Sentences with phrase «creative dialogue on»

Not exact matches

See, for instance, Whitehead's RM; Hartshorne's Creative Synthesis and Philosophic Method (La Salle, Ill.: Open Court, 1970); John B. Cobb, Jr.'s «Buddhist Emptiness and the Christian Cod,» Journal of the American Academy of Religion 45/1 (March, 1977), 11 - 26; and Christ in a Pluralistic Age (Philadelphia: Westminster, 1975); for several critical dialogues on this issue, see John Cobb's Theology in Process, edited by David Ray Griffin and Thomas J. J. Altizer (Philadelphia: Westminster, 1977).

1995 Fetzer Institute, Participant in Fetzer Dialogue on «Creative Edges in Science, Medicine and Education», Kalamazoo, MI.

What makes this film fascinating is the conflict between the two characters, which is centered mostly on a great dialogue that explores the motivations and creative process of a genius, with Charlton Heston delivering his typical overacting and Rex Harrison as magnetic as always.

Rodriguez does leave a certain creative stamp on the movie; I suspect he took a whack at the script, which bears evidence of his trademark pithy dialogue.

Directed by Andrew Stanton (Finding Nemo) with the animation wizards at Pixar, it takes on the challenge of delivering an animated feature that is predominantly wordless (and even some of those used are closer to sound effects than dialogue) and succeeds with both creative humor and visual grace.

Over the three - day gathering, the Creative Producing Summit provides a forum for top industry professionals, producers, and directors to focus on three primary avenues of dialogue: narrative producing, documentary producing, and the state of the independent film industry.

By sharing the history of independent storytelling, the Archives & Collection provides an opportunity for discovery and dialogue around creative work and its impact on contemporary culture.

This is an open dialogue for a multitude of voices to stimulate creative and innovative thinking on how we can

Poetry places an emphasis on language, fiction is useful for learning how to form character and plot, creative nonfiction helps a writer distinguish emotional truths from factual truths, and writing short plays is great practice for dialogue.

Using Dialogue Tags and Punctuation Properly by Carolyn Kaufman on QueryTracker.net Tips for Fledgling Writers, guest post by Becca Puglisi on The Thinker All in the Details by Stina Lindenblatt on Seeing Creative I Have a Message for Ms. Reader: Are You Telegraphing Your Plot?

Four Ways to Pre-Write Your Scenes on The Otherside of the Story with Janice Hardy Five Quick Tips for Better Dialogue in Fiction on The Creative Penn 5 Examples of Misplaced Modifiers on Daily Writing Tips How to Cure the Sagging Middle on Hugs and Chocolate The 100 Best Blogs for the Modern Writer on LiveHacked.com How to Find the Right Title for Your Book — A Brainstorming Workshop by Roz Morris Writing an Outline by Sophie Masson on Writer Unboxed Kurt Vonnegut Can Bite Me by Tiffany Reisz on The Other Side of the Story with Janice Hardy How to Engage Your Reader — A Guest Post by Matthew Turner on Storyfix.com

Unlike many adventure games that rely on text boxes to reveal important information, the Curse of the Blackmoor Manor unveils such info to the player primarily using creative dialogue options, interacting with other characters to gain inside knowledge, which is one of the most fantastically realistic qualities of the game.

Collective Design seeks to foster dialogue on the creative process and the diversity of our material culture to build a growing audience for collectible design and art.

The 2012 Marfa Dialogues are kicking off on Friday, August 31 with the opening of Carbon 13, Ballroom Marfa's fall 2012 exhibition that will see newly commissioned works by artists that propose a creative response to climate change.

18th Street Arts Center also offers Portlock opportunities for artistic exchange through public programs including a Champagne Social on July 27 where his studio will be open to visitors including curators, art collectors, and artists; as well as panels and artist talks that contribute to a general creative dialogue within the community.

is an opportunity for local educators to explore OCMA's latest exhibition, engage in gallery dialogues, and take part in the creative process through hands - on art projects designed to take back to the classroom.

A nine - month studio residency program that focuses on creative practice development for emerging artists working across all disciplines, LMCC's Workspace program offers space for experimentation and dialogue with peers and arts professionals, as well as career - advancement opportunities.

Most recently, Mr. Rower collaborated with Bernard Ruiz - Picasso, one of Picasso's grandsons, on «Calder and Picasso» at the Almine Rech Gallery in Manhattan, which explores the creative dialogue between the artists and runs through Dec. 17.

We not only provide visibility, but lend credibility to creative work through the authentic voices in our media, and help to create a dialogue on critical issues within our community.

It is our mission to continue to lead as a hub that brings creatives together with culture consumers, elevating the Southwest's contemporary arts and culture market with an emphasis on critical perspectives and informed dialogue.

In partnership with Marfa Dialogues / NY, Creative Time Reports presents a panel discussion on how culture can help visualize the impact of climate change with artist Maya Lin, Natural Resources Defense Council President Frances Beinecke and Creative Time President and Artistic Director Anne Pasternak.

She curated several residency projects (AFFECT, 2014 - 16; Fugitif, 2011) and programs (Self - monitoring as a curatorial experiment, 2014; The performative curatorial studio, 2013), focusing on critical and creative contexts where the relationship artist / curator is challenged through active forms of dialogues.

Modern and contemporary works on view — in old and new media — offer a creative dialogue with the past.

«Now, along with our major holdings of works by William Merritt Chase and Fairfield Porter, we have the opportunity to engage in thorough scholarship and interpretation of the work of these pivotal artists, in order to both further the understanding and appreciation of Brooks's and Park's careers, and to also engage in lively dialogue about the creative legacy of artists who have lived and worked on the East End.»

This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).

Creative Time seeks to convert the power of artists» ideas into works that inspire social change and stimulate public dialogue on timely issues, while initiating a dynamic conversation among artists, sites, and audiences.

Entitled The Properties of Light, the on - site installation became a sensitive dialogue between the two creative disciplines — one that is now celebrated in a new book of the same name.

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

Beaubois» examination of the artistic practice in dialogue with our monetary system is a sobering play on the notion of creative stimulus.

The Watermill Center's Education Roundtables bring together local and international education professionals for a dialogue on creative education initiatives.

Following the Gordon Parks Dialogues presentations, the Gordon Parks 2017 Fellowship Recipients, Devin Allen and Harriet Dedman, will each deliver keynote lectures on their creative practie in the arts and social justice.

SHELTER ISLAND LIBRARY - «Friday Night Dialogues: Bruce Wolosoff and Eric Fischl» takes place on Friday at 7 p.m. Bruce Wolosoff, a composer and pianist, and artist Eric Fischl will discuss the creative process.

Individually, these candid, informal talks offer insight into the careers and creative processes of some of the most pioneering artists of our time, and collectively, they form a continuous dialogue on art over the last five decades.

Creative Time, the New York based public arts non-profit, is committed to working with artists on the dialogues, debates and dreams of our time.

Because of that, it is an incredibly creative and open space that encourages dialogue and cooperation beyond the borders of nationality, religion, and so on.

In present - day culture, where it no longer makes sense to seek inspiration in nature from a distance, Naturalment reveals itself as a thesis on creative awareness of the natural environment, an experiment that, like an expression of street art, takes meaning from, enters into dialogue with and interacts with an urban environment.

She brings a creative, thoughtful approach to examining how and on what terms we work together, and her presentations provoke candid — and sometimes uncomfortably challenging — dialogue without casting an us vs. them shadow.

Edited by faculty members of the University of Arkansas at Little Rock's William H. Bowen School of Law, The Journal is designed to provide a forum for creative thought and dialogue about the operation of appellate courts and their influence on the development of the law.

Hoping that you «disagree with large portions» of his take on the minefield of legal management, Ed's purpose in offering his extensive insights is to ignite the exchange of ideas, creative dialogue, enthusiasm and — most importantly — action.

Drawing on the clinical wisdom and practice of a wide range of Gestalt and integrative psychotherapists, the Transformational Chairwork Workshop is designed to introduce therapists to the art and science of Chairwork or psychotherapeutic dialogues in an active, creative, and clinically - useful manner.