Sentences with phrase «creative arts content»

It also serves as a free - to - view mega library, stocked with a wide range of creative arts content.

Not exact matches

The Foundry, our state - of - the - art creative lab and content studio in Brooklyn's Industry City, brings the full potential of Time Inc.'s storytelling expertise, editorial know - how and creative spirit to help brands tackle their most demanding marketing challenges.

Editor - in - Chief Jane Isabel Nussbaum Creative Director Jennie Utschig Integrated Content Director Elizabeth Anne Shaw Deputy Editor Mary Kate Frank Art Director Amanda Kirk Managing Editor Rachael Taaffe Senior Editor Linda Rodgers Senior Designer Judy Wong Senior Associate Editor Jessica Leigh Hester Senior Digital Producer Tom Booth Digital Editor Elina Bolokhova Editorial Assistant Sarah Pottieger Production Manager Carl Hesler Copy Editor Gregory Koutrouby Contributing Photo Editors Daisy Cajas, Lauren Epstein Contributing Editors Erica Clark (food), Jennifer Geddes (research), Amanda Kingloff (lifestyle), Holly Pevzner (health news), Christina Vercelletto (learning) Publisher Jamie Engel President, Consumer & Professional Publishing Hugh Roome

Unlike existing digital markets for creative content, Zylofon Cash has not set a threshold for views before the owner of the art work can get paid.

The Arts and Humanities Research Council (AHRC) funds world - class, independent researchers in a wide range of subjects: ancient history, modern dance, archaeology, digital content, philosophy, English literature, design, the creative and performing arts, and much mArts and Humanities Research Council (AHRC) funds world - class, independent researchers in a wide range of subjects: ancient history, modern dance, archaeology, digital content, philosophy, English literature, design, the creative and performing arts, and much marts, and much more.

I've been feeling really creative and inspired by the art of my craft again, something that is so important when creating content!

An extensive background and numerous skills in architectural design, a lifelong passion for art, and a penchant for culture has provided Laura Dittrich, a visual storyteller based in Germany, with a keen eye for aesthetics and a unique creative vision materialized through aesthetic visuals such as cinemagraphs and experimental video content in the form of outfit editorials (cinematorials).

Twitch's video platform is the backbone of both live and on - demand distribution for all types of content, including the entire video game ecosystem, the creative arts, vlogging (IRL), and more.

It seems to me that the creative thinking that comes so naturally to the arts could well serve students in other content areas.

Despite acquired content from earning three graduate degrees — one in dramaturgy, one in creative nonfiction, and one in arts and education — teaching in community college becomes an art of practice and craft separate from content.

«arts@newman: A Creative Effort to Unravel Educational Knots» Stephen Hurley blogs about his own efforts to tie art content into his seventh - grade classroom (October 2007).

The arts add an emotional, creative response to core content.

For users of the EL Education K - 5 Language Arts Curriculum content: Unless otherwise indicated, all work is licensed under the Creative Commons Attribution 4.0 International License (CC BY).

We used a qualitative case study design with content analysis methods to describe and compare the percentages of the CCSS and of the former New Jersey Core Curriculum Content Standards (NJCCCS) in English language arts and math that require students to demonstrate strategic and / or creative thcontent analysis methods to describe and compare the percentages of the CCSS and of the former New Jersey Core Curriculum Content Standards (NJCCCS) in English language arts and math that require students to demonstrate strategic and / or creative thContent Standards (NJCCCS) in English language arts and math that require students to demonstrate strategic and / or creative thinking.

Specifically, we compared the percentage of the high school CCSS standards in English language arts and mathematics that required creative and strategic thinking to the former high school versions of the New Jersey Core Curriculum Content Standards in those subjects.

The faculty's comfort and familiarity with art content will be assessed pre and post, with yearlong art - integration professional development, creative collaboration, and coaching.

This school's Creative Leadership Team is focused on «Artists» Inquiry and Critique» professional development to help teachers embrace simple yet deep ways of integrating the arts into other content areas — and assessing their teaching using the critiquing processes that artists use.

Specific content covers a broad liberal arts spectrum that must be integrated throughout the daily schedule in creative, intentional ways.

Teaching Artist Collaborations partner teaching artists with extraordinary skills in one particular arts discipline: dance; theater; visual arts; music or creative writing with teachers whose extraordinary skill resides in their content knowledge and understanding of certain strategies for transmitting that knowledge to students.

partner teaching artists with extraordinary skills in one particular arts discipline: dance; theater; visual arts; music or creative writing with teachers whose extraordinary skill resides in their content knowledge and understanding of certain strategies for transmitting that knowledge to students.

HOT Blocks are a creative intervention model where cross curricular collaborations between grade - level teachers and arts classroom teachers support students in Scientific Research Based Interventions (SRBI) in their learning of language arts and math content through the arts.

Teacher Artist Collaborations (TACs) partner teaching artists with extraordinary skills in one particular arts discipline: dance; theater; visual arts; music or creative writing with teachers whose extraordinary skill resides in their content knowledge and understanding of certain strategies for transmitting that knowledge to students.

HOT Blocks are a creative intervention model where cross-curricular collaborations between grade - level teachers and arts classroom teachers support students in Scientific Research Based Interventions (SRBI) in their learning of language arts and math content through the arts.

With scavenged classroom props, students can be wonderfully creative as they integrate content knowledge, art and language skills.

Having the possibility to integrate images, to add links and style content according to their preferences, students have the possibility to be very creative in the way they manage and organize their piece of art.

This issue will explore how schools can bring visual arts, music, theater, dance, creative writing, and other arts into the content areas and use the arts to engage marginalized students.

The arts provide multiple ways for students to access and interact with content and learning, and help students become well - rounded, creative thinkers.

Students then respond to the content in their own creative way, including art, writing, graphics or videos, and can receive rewards and recognition!

Parenthood in my 30s led me to take up my spiritual journey, and after several decades of being active in Unitarian Universalism, in my 60s I have also come to think of myself as a progressive Christian as well as a UU — a return to the faith I grew up in, but on a different level, taking scripture seriously but not literally (and for me, serious literature can be scripture too, especially poetry, and scriptures of other faiths...) I am content to say God is a mystery, a word we use to point to all that is good and beautiful and healing, a creative energy at work that we can experience through our loving relationships, through art and music, through the pursuit of science, and in the «church» of nature.

Amanda has a Bachelor of Arts in a personally designed major from St. Olaf College in Creative Writing, and has been posting content online for many years, including maintaining the blog for the digital marketing company Outsell.

The campaign is called «Get it Right from a Genuine Site» and the purpose is try and sway public opinion to support the creative arts and not pirate content.

Also contributing to the initial roundtable were Mick Moore, Creative Director at the British Journal of Photography, James Isaacs, Art Director at TeamRock's Classic Rock and Metal Hammer, Pedro Monteiro, Product Manager for Digital Paid Content at Lisbon - based Impresa Publishing, and David Jacobs, Co-founder and Principal at 29th Street Publishing.

I'll need to post more polished, professional content about creativity, creative production, art and writing, brain science and nootropics, the history of creativity and inspiration, and I need a better optin offer targeted towards helping people discover their own creative genius.

I respectfully disagree: there is plenty of overhead in ebook production, including editing, art, writing (creative content) and formatting.

THURSDAY, JULY 21 5:00 p.m. — 6:00 p.m. Exploring a 1950's Altered America: The Continuing Creation of the Resistance Universe: Get an exclusive first look at new game content with members of the Insomniac team including Marcus Smith (Creative Director), Kevin Grow (Animation Director) and Grant Hollis (Art Director), and actors from the Resistance 3 cast including Robin Atkin Downes (Joseph Capelli) and Crispin Freeman (Charlie Tent).

Our vision is to deliver content that combines art and technology, and makes people think of the word «creative» before anything else.

Attendees will be treated to an first look at new game content and other surprises, with special guest appearances by members of the Insomniac team, including Marcus Smith (creative director), Kevin Grow (animation director), and Grant Hollis (art director), as well as actors from the Resistance 3 cast, including Robin Atkin Downes (Joseph Capelli) and Crispin Freeman (Charlie Tent).

Work with Precursor to contribute a piece of creative content in the game + Associate Game Designer Credit + 60 - min Skype Chat with Precursor Staff + Your Personal Dossier (Bio & Photo) in the game + Signed & Numbered «Ephemeral Codex» Hardcover + Signed & Numbered High Quality Poster + Signed & Numbered Character Concept Sheet + Enchanted in - game weapon «Tyrannus» Gladius» + DRM - free Original Soundtrack (Digital) + Alternate Player Costumes + Digital Version of Episode 1 Script + «Whateley's Journal» Audio Recordings + The Art of Shadow of the Eternals Digital Book + Shadow of the Eternals Season 1 (12 Episodes) + In - Game Entry to «Whateley's Secret Study» + Exclusive Membership in the Order of the Unseen

While artist's agents have a responsibility to promote the work of the artists on their books, art consultants are able to stretch beyond a small pool of represented artists to bring together creative content that is most relevant.

Requirements: Experience working in social media management, content creation and digital campaigns; astute knowledge of all digital and social media channels; interest in the creative sector; an understanding of contemporary African art; excellent writing, communication and research skills; great attention to detail; ability to generate innovative and strategic ideas for the brand's content.

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators InternatioArt historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators InternatioArt in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators Internatioart historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators InternatioArt History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators InternatioArt; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators Internatioart advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

Interview with artist Kellen Chasuk following the opening of her solo show «Plastic Flowers» t Stephanie Chefas Projects to better know her and her work by discussed her art experiences, the content or her work and the choices she made in displaying it, as well as her creative practice and what she has coming up.

We discussed her art experiences, the content or her work and the choices she made in displaying it, as well as her creative practice and what she has coming up.»

Creative Capital Foundation — National, nonprofit organization that supports artists pursuing innovative approaches to form and content in the visual arts and emerging fields

We publish inspiring creative content, mostly with an art and design focus.

Chinese artists are gaining international recognition for their potent artworks that address a rapidly changing society; influenced by Western ideals and art practice, their creative production nevertheless remains distinctly Chinese in its content and aesthetic.

On Weaving offers a model for how to write in a way that incorporates theoretical examination alongside practical content; in it Anni Albers provides valuable — and often overlooked — thoughts on art and creative work.

With a base in New York City, American creatives like Julian Schnabel, Eric Fischl and even Jean - Michel Basquiat challenged the content that was shown within galleries, bringing in personal, sensitive works of art.

Speakers will present their contemporary perspectives on the role of painting in art today; the anthropological, psychological and ethnographic content that Freud's work elicits and, revisit post-war art contexts and Freud's lesser known relationship to Ireland, that included a creative network of other artists and writers.

Blouin ArtInfo surveyed the «Art World's Black Lives Matter Instagrams,» an outpouring of content from well - known artists, museum officials and lesser - known creatives.