Hello, My Name is Doris was one of last year's more
creative films in this genre, and now Showalter has taken another step forward with this true life script.
Not exact matches
In a memo distributed to staff, Cooper said, «Kim's curatorial vision combines a voracious appetite for
films across
genres with a
creative instinct for the work that will affect audiences and culture.
Carl Franklin's follow - up to One False Move, the unusually
creative studio
film Devil
in a Blue Dress, has also reinvented the feeling of a
genre and a bygone era,
in this case Los Angeles circa 1948.
Though the data tells us that women are interested
in genres favored by Hollywood, female filmmakers encounter significant obstacles as they attempt to move from independent to more commercial filmmaking, and face deep - rooted presumptions from the
film industry about their
creative qualifications, sensibilities, tendencies, and ambitions.
«An intelligent and
creative exploration into a filmmaker's responsibility to society [that] will offer
genre buffs a few choice chills, but also make them consider some of their favourite
films in a different light» — Andrew Parker, The Gate
At the
film's recent press day, Shyamalan and Blum discussed their
creative partnership and the most surprising aspect of working with each other, why the scares
in this
film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for
in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B
genre movies like they're A dramas, and more.
The two objectives are to create a publishable or producible body of work, as a Major Writing Project,
in one of five
genres (fiction,
creative nonfiction, playwriting,
film and poetry) and to train students
in the teaching of writing at the post-secondary level.
Created
in 2007 to celebrate the
creative potential of disposable video (short
films made on everyday equipment like cell phones and pocket cameras), the Disposable Film Festival hosts regular screenings, competitions, and other events to showcase the best work within the
genre.