Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski's
creative evolution as an abstract artist, demonstrating the breadth of his experiments in light, color, texture, application and technique.
Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski's
creative evolution as an abstract artist, -LSB-.....]
Not exact matches
Whoever wants to replace the Creator's realization of this plan by a totally autonomous
evolution, inevitably either ascribes some mythic
creative power to
evolution, or else abandons any attempt at rational understanding and explains everything
as the blind play of arbitrary chance.
The change that has come about in theologies that partake of
creative and emergent
evolution can be described in this way: since mechanism is no longer the base of their evolutionary thinking, idealism is no longer essential
as a strategy of thought in resolving the tension between science and faith.
He was vulnerable at many points,
as we are now able to see; for the art of thinking forward,
as we live forward, 13 or of perceiving holistically, or relationally, not only was
as yet undeveloped but hardly acknowledged
as being legitimate in Western thought during Bergson's earlier years when he wrote
Creative Evolution (1911).
Hence, for God to create is the same
as for him to evolve, to mature, to unite to himself;
evolution is God's
creative action expressed in time.
There is yet a further aspect to be noted in contrasting
creative evolution,
as it has taken form within the newer ethos, with evolutionism in its Darwinian and modernistic meaning.
We are forgetting that one third of Americans embrace
evolution as God's
creative tool (theistic evolutionists).
The attempts of such seers
as Teilhard de Chardin to set the whole story of
evolution in the light of the continually
creative love of God have, I believe, despite their obvious deficiencies, much to offer us.
As evidence he cites a few pages from
Creative Evolution saying that «Bergson repudiates the notion of disorder, and divides order into two kinds, vital and geometrical.
Life in its entirety, regarded
as a
creative evolution, is something analogous; it transcends finality, if we understand by finality the realization of an idea conceived or conceivable in advance.
For Bergson, like many process thinkers (Peirce, James and Dewey come particularly to mind), the entire concept of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in
Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily)
as it did, then one would be very far from Bergson's view (CE 218, 236, 270).
Meland traces the growing influence of Whitehead's philosophy on the images of thought both in modernism
as stimulated by Darwinian
evolution, and changes in the post-Darwinian era ushered in by the
creative evolution movement in physics.
Peirce seems to believe this, too, since he views agape
as spreading among the creatures who participate in
creative evolution, and he speaks of the genius
as one who acts agapastically
as an individual rather than
as a community.
We do not deny or circumscribe the Creator, because we hold he has created the self - acting originating human mind, which has almost a
creative gift; much less then do we deny or circumscribe His power, if we hold that He gave matter such laws
as by their blind instrumentality moulded and constructed through innumerable ages the world
as we see it... Mr Darwin's theory need not then be atheistical, be it true or not; it may simply be suggesting a larger idea of Divine Prescience and Skill... At first sight I do not see that «the accidental
evolution or organic beings» is inconsistent with divine design - It is accidental to us, not to God.»
This structure may be more central than such amorphous phrases
as Whitehead's «
creative advance» (PR 28/42), Bergson's «
creative evolution,» or Samuel Alexander's «restlessness» of spatio - temporal «configuration» and reconfiguration» (PR 28/43).
He enunciated more clearly than anyone how
creative evolution of living organisms can not be understood if the elements composing them are conceived
as individual entities that maintain exactly their identity throughout all the changes and interactions,
as is the case with the parts of a machine.
«I'd like people to accept
evolution and randomness
as the ultimate
creative force in our universe.»
As Chloé prepares for its Paris Fashion Week show, we look back at the style evolution of the French fashion house, under the creative direction of designers such as Karl Lagerfeld, Phoebe Philo and Stella McCartne
As Chloé prepares for its Paris Fashion Week show, we look back at the style
evolution of the French fashion house, under the
creative direction of designers such
as Karl Lagerfeld, Phoebe Philo and Stella McCartne
as Karl Lagerfeld, Phoebe Philo and Stella McCartney.
More positively, Tron did inspire the future father of its
evolution, now assistant professor of architecture at Columbia University and one time commercials director Joseph Kosinski, in all his
creative works up to and including taking the reigns for Tron Legacy — even if he cites this influence
as purely subliminal:
Here are several important ways in which Author (R)
evolution Day has arrived
as an authors» conference for entrepreneurial
creative professionals:
If that amalgam of authorial heart and business head can be carried forward through the whole Author (R)
evolution Day roster of events and presenters, then we — I'm part of this TOC program,
as I was part of DBW's program this week — have a chance of breaking some meaningful new ground in the
creative corps.
Stuart Trevor, an industry veteran of 15 years, heads up the artistic side of the party
as studio art director, having previously been lead artist and
creative lead at
Evolution Studios.
Iskander has over 20 years of game development experience, working on award - winning AAA video games like Pro
Evolution Soccer and Bioshock Infinite at such companies
as SONY, EA, Take Two, and Konami in the U.S.A. and Japan, holding titles from
Creative Director to Technical Director.
As part of its first ever year - long season City Now City Future, which explores the joys, frustrations and
evolution of global cities and our lives within them, the museum is on the hunt for
creative people, groups or organisations to research, create and deliver a brand new project that will form part of the season's activity in Spring 2018.
Guy Yanai «s 2015 work highlights his
creative evolution and newfound confidence
as an artist.
Displayed together they chart the
evolution of his
creative practice,
as well
as providing insight into the historical events that inspired his revolutionary new aesthetic.
Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the sculptor's
creative process: some illustrate the origins of compositions for monumental works, while others document ideas not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent significant transformation
as they emerged
as full - scale sculptures in the exhibition chronicle Arneson's
evolution as an artist and the development of his freewheeling creativity and prodigious imagination.
Lindsay Howard is featured in the current issue of SFAQ, in conversation with Ceci Moss and Andrew McClintock about curating digital artwork, the
evolution of the Internet
as a
creative platform, the previous digital art auction she curated for Phillips (New York), and more.
You can see his works
as part of City Now City Future, which runs from May 2017 — April 2018 and is made up of over a hundred events, exhibitions,
creative commissions, talks and debates that explore the joys, frustrations and
evolution of global cities and our lives within them.
The selection of videos of female artists from the collections of four major female collectors in our country (Juana de Aizpuru, Teresa Sapey, Alicia Aza and Sisita Soldevila) will try to show works in this
creative field that offer a significant range of languages, both technical and aesthetic and characteristic,
as a sample, the current
evolution of contemporary video art, where many issues and diverse perspectives meet.
As part of this exceptional MFA in Visual Studies, students respond to the art world's constant
evolution with rigorous
creative and critical investigation.
Displayed together they chart the
evolution of Malevich's
creative practice,
as well
as providing insight into the historical events that inspired his revolutionary new ways of thinking.
Alongside contributions from the residency artists, this event invited Las Vegas - resident artists, curators, cultural policy - makers and business - people to discuss the current arts scene in Las Vegas, and map out possibilities for its
evolution as a cultural and
creative centre.
It will follow the
evolution of tattoo technology, from pricking and poking techniques to machines; track the rise of New York City's Bowery neighborhood
as a hotbed of tattoo culture in the 1920s — 30s; share the
creative and secretive ways that tattooing continued during the ban; and feature artwork by some of the finest New York tattoo artists working today.»
«
As both a champion and critic of Facebook ads for nearly a decade, I can honestly say I'm excited for the next evolution,» said Merry Morud, who is Associate Creative Director at digital agency Aimclear and currently embedded at Uber as a paid social contracto
As both a champion and critic of Facebook ads for nearly a decade, I can honestly say I'm excited for the next
evolution,» said Merry Morud, who is Associate
Creative Director at digital agency Aimclear and currently embedded at Uber
as a paid social contracto
as a paid social contractor.