistic realm using perspective and other techniques.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Her digitally animated works make use of the interplay between actual space and illusionistic space, creating environments in which the roles of the viewer and the object become blurred.

Inasmuch as actual physical parts form shapes and surfaces to be painted, Stella's rich illusionistic mix has pushed composition outward from the wall, while retaining the idea of pictorialism in the use of pattern and gesture to create an anomalous fictive space on any given surface.

The juxtaposition of disparate images with graphic renderings in an ambiguous, illusionistic space in Burns to Breathe (Got ta Have a Better Attitude)(2014, 40 x 38.5 inches) recalls the «inscapes» of Surrealist painter Roberto Sebastián Matta, who combined unexpected imagery with unconventional painting techniques to create fantastic landscapes intended as landscapes of the mind.

A series of lithographs, like Pet Stains, 1990, hark back to Synthetic Cubism: puddles of black paint mark a stack of trompe l'oeil newspapers so as to create a tension between flat representation and illusionistic space.

He enclosed vast panoramas in abstract lines of color that created an oscillation between pure painting at the edges and moments of illusionistic space at the center of the work.

Tracing the archaeology of the paintings in the sculptural formations that accrue on their edges creates a dynamic contrast between the illusionistic interior spaces opened up within the compositions and the frank materiality of the gesso boards as objects hanging on the wall.

Throughout his long career, Stella has used color, surface texture, and space to create dichotomies in his work, adeptly playing with real space as opposed to illusionistic space.

Richter began painting on photographs in 1989 as a way of joining seemingly opposing values: the tactile paint mark that is actually abstract and the illusionistic depiction of real space created by the action of light on film.

Press release excerpt:» This exhibition showcases seven contemporary artists who use paint to create both an object and an illusionistic space.