Sentences with phrase «creating woodcuts»

The arduous work of creating woodcuts with such exacting lines was eventually given over to Judd's father, Roy, a skilled woodworker, in the 1960s.

Inspired by Japanese ukiyo - e woodcuts of the 17th, 18th and 19th centuries, Frankenthaler studied and created woodcuts that reflected, not only the ukiyo - e tradition, but the unique use of color that is a signature of all of her work.

Not exact matches

I use both natural and abstract elements as my departure point to create a collection of items that combines my interests in bold, graphic woodcut / relief art, the craft of sewing, and, in particular, nature, giving a nod to mid-Twentieth Century design too.

A major new 3 - D animated film entitled Time Spy, produced in late 2016, will be presented alongside a selection of the woodcuts used to create the film.

Painting, woodcuts, traditional Chinese ink and charcoal drawings are often combined to create the foundation of expressionistic, stop - motion animated films.

The artist created the original woodcut on which the book is based during a residency at the Atlantic Center for the Arts in 2009.

It includes lithographs, engravings, aquatints, photogravures, and woodcuts created by artists of the late eighteenth, nineteenth, and early twentieth centuries.

From self - portraits created in our children's programs and wearable art designed for the Teen Stylin» runway to woodcut prints inked in the Studio School's adult classes, art - making happens across VMFA's campus.

As we know about Helen's paintings, which are all developed by stains, these the ukiyo - e style woodcuts are produced by creating stains, and as we look into this light blue and green area the turquoise and the blues that are created.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Paint lines left on transparent plastic film through a process of scratching away (as might be the case when creating the block for a woodcut print) reveal an abstract form and an obsession with materiality and process that eludes a clear concept — which is also a weakness of this body of work.

Jim Dine Printmaker: Leaving My Tracks explores Dine's etchings, woodcuts, lithographs and illustrated books from the last 50 years, drawing from the prints at the Museum of Fine Arts, Boston, where the artist has created an archive of his life's work.

«My work uses different types of mark making in woodcutting to create altered landscapes where figures exist in a contemplative space.

This color woodcut on White Richard B. Tullis II handmade paper was created by the artist in 1991.

Over the course of four decades, Donald Judd created hundreds of prints using aquatint, etching, and screenprint techniques though the woodcut was his primary print medium.

«Frankenthaler experimented with the woodcut until the end of her career, creating a body of work that both engages with printmaking and challenges a conventional understanding of the medium.

Over the course of four decades, Judd created hundreds of prints in aquatint, etching, and screenprint techniques though focused on woodcuts as his primary print medium.

Wood engravings differ from woodcuts in that they are created using the endgrain of the wood — a cross-section of a tree trunk or branch — rather than a plank.

[5] She created works in a variety of media including oils and watercolor as well as genres including expressionist painting, graphic art, sketching, and woodcutting.

Mr. Sims, however, emphasizes the artist's process here by including the working photos and some of the plates used in the various stages involved in creating the artist's silkscreen and woodcut prints.

Carol Summers is an American artist born in 1925, widely known as one of America's foremost printmakers, creating works by woodcut process.

Recognized primarily as a painter, his first print project began at Pace Editions in 2007, which resulted in «White Roses,» a thirteen - block woodcut that combined his signature black outlines with vibrant colors to create a rich, beautiful, and dynamic work.

Acknowledging the important role that the paper was assuming, Frankenthaler left the lower portion of the fourth woodcut she created practically bare.

In 1937, a group of Chicago - area artists created a portfolio of woodcuts entitled, «A Gift to Birobidzhan,» as a fund - raising project for Birobidzhan.

The color of each painting derives from the nudes by Impressionist artist Auguste Renoir, and revisits a technique Levine first employed in 1989 with her Meltdown series of woodcut prints, where an averaging algorithm was used to create a checkerboard composition based on modernist artists» iconic paintings.

In addition to his well - known Cubism - inspired paintings and woodcuts, «At the Edge of the World» includes comic strips he created for German and American newspapers and wooden toys carved for his children.

We use woodcarving tools to create one - color and multiple - color relief prints as well as a color reduction woodcut using the same matrix but multiple impressions, employing transferring techniques as well as design and mark - making methods in wood or linoleum.

After World War II, Macdonald - Wright became interested in Zen Buddhism and meditation, journeyed to Japan where he established a home and by translating haiku into paintings and woodcut prints, created a form of visual poetry.

They traditionally included the same elements (club, diamond, heart, spade, jack, queen, king), but the actual designs varied by region — particularly impressive when you consider that the designs were created by woodcut.

He not only fondly recalls working with Frankenthaler, but also describes in detail the collaborative process involved in creating her large - scale woodcut prints.

If German artist Josef Felix Müller was going to create the huge woodcuts he envisioned, print publisher Peter Blum would have to find a new approach.

In the exhibition Sol och stål — krigarens väg / Sun and Steel — The Warrior's Path, a tension is created between Söderberg's violent, meticulous watercolours based on Japanese woodcuts and the serenity of large - scale abstract oil paintings.

This woodcut / screenprint is one of eight prints created to honor the Brooklyn institution.

By the end of the course, participants will have learnt how to prepare, cut, ink and print wood engraving blocks (the techniques for which can also be applied to woodcutting and linocutting blocks) and will have created at least two small wood engraving prints to take home.

Created in several discreet bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin's experiments with a range of mediums, from radically «primitive» woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel - like watercolor monotypes and large, mysterious transfer drawings.

The ash painting technique he created has added another method of painting to art history, other techniques, such as sculpting in cowhide, door carvings and feather woodcuts have all been pioneered by Zhang Huan.

The twin brothers create drawings and woodcuts primarily, but also work with prints, paintings, collages, and ceramic sculpture.

Richard Tuttle began making his first prints and woodcuts in 1965 and has continued to create prints and artist's books throughout his prolific career.

In recent years, the artist has experimented with woodcuts, creating ebullient works evocative of Henri Matisse.

Presented on separate floors of Tew Gallery through June 1, Minton's multivalent and playfully complex woodcut paintings, together with Ludwig's fecund layering of diaphanous veils of color and lush natural imagery, create a conceptual playground and a sensory feast.

The Baechler woodcuts we offer at VFA are a series of flowers, created in 1994.

Thus he created a rich surface pulsation that pervades not only his canvases and paintings on paper but also his late color woodcuts.

Judd's work with simple lines began in the 1950s, when he started, with great skill and patience, to create minimal designs using woodcuts.

It was at the Art Student's League that he began to use woodcuts to explore working within a space to create design, rather than imposing design on a particular space.

Also on show were two video projections by Rosalind Nashashibi, a room of Exposed Paintings by Callum Innes, sculptures and woodcuts by David Shrigley and Christine Borland's sculptural installation, L'Homme Double, while Karla Black created a new sculptural hanging piece in response to the Gallery's neo-classical Sculpture Hall.

Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».

Since 1998, when Parkett magazine commissioned her to create a lithograph, Peyton has created a broad range of prints, including monotypes, lithographs, and woodcuts.

Initially Arp focused on creating relief woodcuts as «sculpture».

In A Simple Task Alexis Nutini employs the graphic force of the woodcut and the flexibility of its process to create recycled and continuously evolving works.

This volume aims to answer that question by exploring the four basic printmaking techniques — woodcut, intaglio, lithography and screenprint — that have been used to create some of the most iconic images in modern art, from Paul Gauguin's Noa Noa to Andy Warhol's Marilyn Monroe.