Sentences with phrase «creative exchange in»

These drawings offer the most lucid historical evidence of creative exchange in the show — a window into the ways in which artists often experimented together without regard for authorial control.

Not exact matches

It's also an example of the creative lengths to which blockchain companies are going in order to stay in - bounds of a threatened crackdown by the U.S. Securities or Exchange Commission on initial coin offerings, or ICOs.

The South by Southwest festival, the annual gathering of the creative and technology elite in Austin, Texas, seemed divided into two camps this year: those who had business cards ready to exchange, and those who were puzzled to see those bits of paper still around.

Health insurance exchanges go online, the Guardian offers Masterclasses for creative types, SCORE gives treps the skinny on WordPress, Sikorsky Aircraft Corp. wants a few good entrepreneurs, CreateTech conference draws an eclectic crowd in Brooklyn, Marc Andreessen sits down with the Pando Monthly... This week's notable news and startup events for entrepreneurs:

The bitcoin exchange and trading services industry is a competitive industry and you must come up with a unique and highly creative strategy to be able to outsmart your competitors in the industry.

Moving beyond the exchange principle of the marketplace in a growing marriage is reflected in what Ross Snyder calls «creative fidelity.»

I apologize for essentially sharing the same recipe 2 months in a row, but the theme this month for Creative Cookie Exchange is, you guessed it, Halloween!

This creative partnership — Anya on the cookery, Masha on the styling and photography — started as a recipe - sharing exchange, keeping the two in touch whilst spending time 1,000 miles apart.

We saw a few positives in this game — the positional exchange in 4 -3-3, Dybala as a false - 9 and the creative set pieces.

As a teacher I was constantly surprised at the creative ways children would transform the simple playthings in our classroom: a wooden block would become a cell phone, seashells would become tea cups, acorns would become money exchanged at the play store.

The twenty studentships are funded by the Arts and Humanities Research Council via The Creative Exchange, one of four Knowledge Exchange (KE) Hubs for the Creative Economy established in January 2012 by the AHRC.

In a 2011 study published in Psychological Science, researchers observed 150 people and found that those with narcissistic personalities made terrible leaders, because their self - centeredness interfered with the creative exchange of ideas and hindered group decision - makinIn a 2011 study published in Psychological Science, researchers observed 150 people and found that those with narcissistic personalities made terrible leaders, because their self - centeredness interfered with the creative exchange of ideas and hindered group decision - makinin Psychological Science, researchers observed 150 people and found that those with narcissistic personalities made terrible leaders, because their self - centeredness interfered with the creative exchange of ideas and hindered group decision - making.

When your roots are receiving nourishment from the earth in the first chakra, your creative juices are flowing in the second, your intentions are empowered in the third, your heart is open and exchanging love with those around you in the fourth, you are spontaneously expressing your highest self in the fifth, you are in touch with your inner voice in the sixth, only then, does energy move into the crown chakra and you remember your essential nature as infinite and unbounded.

They all shed light on the potential of the cultural & creative industries of Africa, in order to intensify the exchange between Africa & Germany & to stimulate new African - German partnerships in those areas.

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I had something similar happen recently in that a man I had exchanged several weeks of very funny creative e-mails with just stopped writing.

A professional, educated, slim, attractive, adventurous woman, 45 - 55 yrs old, living in Malaga or near area, who likes travel, cultural exchanges, good conversation, romantic dinners, and who has a creative positive ou..

Stipe Miocic gets creative, redecorating the opposing team's locker room; a fighter has a heated exchange with Cormier during practice; and the two most well - rounded featherweights in the competition go head to head in the octagon.

William offers food and clothing in exchange for Geoff employing his creative skills to provide a forged ticket into the noble class.

In exchange for this freedom, short - film practitioners must distill their creative vision to its most vital essence, without wasting a single frame of film, and take deliberate care to achieve a certain unique, singular effect.

Paola Prestini, Creative and Executive Director of Brooklyn New York's hot new haven for the arts, National Sawdust, talked about their plans to bring together artists from around the world to engage in composition - based projects, teaching opportunities, cultural exchanges, and hands - on management experience.

Title: The Luddite's Guide to Technology Author: CJS Hayward Genre: creative non-fiction / religion and spirituality / technology — social aspects Rating: 4 stars Purchase: Amazon Review copy provided by Enchanted Book Promotions in exchange for an honest review.

Title: The Best of Jonathan's Corner Author: CJS Hayward Genre: Creative non-fiction / many genres / religion and spirituality / Eastern Orthodox Rating: 4,5 out of 5 stars Purchase: Amazon Review copy provided by Enchanted Book Promotions in exchange for an honest review.

They had in place a hybrid publishing agreement with some of their authors that offered creative terms — usually in which the author paid for some or all of their production and print costs in exchange for higher royalty rates.

-LSB-...] I write, I'm in the middle of a great interview with David Farland on the Creative Penn podcast, and there's an interesting exchange that's currently in -LSB-...]

He shows how an active industry — government — academic partnership can provide the environment needed to promote such new creative demand and illustrates its potential through presentation of a Platinum Society Network that was launched on a regional basis in Japan in 2010 to facilitate the solution of common issues through the exchange of information and ideas.

We also run Crash Palace Creative arts and student exchange trust Our own charity promoting local creative youth projects and travel in oCreative arts and student exchange trust Our own charity promoting local creative youth projects and travel in ocreative youth projects and travel in our area.

«With Call of Duty 2, we were dead set against it being World War 2,» IW's Chief Creative Officer Vince Zampella said, «but Activision really wanted it, the compromise sort of being that we'd get some dev kits for consoles in exchange for doing a World War 2 game.

In an exchange that instantly shot to the very peaks of Reddit (although first collected by NeoGAF), Microsoft Creative Director Adam Orth suggested to gamers complaining of the possibility of the software corporation's next console requiring a constant internet connection to «deal with it.»

2016 also saw the launch of Tate Exchange on level 5 of the Switch House, providing a platform for other organisations from around the country to programme activities, and allowing visitors to participate in the creative process of the gallery and discuss art and its value to society.

Focusing on learning as exchange, the project featured a series of creative workshops taking place throughout October 2015 — March 2016 at City Gateway sites in Poplar and Stepney involving activity ranging from engraving and book - binding to embroidery and beauty therapy.

Since its establishment over three decades ago, Leila Heller Gallery has gained worldwide recognition as a pioneer in promoting creative dialogue and exchange between Western artists and Middle Eastern, Central and Southeast Asian artists.

Barbican Centre, London 10 October 2018 — 27 January 2019 The Barbican is doing away with the myth of the solitary artist genius and presenting an exhibition of the complex, supportive creative exchanges between fellow artists in intimate relationships of all shapes and sizes.

This year marks the 20th anniversary of the Watermill Annual Summer Benefit, celebrating the Southampton center that artist and theater impresario Robert Wilson founded as a place to bring artists of all stripes together in a spirit of creative exchange.

presented during the venice art biennale 2017 and curated by udo kittelmann, the collaborative exhibition presents the results of an ongoing, in - depth exchange between the three creative forces.

CREATIVE EXCHANGE NURTUREart designs accessible programming for diverse audiences to engage and participate in inspired ideas and the creative imagCREATIVE EXCHANGE NURTUREart designs accessible programming for diverse audiences to engage and participate in inspired ideas and the creative imagcreative imagination.

In anticipation of the museum opening, the organization has invited internationally acclaimed artists and curators to be a part of Project M, an ongoing art initiative with the goal of promoting community and creative exchange.

Preus founded Dilettante Studios in 2010, cofounded SHoP with Laura Shaeffer (2011), and Material Exchange with Sara Black (2005), and was the creative director of the Rebuild Foundation shop until 2012, and project lead for Theaster Gates» 12 Ballads for Huguenot House, at Documenta 13.

Artist - in - Residences Heather McGill and Iris Eichenberg, alumni Sarah Turner (Metalsmithing» 04) and Adam Shirley (Metalsmithing» 10) exchanged creative «prompts» or assignments with the artists showing at Galerie Gallery to create the exhibition.

The Open Studio Residency fosters a dynamic exchange among peers by providing two weeks of uninterrupted studio time for emerging and established artists working in the field of craft and other creative disciplines.

This grand and grandly serious exhibition explored the creative exchange between Michelangelo and Sebastiano, with the help of exceptional loans such as the latter's Lamentation from Viterbo and the imaginative use of a 3D - printed model of the Borgherini Chapel in San Pietro in Montorio, Rome.

Recently shortlisted for the Future Generation Art Prize in 2017, she is the recipient of several other awards and honors including the Denniston Hill Artist Residency (2017), The Laundromat Project Alumni Award for Art in Community (2017), Harpo Foundation Grant (2016), Magnum Foundation Grant (2016), Creative Exchange Lab at the Portland Institute of Contemporary Art Residency (2016), Smack Mellon Studio Residency (2016), Triple Canopy Commission at New York Public Library Labs (2015), Lower East Side Printshop Keyholder Residency (2015), A.I.R. Gallery Fellowship (2015), Queens Museum Jerome Emerging Artist Fellowship (2015), New York Artadia Grant (2015), Bronx AIM Fellowship (2015), Process Space Lower Manhattan Cultural Council Residency (2015), Art Matters Grant (2014), Rema Hort Mann Foundation Grant (2014), Center for Book Arts Residency (2013), The Laundromat Project Create Change Fellowship (2013), Center for Photography at Woodstock Residency (2012), among others.

The partnership supports both entities» efforts to bring to the light the tremendous creative diversity and ingenuity of artists living in and near Detroit and to foster the exchange of ideas and dialogues between locally and internationallybased artists.

The Chiaro Awardee will become part of the dynamic community of artists participating in Headlands» programs, sharing in peer - to - peer creative exchange while developing his or her individual artistic practice.

The show is an overview exclusively devoted to painting, unfolding almost like the story of an intense creative exchange born at the Kunstakademie in Düsseldorf, where the artist taught from 2000 to 2009.

Check out these awesome videos produced by MACLA / Movimiento de Arte y Cultura Latino Americana in partnership with Springboard for the Arts through the Creative Exchange Leading Organizations pilot.

The objectives of the HIAP Residency Programme are to initiate and support new approaches in producing, understanding, studying and valuing art; to encourage artistic exploration and cross-disciplinary creativity; to provide international arts professionals with opportunities to undertake creative work, conduct research and build networks; to present the creative work of international artists to audiences in the Helsinki metropolitan area; and to foster international collaboration, exchange, and dialogue in the arts.

* About the Local Community Exchange Program Artists are asked to introduce their work and its creative process to the locals and tourists through events such as presentations of the finished work, rehearsal performances, open studios, workshops, talk shows, etc. in order to create opportunities to exchange tExchange Program Artists are asked to introduce their work and its creative process to the locals and tourists through events such as presentations of the finished work, rehearsal performances, open studios, workshops, talk shows, etc. in order to create opportunities to exchange texchange together.

Wonderland, creative director (2012 — 2014) 16 month project in partnership with New Art Exchange supported by Nottingham City Council.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timIn St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this timin many of the carvings of this time.