Sentences with phrase «creative films i've seen»

Not exact matches

When David Cameron and George Osborne lead British business on trade delegations overseas to bang the drum for UK plc, as well as seeing defence and pharmaceutical companies represented, I want to see music, film and other creative industries at the forefront.

Even I, someone who's increasingly surly about some of Marvel's creative choices, had a great deal of fun watching the film, despite some quibbles here and there — and the audience I saw it with was into it.

I guess that's a little overboard, especially for a film I hadn't seen, but I wanted to make it clear that I don't think a film has to automatically be either PC or faithful to the historical record; however, creative decisions have results, and sometimes they can be poor.

Despite the seriousness of the topic, Manda Bala may be the most visually creative film you will see this year.

The details are no long important, but after legal wrangles and creative fights, a 150 - minute cut was released in a few cities in 2011, and then it practically disappeared, resurfacing in early 2012 after a long campaign by fans, supporters, and folks like me who never had a chance to see the film on its original release.

Given that the Russo brothers are also directing the Infinity War films after Captain America: Civil War, look forward to a lot of Blu - ray commentary tracks by this creative team, saying things like, «Well, as anyone who saw the fleeting shot of Starfox at the 35:42 mark of the last film knows...»

The film recognizes how they've cut themselves off, but it also takes no small amount of cringe - comedy glee in just how terribly they treat others (see: Philip telling one of his creative writing students that he can't write her a letter of recommendation, but he can give her a piece of paper with some staples in it).

One of the most creative, interesting & unusual films I've seen in a very long time, «Phantom Thread» is a breath of fresh air among a halitosis graveyard of superhero flicks & lazy sequels.

The screenplay had originally been scripted by Edgar Wright (The World's End, Scott Pilgrim) and Joe Cornish (The Adventures of Tintin, Attack the Block), with Wright, who had cultivated the vision of Ant - Man for years, intending to direct, but creative differences saw a divorce from the project (Marvel became more controlling as they grew to massive popularity — a queen ant that expects its workers to keep the colony running smoothly), leading to rewrites by Adam McKay (Anchorman 2, Talladega Nights), and eventually Rudd himself during filming, while fluff - comedy veteran Peyton Reed had been brought in to mold it more in the shape that Marvel Studios had been seeking.

However, both these creative artists have made films that aren't the Academy's cup of tea, so it will be difficult to forecast just what type of film Ricki and the Flash is until we see it.

And while the movie is extremely violent (without much blood), he does find clever ways to show violence, and even seems to be commenting on the cinematic pleasure of seeing well - orchestrated, creative, gleefully over-the-top fights in films as a kind of catharsis.

Sorry to Bother You is one of the most creative and batshit crazy films that I have seen in quite some time.

Every time we see a new Friedberg / Seltzer film we hope maybe they've learned something and put their skills to more creative use.

It's the most quotable film of the 2000s — by miles — and the cynical potty mouths on screen are so articulate and creative that, after the avalanche of witticisms, you're left with the lingering sense that you've seen not just a funny movie but also a wicked political satire of the highest order, the kind where the absurdity speaks for itself.

Some saw the moment as a bellwether signaling a new dawn for the group, that they were developing a growing acceptance for the films that would start coming at them around this time of creative invigoration in the cinema.

Three of the four films from that strained partnership between the perfectionist British director and the micromanaging producer — Rebecca (1940), Spellbound (1945), and Notorious (1946)-- arrive on Blu - ray and you can see the two creative personalities battle for control throughout.

In the end, what the film doesn't have in heart it makes up for in action and creative animation (I still get a kick out of seeing some of my son's more unique Lego pieces make an appearance, like Lego flames or the Lego shark), and you will certainly leave the theater with a smile on your face.

They are two of the most creative minds working in film, and I can't wait to see what they do next.

It's the most quotable film of the decade — by miles — and the cynical potty mouths on screen are so articulate and creative that, after the avalanche of witticisms, you're left with the lingering sense that you've seen not just a funny movie but also a wicked political satire of the highest order, the kind where the absurdity speaks for itself.

Far more creative and enjoyable than the standard retrospective route, this reunion, seemingly born out of DeVito's surprising and abundant passion for the film, sees the cast revisit and re-enact their favorite moments, share props and costume design drawings, and bask in each other's company.

No franchise has reinvented itself by making three prequels to an installment nobody saw, no franchise has hit their creative stride at the fifth film, and no other franchise has given me The Rock and Vin Diesel fighting each other.

WHY SEE IT: An interesting and creative premise for a film that is clearly a labor of love — kind of an indie comedy take on CUBE and LABYRINTH, with a touch of ALICE IN WONDERLAND and Terry Gilliam insanity thrown in for good measure — DAVE MADE A MAZE is an amusing diversion for fans of budget filmmaking who can appreciate a smirk - inducing comedy with a light touch of horror and fantasy.

with optional commentary sees the director proclaiming it «fascinating» how things change during the course of the film and shows young Rosie (a.k.a. Grace) in a continuous tracking shot that the creative team «knew wasn't working» without further clarification of how the final version works better.

The film is back for a second sequel, which means the creative team has an even tougher challenge in giving audiences a Cars story we haven't seen before.

There's no doubt he's a talented and creative director — just check out his earlier films, Moon and Source Code — but Warcraft is a far bigger, more fantastical movie than anything we've seen from him before.

As it turns out, this on - screen comic book was actually brought to life for the film by Marvel's chief creative officer, Joe Quesada, who is sharing the page as seen in the trailer.

Perhaps the creative minds behind the film felt that the real humor comes in seeing Carrey and Leoni struggling in menial jobs, but if that's the assumption, they are clearly misguided.

Tensely paced, poorly acted, and clearly low - budget, the original Saw was still a remarkably creative story despite it's obvious pitfalls (aside from the bad acting, that film is incredibly gruesome).

I thought it was one of the most novel and creative films I've seen in quite some time.

Featuring never - before - seen Coltrane family home movies, footage of John Coltrane and band in the studio — discovered in a California garage during production of this film — along with hundreds of never - before - seen photographs and rare television appearances from around the world, Coltrane's story is told by the musicians that worked with him including Sonny Rollins, McCoy Tyner, Benny Golson, Jimmy Heath, Reggie Workman, musicians that have been inspired by his fearless artistry and creative vision like Common, John Densmore, Wynton Marsalis, Carlos Santana, Wayne Shorter, Kamasi Washington, along with Coltrane's children and biographers, in addition to well - known admirers such as President Bill Clinton and philosopher Dr. Cornel West.

Economically, each of his films is tailored to allow him a large measure of creative control and make close collective work possible (even Les Destinées sentimentales [2000], to some degree, fits such a description, as we will later see).

Rotten: It's sad to see what started out as such a lively and creative series descend to this — a feeble attempt to stretch a few pedestrian jokes into a feature - length film.

Unfortunately, such is the case with writer - director Marcus Dunstan with his latest film, «The Collection,» which tries to emulate the special and visual effects and creative, detailed characters featured in his «Saw» films.

While The Last Jedi does makes nods and references to other Star Wars films, it maintains a uniqueness seen through its plot twists and creative uses of the force, however it does not go without fault.

And, one of the most creative chase sequences I've seen in years finishes the film strong.

Known for some of the most creative and tight screenplays in contemporary film history, it's absolutely baffling to see the Coens deliver something with next to nothing at stake and zero involvement from a character perspective.

Ava DuVernay is the first black woman to direct a $ 100 million film and we're interested to see how the creative mind behind the Oscar - nominated Selma slips into genre fare.

Creative multitasker James Franco always has a toe in academics, and Wednesday evening will see the premiere screening of a feature film he led UCLA graduate students in producing.

The film is well acted, has a very creative opening credit scene and the closing song by The Kingston Trio make the ending credits a must see.

Mr. Baker was the creative force behind the remarkable TANGERINE (shot entirely with iphones) a couple of years ago, and his most recent film solidifies his brilliance at bringing us the fringes of society — those we don't typically see on screen.

Ultimate, though, this DiCaprio double bill finds cohesion in the theme of damaged minds — what we see on - screen is a reality cluttered by the protagonists» own involuntary projections — and it's here where the films are at their most creative and daring.

Shyamalan made a positive step forward with Devil, which saw him break from his pattern of total creative control by handing a story from his «Night Chronicles» to a different writer and director, resulting in a fairly well - received film.

A little underdog story also comes in tow with this project, as director Tom McCarthy will fight to erase all bad will he brought upon audiences that saw his previous film / abomination of any creative's nightmares, «The Cobbler.»

I'm drawn to the idea of creative purity, something House emanates in a way no other horror film I've ever seen does.

We can't deny the creative marketing strategies for these films (we saw that with both Cloverfield and 10 Cloverfield Lane), but perhaps there's another story here, one that involves a lazy dumping of bad goods (in that sense, sounds just like a February movie).

The premise of Pixar's next feature film, Inside Out, is easily one of the most creative we have seen from the studio.

, only to be summarily dropped from the film early last year mid-production due to the infamous Creative Differences that seem to show up with disconcerting regularity (see also: Whedon, Joss and Jenkins, Patty).

Wright had been developing an Ant - Man film for years and years, predating even Iron Man, only to be summarily dropped from the film early last year mid-production due to the infamous Creative Differences that seem to show up with disconcerting regularity (see also: Whedon, Joss and Jenkins, Patty).

When somebody sits down to write a piece of music or anything creative — like a book or the script for a film — the end goal is to have people hear it, see it, experience it.

It remains to be seen whether avid gamers who have come to love Call of Duty will buy a new game based on the résumé of its developers, given the relatively anonymous status of most creative talent in the game industry, compared to that of film directors.