Sentences with phrase «creative design production»

Marketing professional with seven - plus years of experience in project management and creative design production currently seeking an entry - level position in the fashion / beauty industry.

Not exact matches

The best part: with so many products available for production, I can focus my time and creative efforts on coming up with incredible designs.

The entire production took six months, and was developed by creative agency Firstborn, post-production agency Legend and sound design agency Antfood.

We specialize in putting your brand in the best light with our creative design, efficient production and cost - effective printing.

Michael Wachs, chief creative officer at GYK Antler, guides the company's strategic, creative process from conception through detailed design and production.

The new company passionately maintains the original commitment to creative design from first concept to finished production.

Purple Creative created the HTC Vive tasting experience in partnership with Wolf In Motion, a London - based VR design and production studio.

Ms Whittaker continued, «We have set up a complete structure to enable the manufacture of NFC connected products and packaging, from the design and production of packaging to the creative development of linked digital platforms and campaigns.

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The Canadian Museum of Nature (CMN) is seeking a dynamic, innovative and creative phycologist to conceive, design and conduct a program of independent and collaborative, field and collection - based systematic research on algae; to publish results of scientific research; to contribute to and provide advice on the development and use of the National Herbarium of Canada algae collection; and to work with other museum staff on the development and production of exhibits, outreach and educational programs.

Today, Rubchinskiy is responsible for the creative side of the brand, including the design of the collections, but the business entity and Gosha Rubchinskiy trademark are wholly owned by Comme des Garçons, which also manages its production, sales and marketing.

Services include creative direction, art direction, brand strategy, graphic design, film and stills production, digital and social media, product development, books, exhibitions, licensing, partnerships, in - store visual merchandising, and campaign asset strategy.

Metamorphosis: A behind - the - scenes documentary with Darren Aronofsky Behind the Curtain: An inside look at the ballet's influence on the film's costume and production design Ten Years in the Making: Natalie Portman and Darren Aronofsky discuss their creative journey Cast Profiles

Creative Sound Design aka: The Recordist is an audio production company founded by Frank Bry in 1993 with digital sound sample offerings for Digital Sampling Keyboards.

Story - arcs could be creative narratives about the show's setting, special insights about the Characters from the creators or a look behind the curtain at production — all designed to grab the viewer's attention and tied to the brand's valuable ad.

is its production design, and Gutierrez and Reel FX Creative Studios have put together something special.

The film, even when it slips into fiasco, has considerable polish with cinematographer Dante Spinotti's («L.A. Confidential») clever eye and a crack creative crew that includes Kristi Zea («Revolutionary Road») on production design and Mark Russell («The Adjustment Bureau») responsible for some major palm - sweating visual effects.

«Mad Max: Fury Road» George Miller's masterpiece is not only a testament to the powers of creative filmmaking, incredible editing and inspired production design, but an example of a stable of actors willing to push their performances to unexpected extremes.

But the one full - blown production number, «Zara Dil Ko Thaam Lo» («Hold on to Your Heart»), arises where it makes story sense (and nicely mirrors the touchstone «Main Hoon Don» number in the first film), and Akhtar and West make it count in a big way, going all - out with the spectacle, marrying the memorable music with Viabhav Merchant's creative choreography and a stunning, silhouette - driven visual design.

Behind - the - scenes featuretts include: The Journey Begins (creative concepts, story development and casting), Shaping Mind and Body (Christian Bale's transformation into Batman), The Tumbler (reinvention of the Batmobile), Gotham City Rises (production design of Gotham City, the Batcave, Wayne Manor, and more), Saving Gotham City (the development of miniatures, CGI, and effects for the monorail chase scene), Genesis of the Bat (a look at the Dark Knight's incarnation and influences on the film), Path to Discovery (filming in Iceland), and Confidential Files (go beyond the movie and discover facts and story points not in the film).

The trilogy is J.K. Rowling's screenwriting debut, and the writer is also over-seeing the production, including the creative design of the creatures that will be found.

With terrific production values (especially the costumes and set design) and creative camerawork, Burton delivers an effectively Gothic and gripping look to the film.

The Shape of Water wins Best Production Design and, of course, all the praise goes to the film's visionary leader Guillermo del Toro: «You're the benchmark that all us creatives strive to reach.»

Combine that tension with a beautifully disconcerting score (courtesy of one Giona Ostinelli), a starkly creative visual style (both in production design and cinematography), and, perhaps best of all, a freaky sense of ongoing unpredictability, and the result is a cool, brutal, and confidently satisfying indie thriller.

Others offer their own input: Tom Felton (Isaacs» onscreen son Draco Malfoy) reads corresponding excerpts from J.K. Rowling's book, actor Frank Dillane (young Voldemort in Half - Blood Prince, an unlikely choice) reminds us of objects» significance, while production designer Stuart Craig, makeup designer Nick Dudman, and producers Tom Heyman and David Barron talk effects, design, creative decisions, and production experiences.

Next we find a Design Team track that includes remarks from production designer Grant Major, costume designer Ngila Dickson, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger.

To complement the production, The Company of Ten are releasing a teachers» resource pack and a series of behind - the - scenes videos on the creative process to assist students of Drama and Theatre Studies, who are asked to demonstrate an understanding of design, technical and performance elements as part of their course.

Providing teachers and students with additional creative and cross-curricular activities to enhance the experience of seeing the production, it's designed for Key Stages 3 and 4, although activities can be adapted for other ages.

From creative pitch to cutting - edge design, script / storyboards writing, media production, delivery and support, Digitec is an easy - to - use resource for custom online learning.

Land Rover Design Director and Chief Creative Officer, Gerry McGovern will unveil the production Range Rover Evoque Convertible at the show.

«The New Maxima is another concept - based production vehicle following the 2015 Nissan Murano crossover, which debuted here last year,» said Shiro Nakamura, Senior Vice President and Chief Creative Officer, Nissan Motor Co., Ltd. «The bar was set even higher for the team to achieve our brand promise through design.»

-- Traditional publishing: Possibility of an advance (up - front money); distribution in print and digital formats; editorial, production, design and marketing support provided by publisher; up to 15 % of cover price for print royalties and up to 25 % for e-book royalties; and limited creative control

-- Self - publishing: No advance; distribution in digital formats with possibility of print - on - demand distribution; a la carte editorial, production, design and marketing support that the author pays for; up to 70 % of cover price for digital royalties; and complete creative control

JR: I work independently in all areas of creative services: design, consulting, marketing and advertising as Immortal Creative, but my go - to production partners for book trailers are Circle of Seven (COS) Prodcreative services: design, consulting, marketing and advertising as Immortal Creative, but my go - to production partners for book trailers are Circle of Seven (COS) ProdCreative, but my go - to production partners for book trailers are Circle of Seven (COS) Productions.

So instead I'm offering my own version — but I'm going to do all 30 covers in ONE day of espresso - fueled cover design madness, to replicate the kind of intense focus and constant creative production that NaNoWriMo is all about.

Filed Under: Book Construction Blueprint, Book Design, Book Production, Self - Publishing Tagged With: Adobe Creative Suite, Adobe InDesign, book design, desktop publishing, formatting, graphic design, self publishing, Design, Book Production, Self - Publishing Tagged With: Adobe Creative Suite, Adobe InDesign, book design, desktop publishing, formatting, graphic design, self publishing, design, desktop publishing, formatting, graphic design, self publishing, design, self publishing, styles

They're assuming full responsibility, not only for the creative writing process, but also for the editing, design, production, and marketing of their work.

We are a team of experts skilled in: author publicity, book marketing, public relations, social media, influencer marketing, creative writing, event planning, web design and development, content marketing, SEO, video production, photography, advertising and viral marketing.

The 2009 Communicator Awards received over 7,000 entries from ad agencies, interactive agencies, production firms, in - house creative professionals, graphic designers, design firms and public relations firms.

The writer and design lead, respectively, departed during The Last Of Us» production, but the development ethics established during their tenure seem deeply ingrained into Naughty Dog's DNA, kept alive by creative director Neil Druckmann and game director Bruce Straley through Uncharted 3 and TLOU.

It is also indicative of the role of hypertext in creative production and writing, whether it is military research, art design, narrative themes, or character motivation.

For projects that needing a guiding creative vision, we provide an external design and narrative team that is integrated into the entire production process, delivering on a milestone schedule with regular scrum calls.

Founded in 2015, Nvizzio Creations (www.nvizzio.com) is an independent game development company based in Canada, specializing in the production of 3D games through creative design excellence, flawless execution and unparalleled attention to detail.

I am the Creative Producer on Battalion 1944 which means that I do level design, marketing, production and managing the team.

Curated by Rodrigo Alonso and with the montage design of Daniel Fischer, we can see works of the same Graciela and works made in collaboration with other artists, which are exhibited along reflections and stories of colleagues that directed their creative sight towards the figure of Graciela, who inspired their productions.

Finlay's diverse production encompassed a variety of creative forms including prints, poems, books, inscriptions, neons, sculptures, permanent installations and landscape design, all celebrating the sustaining power of words.

Through their work with the creative diaspora, VR offers boutique solutions in: creative production, design, direction, artist representation and landscape projection design.

Fraser co-founded The Cloth, a creative studio focused on contemporary textile design and production.

Artistic Directors Mafalda Millies and Roya Sachs Choreographer Karole Armitage Costume Designers Campana Brothers Associate Designers Jon Can Coskunes and Simone Duff Set Designers Kate Gilmore and Heather Rowe Music Charles Derenne (1982) Creative Production MATTE Projects Lighting Design Herrick Goldman Stage Manager Rachel Calter Production Manager Alberto Hamonet

The facilities and knowledge acquired through over 200 years of tradition in Stoke - on - Trent aid a very creative and experimental design process, a style of working that mass production simply can not offer.