Sentences with phrase «creative evolution»

That these concepts are present in Creative Evolution is a fact easily overlooked.

Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski's creative evolution as an abstract artist, -LSB-.....]

He was vulnerable at many points, as we are now able to see; for the art of thinking forward, as we live forward, 13 or of perceiving holistically, or relationally, not only was as yet undeveloped but hardly acknowledged as being legitimate in Western thought during Bergson's earlier years when he wrote Creative Evolution (1911).

I have tried to emphasize the reason agape is both relevant and essential in an account of creative evolution at the level of both the cosmic and the finite.

There is yet a further aspect to be noted in contrasting creative evolution, as it has taken form within the newer ethos, with evolutionism in its Darwinian and modernistic meaning.

Bergson has a general concept of what he calls creative evolution.

The theories of Creative Evolution thus become more comprehensible if viewed through the lenses of chronobiology.

This comes out clearly in both Time and Free Will and Creative Evolution where he says that to be a determinist is to hold, with Spinoza, that the future is logically contained in the present.

He enunciated more clearly than anyone how creative evolution of living organisms can not be understood if the elements composing them are conceived as individual entities that maintain exactly their identity throughout all the changes and interactions, as is the case with the parts of a machine.

Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski's creative evolution as an abstract artist, demonstrating the breadth of his experiments in light, color, texture, application and technique.

In the notion of creative evolution, which sounds very like the creative advance into novelty, Bergson probably uses the word «creative» as a metaphor, but he doesn't want to introduce the idea of a person.

In Creative Evolution Bergson speaks of the «necessity... of a process the inverse of materiality» (CE 268) 2 Its necessity is based not only on the need to restrict the material tendency toward torpor, dissociation, and determinism, but also to bring into existence the material and conscious forms which permit the performance of truly free and creative acts.

Hausman believes that Peirce's insight is restricted in the role of eros and agape in creative evolution, but he also suggests the fruitfulness of his insight.

And thus our ongoing debates about creationism and creative evolution, egalitarianism and complementarianism, about what biblically constitutes the most serious social problems the nation faces, and so forth.

Behind these works and underlying their organismic philosophy were Bergson's Creative Evolution, which had made a deep impression on Wieman, and the radical empirical writings of William James, especially Pluralistic Universe and Essays in Radical Empiricism.

What has followed from the creative evolution of emergence and the accompanying notion of field theory, on the other hand, is a radically different view of individuality and of human fulfillment.

Finally, modern process philosophers like Bergson and Whitehead focus upon the process of coming to be (or genesis, creativity, creative evolution, becoming) and find this to be a universal feature of the world process.

Mankind is a masterpiece of creative evolution.

False propositions introduce novelty; they are central to creative emergence; they are the ransom for «creative evolution.»

Meland traces the growing influence of Whitehead's philosophy on the images of thought both in modernism as stimulated by Darwinian evolution, and changes in the post-Darwinian era ushered in by the creative evolution movement in physics.

I shall then indicate how Peirce restricted his insight into the role of eros and agape in creative evolution, but I shall also suggest why his insight is fruitful.

Peirce seems to believe this, too, since he views agape as spreading among the creatures who participate in creative evolution, and he speaks of the genius as one who acts agapastically as an individual rather than as a community.

Science has given mankind an opportunity «to control and direct our future, our creative evolution....

Henri Bergson, Creative Evolution, trans.

The «proportionality» between consciousness and the durations of matter outlined in Matter and Memory is thus retained in Creative Evolution.