Perhaps me most
creative dialogue among these branches is occurring in the Society for Pentecostal Studies.
Not exact matches
The story idea may be fantastic and the twists may be
among the most
creative you've ever encountered, but without
dialogue that pops, the story becomes flat and dull.
At the gallery's 293 Tenth Avenue location, «Robert Motherwell: Early Paintings» examines the lesser - known, experimental abstractions of the artist's pre - «Elegy» years.1 Around the corner at Kasmin's 515 West Twenty - seventh Street venue, «Caro & Olitski: 1965 — 1968, Painted Sculptures and the Bennington Sprays» looks to the personal friendship and
creative dialogue between sculptor and painter.2 And finally, up the block at the gallery's 297 Tenth Avenue address, in «The Enormity of the Possible,» the independent curator Priscilla Vail Caldwell brings the first generation of American modernists together with some of the later Abstract Expressionists — Milton Avery, Oscar Bluemner, Charles Burchfield, Stuart Davis, John Marin, Elie Nadelman, and Helen Torr,
among others, with Lee Krasner, Jackson Pollock, and Mark Rothko.3
These types of projects afford us the opportunity to connect with a wide range of voices and to inspire a meaningful
dialogue among the local, national, and international
creative communities, the public, and the Museum,» said Thom Collins, PAMM's Director.
It endeavors to provide a platform for intellectual exchange, critical
dialogue and
creative - practical collaboration
among the artistic community.
«The city of New Orleans is home to an incredibly diverse array of
creative individuals, and its rich history and culture provide fertile ground for experimentation,
dialogue, and the exchange of ideas
among people of vastly different walks of life.
Creative Time seeks to convert the power of artists» ideas into works that inspire social change and stimulate public
dialogue on timely issues, while initiating a dynamic conversation
among artists, sites, and audiences.
«Robert Rauschenberg:
Among Friends» includes more than 250 works and is designed to take account of «the importance of
creative dialogue and collaboration» in the artist's work.
It is hoped that these scenarios will spark an ongoing
dialogue among the
creative sector, community stakeholders, and public agencies about how best to manage development.
Mury's work, whilst narrow and hugely free, opens up a
dialogue around the history of art — Taking control over the entire
creative process: from costume and set design up to the camera angle, he obtains a unique place in the contemporary scene
among artists who use their own image as the strongest element of creation.