Sentences with phrase «creative experiences in»

His first creative experiences in poetry and fine art began at the age of 12.

About Art in the Parks The mission of Art in the Parks is to provide programs to connect our visitors with creative experiences in the park that are transformative, unexpected, and inspirational.

My friend Melissa Dinwiddie shared her experience of letting collectors in on the creative experience in her blog post on The Creative Process.

Creative experience in the following:

Not exact matches

«It is a major creative step forward in serving our diverse, passionate community of fans, who will enjoy a uniquely interactive experience watching our games on Facebook each week.»

The food tends to be much more creative than in a national chain like Applebee's or Red Lobster and they offer a unique experience.

According to The Farm 51's creative director Wojciech Pazdur, the VR app experience will be similar to watching a documentary, only the experience will be interactive and aiming to place the viewer right there in Pripyat, sort of like virtual tourism.

Science shows we often have creative breakthrough when our minds are disengaged from the problem we're wrestling with, hence the common experience of getting great ideas while relaxing in the shower.

She has more than 25 years of experience in corporate and startup ventures, and speaks widely on combining strategic and creative thinking for optimum success and happiness.

In addition to making us creative geniuses, new experiences enhance our memory.

This one's easy, your goal is not to be the smartest person in the room, it's to learn from those who have more experience, creative ideas, and bring a new perspective.

Dokkan Afkar is an e-commerce platform from Jeddah, Saudi Arabia whose mission is to provide an inspirational e-commerce experience for creative professionals in the Arab world.

While Cohl and Harris insisted that director Julie Taymor would remain part of the creative team, Philip William McKinley, a director of Broadway musicals and circuses with experience mounting productions in Las Vegas, has effectively replaced her.

That means it's wise to include creatives, storytellers and experience designers in your retail - planning process.

«With Jefferey's résumé, I wanted the viewer to know he's in the music business, know that he works hard, showcase his image in a creative way, and most importantly, display his experience,» says Mundon.

In her new book, QUIRKY: The Remarkable Story of the Traits, Foibles, and Genius of Breakthrough Innovators Who Changed the World, she delves deeply into the lives of eight creative geniuses to identify the traits and experiences that led them to become breakthrough innovators.

And a study from Columbia business school showed that creative directors of fashion companies produced more creative innovations after having spent a significant amount of time working in cultures very different from their own.The time diversifying their experiences expanded their point of view and forced them to problem - solve in different ways.

It takes years of experience, creative thinking, and an impressive rêsumé to reach the level of «expert,» but if you make sure to hone your skills through these practices, you too can become a leader in the field of finance.

That squared with my own experience in business, which is that people who wear business suits all the time usually aren't creative thinkers, especially in industries and environments where formal dress isn't required.

Some of them experienced higher creativity levels when they worked in corporate America, but for every single participant who felt more creative in the large company, there were six who were more creative in the startup company.

Matt has fifteen years of design and creative direction experience both in - house and agency - side from Melbourne to London to New York, in both startup and established environments.

The candidate should have 10 + years of experience in digital marketing with a proven track record of creative, diverse, and data - driven strategies for quality customer acquisition growth and retention.

Theresa is a Social Media Specialist with additional experience in creative communications and strategy.

By combining the expertise of its numerous partners in the creative arts, design and technology sectors with MaRS» business - building experience, JOLT provides the selected companies with business validation, streamlined market entry and a greater opportunity for success.

By combining their expertise in the creative arts and design with MaRS» business - building experience, JOLT will be a unique Canadian technology accelerator.

In his new book X: The Experience When Business Meets Design bestselling author Brian Solis shares why great products are no longer good enough to win with customers and why creative marketing and delightful customer service too are not enough to succeed.

- World - class visual designers - Creative coders and developers - Exceptional full - stack engineers - Brilliant data scientists and analysts with expertise in machine learning and / or yield optimization - Experienced account executives and business development managers

This breadth of experience helps him understand the needs of his clients in the market while he focuses on finding creative solutions for his customers.

With expertise in a wide range of onsite and offsite SEO tactics, experience working with an extensive range of websites, and excellent foresight into the future of search algorithms, Andrew offers ROI — driven, creative solutions to meet every unique need.

With a talented account executive leading the way, The Marketing Machine's award - winning, in - house creative team carefully blends knowledge, experience and technical know - how with unparalleled imagination and originality to craft ideal marketing and branding solutions, on - time and on - budget.

Mentoring and leading others while finding innovative solutions that blow... Creative Director December 2016 Myanmar (Burma) Experienced Web Architects, You're Wanted in the Tropics!

As for my background, I am a Project Management Professional (certified PMP) with ten years of experience in the creative services, promotions and marketing industries.

During my (almost) two years with Canada Learning Code, as an Experience Coordinator for the Toronto chapter, I've helped coordinate Ladies Learning Code workshops, Meetups (formerly Coffee & Code) and Digital Skills programs hosted at some of the most innovative, creative and richly diverse tech companies in the city.

And I believe that my experience also reflects the self - creative process of the original woman, from coming apart, through relatedness with other women, to self - creation in the context of deep interrelatedness.

Can the «communicative» mode sustain creative conversations and «survive the drastic experience of immersion in other ways of constructing and construing the world» (Williams)?

«At the bottom of this is the humility of the Crucified, which will always be contrasted by the great powers of the world, but which generates a real hope that is manifested in the creative vitality of the Church: in her communities and her movements, in the new responsibility of the laity, in ecumenical relations, in liturgical and spiritual experiences.

Whether it's turning an AK - 47 into a rake, an old tire into a flowerbed, or trash into a work of art, there is something profoundly fitting about struggling through the creative process with the goal of finishing something new by Easter to provide a tangible, hands - on experience in discipline, resurrection, and restoration.

Burdened with doubt, anxiety and inflated expectations, he experienced panic attacks for the first time in his life, and it wasn't until a friend reminded him who holds his future that he was able to find a creative breakthrough.

If man today is asking, can God's existence be reconciled with man's deepened experience of himself as free creator of the world, the Whitheadian approach with its notion of God's persuasive personal action in the world, with its discovery of God's presence yet absence in man's creative activity, with its stress on the mutual immanence of God and the world, offers pathways for further development.

The Category of the Ultimate asserts that the creative advance «is the universe always becoming one in a particular unity of self - experience, and thereby adding to the multiplicity which is the universe as many (PR 89).

Now although this primordial actual entity may itself be interpreted in terms of the principle of creative synthetic experiencing, the fact remains that simplicity of principle is gained at the expense of multiplication of entities, and the latter offends Occam's principle as surely as does multiplicity of principles.

In religious experience, interpreted within process thought, the physical emotions, purposes, desires, and volitions of individuals are fused with conceptual insights into the nature of things for the purpose of transforming the individual, of enlarging his or her experience, and of advancing the creative process whereby new values emerge.

For in a metaphysical system in which process is creative of the relational depths of our lives, the nature of religious experience, if it is metaphysically grounded, will illustrate the same root metaphor found in the system.

Whitehead, Religion in the Making (Cambridge: Cambridge University Press, 1926 and new edition, with the same pagination, published in New York: Fordham University Press, 1996): «Thus religious experience can not be taken as contributing to metaphysics any direct evidence for a personal God in any sense transcendent or creative» (74).

It is religious experience which promotes a grasp of those values which are essential ingredients in and conditions for the creative advance.

The more complete statement, then, would be that the notion of hard - core commonsense ideas stands in a relationship of mutual reinforcement with the notion that our stream of experience is comprised of occasions of prehensive, self - creative, anticipatory experience.

There the resemblance ends, for these components are all internally active centers of creative experience existing in a relativistic universe.

Another example was alluded to before: the fact that our world seems to have taken shape over a period of many billions of years, rather than having been created in essentially its present form a few thousand years ago, provides evidence against the view that the creation of our world required omnipotent coercive power; this fact is much more consistent with the view that the divine creative power is solely the power of persuasion, the kind of power we can experience working in our own lives.

In their New Age Journal report, «Beverly Hills Shaman» (March - April 1989), they acknowledge that in February Carson and his attorney unexpectedly indicated their intention to drop the suit, and they document that prior to that action Carson had made claims suggesting that many of Andrews «s experiences were the results of his own creative imaginatioIn their New Age Journal report, «Beverly Hills Shaman» (March - April 1989), they acknowledge that in February Carson and his attorney unexpectedly indicated their intention to drop the suit, and they document that prior to that action Carson had made claims suggesting that many of Andrews «s experiences were the results of his own creative imaginatioin February Carson and his attorney unexpectedly indicated their intention to drop the suit, and they document that prior to that action Carson had made claims suggesting that many of Andrews «s experiences were the results of his own creative imagination.

The stream of human conscious experience and creative activity (the human mind or soul) has one vitally important property in process thought that it does not have in Cartesian metaphysics: it is spatially (as well as temporally) extended.