Sentences with phrase «creative elements of»

«The State of Georgia maintains valid copyrights in the numerous original and creative elements of the OCGA annotations, and PR has deliberately infringed these copyrights with acts of copying that do not fall within the fair use exception,» Georgia's motion argues.
Otherwise, once the copyright owners have proven ownership and copying of the creative elements of original authorship, they win.
It was challenging to have so few mechanics and make them end up as creative elements of fun.
With a mother who ran a flower shop and an artist father, he was drawn into the creative elements of cooking from a young age.
The day - to - day slowly overpowered the creative elements of the job until there was nothing left but management tasks and responsibilities.
A dream sequence involving hundreds of singing sausages is as bizarre as it sounds — though it's the most memorable and creative element of the entire film.

Not exact matches

Whether it's offering a noodle bar in a bus outside or serving dairy - free, nitrogen ice cream after dinner, be creative in maintaining the element of surprise.
For the most part my clients fall into 3 categories: my peers — fellow YFE's looking for inspiration on how to incorporate more visual elements into their web presence, seasoned creative entrepreneurs seeking out a stronger connection with the Millenniel mindset, and traditional local business owners - searching for innovative ways to use the softer side of social media.
CEOs may think they're opting out of being creative, but all decisions have a human element to them.
The course: This specialization created by Wesleyan University consists of four courses, each taught by a teacher below, and covers elements of three major creative writing genres: short story, narrative essay, and memoir.
The overall focus for the season was to bring edgy, fun and creative fashion elements to functional athletic pieces and conversely, traditionally athletic details to lifestyle — blurring the two points of view.
«A focus on creative, design and technology elements is critical to the success of these emerging companies,» said McGill.
People have braved the elements and matched the energy giants with their own brand of force, as residents nationwide turn to a mix of creative and traditional tactics to halt as many projects as they can.
The spots and other campaign elements were created by Creative Studio, WeWork's in - house agency that launched in January of this year.
David Bazan, the lead singer and creative force behind the band, has recently teamed up with friend and fellow musician T.W. Walsh to release yet another despairing and disturbing album that through all of its disquieting elements delivers its own feeling of hope.
Taking care of lives is much harder than planning cool ministry elements of uping the creative factor of our website.
Each fragment, a blend of feeling, fact, valuation, and potential, expresses a proposition, a statement of one possible configuration of elements for the final resolution of the creative process.
Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.
It relates elements of the past to one another in creative ways.
If the pastor has a keen awareness of what we have come to regard as the interpersonal hurt of his patient; knows the desperate and yet fatal need of the patient to evade further pain, no matter by what means, and often by striking out and hurting loved ones; feels something of the almost overwhelming and intolerable anxiety the patient experiences; is not too shaken by the terror evoked through what Kierkegaard expressed as «shut - up - ness unfreely revealed»; and can accept the consequent intense feelings of guilt and shame which isolate the patient from himself, from others and from God, then his ministry has within it the necessary element for a supportive and creative experience for the patient.
If the following passage from Process and Reality is at all significant, the answer must be that that is precisely what Whitehead means: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self - identity of things and their mutual diversities» (347f).
Surely, whatever else Whitehead is saying here, he is saying that actual occasions are repeated (qua superjects only, never qua subjects), for among the «elements» in the universe relative to the origination of a novel creature are all those occasions which have already completed their becoming, i.e., those which are already superjects; hence, every superject accumulated in the wake of the universe's creative advance is repeated in each novel creature at the utmost verge of that advance.
This mutual relevance, or coherence, of the two principles is particularly evident when Whitehead says: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self - identity of things and of their mutual diversities» (PR 347f).
Apart from this element of transcendence, God would be so completely bound to process as to be unable to be a creative factor in it.
The redemption of evil through suffering includes the suffering of God (even though the fact of suffering in itself is not sufficient to produce redemption — a more creative element is needed).
Personality, the most valuable thing in the universe, revealing the real nature of the Creative Power and the ultimate meaning of creation, the only eternal element in a world of change, the one thing worth investing in, and in terms of service to which all else must be judged — that is the essential Christian creed [As I See Religion (Harper & Brothers, 1932), P. 44].
In general, skepticism about a complete explanation of creativity is based on the notion that a creative act issues in an outcome that is new in kind, which was unpredictable, and which has a definite character that is neither reducible to the sum of its elements nor exhaustively traceable to its antecedents.
This responsibility requires that an element of eros be an ingredient of finite, creative love.
Niebuhr said that if «biblical thought seems to neglect the creative aspect of the extension of human powers in its prophecies of doom upon proud nations, this is due only to the fact that it is more certain than is Greek thought that, whatever the creative nature of human achievements, there is always a destructive element in human power.»
This response was continuous, although the resurrection marked the crisis in its development — the moment when loyalty to the person reached its climax and when faith in the meaning of the event as an act of God became for the first time clear and sure — but at every stage this response was a constituent and creative element in the event itself, and the event had not fully happened until this response of faith had been fully made.
But what is not to be forgotten is that while law «reflects» the community, law also becomes a creative element in the mind and will of the community.
Mr. T. V. Smith, professor and politician, has caught the spirit of American politics with a human understanding which reveals how it is possible to discover the creative element in political conflict.
It is clear, however, that unlike the Osiris and Adonis myths where the male element is dominant, in ancient Mesopotamia it was the goddess Inanna who took the major role, embodying in herself all the creative power of nature.
But the uniquely creative element in Christian experience is just the overflow of new life and power which come from the depths of that experience in which our human despair is met by the suffering love of God in all its majesty, humility, and holiness.
6 The utopian element appears where men believe in the creative eruption of forces which are capable of meeting the new demands of life.
The one exception again is that mystery of procreation where I think the creative human process approaches most closely to the divine (classically understood) in all of us; viz., in birth there is an extant element of ex nihilo gifted to us by God
So one of the most rewarding elements of this particular creative experience was the way it inspired companion works from other artists.
The enhancement of the divine life in its consequent aspect has opened up new possibilities of relationship with the creation and has also provided new material through which God may act upon creative potentiality, thus bringing to pass that emergence of novelty which is so genuine an element in our experience and (as our observation informs us) of the world at large.
This inevitably makes him a loyal critic — one who is deeply committed to that element of the tradition which is creative and constructive while at the same time becoming an unflinching critic of all those forces which threaten the heart of the matter.
Ryan is a creative politician whose talent is to learn from, and compromise with, elements of the other side on a few key issues.
But Meland's thinking was truly distinguished not by this, but by his insistence on the fallibility of religious forms and symbols — by his insistence that the reality experienced through empirical knowledge was simply uncapturable by the precisions so loved by the theologians, whether the precision of a Wieman who strove to define with ever - increasing exactness the character of the creative event or of a Hartshorne who strove to state with ever - greater rigor the necessary elements in a notion of God.
If, as Whitehead claims and as process thought in general would assert, the element of «decision» is found everywhere in the creative process, this should not be taken to mean that a quantum of energy, say, knowingly «decides» for this or that among the relevant possibilities that are «offered» to it.
This inner victory of the eternal over the temporal, here and now as well as hereafter, is the original and creative element in the New Testament's use of future hope to comfort present sorrow.
It is an «element» which echoes Whitehead's view of the global, rather than fragmented, character of nature — the unity of the general push of the creative advance of the universe — and the unity of causality and knowledge.
My own interpretation of Whitehead takes account of two distinctive functions in the consequent nature: one of memory in which the entire past is preserved as an object of vivid immediacy, and the other of future envisagement which includes only those elements of the past which contribute to and do not derogate from the creative advance toward higher perfections.
Thus the first principle of providence is the conquest of the passingness of time and the continual creation and recreation of each creature through the creative power of God: or, as it was put in the classical tradition, the first element of providence is the preservation of the creature over.
This same point can be expressed with the aid of Hartshorne» s comparison of the creative (i.e., final causal) and postcreative (i.e., efficient causal) aspects of a feeling to the elements of a ratio.
But we miss the real spirit of the reformation if we do not see the element of the renaissance with its acceptance of man's natural life as essentially good and the scene of his creative action.
The «thesis... that all interests should be organized as to function as one,» so as to be «creative of integrated experience,» while «sustaining and increasing the number of different elements or aspects of the world which enter into consciousness,» seems to adumbrate a vision of aesthetic organization of value experience (OI 3, 15).
Piet Fransen would say that grace was «more than anything else, God's creative, loving way of speaking to each one of us individually in Christ and in the Church», which introduces the personal element.
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