Sentences with phrase «creative history doing»

Not exact matches

«This is the first time in the history of the world where we as creatives don't require any permission from anyone in the world to do what we want to do.»

Does the belief that the whole world of nature and history is the creative and redemptive venture of eternal Love make sense?

But the demonic passions unleashed in history lead to the theological question, «How does the powerful and creative love in the human spirit turn into brutal and destructive cruelty?»

But what love may do and will do, what creative and redemptive work lies ahead, can only be known partially in the history of love until the «end».

While science does tend to mold reality in fixed and static frameworks, the history of this very science itself is a series of creative advances forward, and these are the workings of intuition.

Therefore it is on «the 99 %» to establish a creative unity, which they may not have been asked to do ever before in history.

In a world of war, of rapid communications, of instant hearing and misunderstanding where the response is only hatred and separation, the Holy Spirit whose creative and sustaining gifting of the church is done in diversity, demands that diversity of history, culture, gift, vision be expressed in a unity of love.

Once you've done that, you have the opportunity to be a little more creative,» says Wheeler, chief of entomology at the Natural History Museum in London.

«The frozen history from this tropical ice cap — which is melting away as Earth continues to warm — is archived in freezers at -30 ºC so that creative people will have access to it 20 years from now, using instruments and techniques that don't even exist today,» he said.

Not only does the space feel like a burst of creative design, but it also has history to it.

Those legendary brands do hold a deep root and connection to their history and I love how the creative directors and designers weave modern influences into their designs without losing site of their classic signature.

Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.

My lessons, instructional packets, videos, and PowerPoints are immediately ready to use and have made a difference in the way thousands of students, parents, and teachers read, write, think, do mathematics, understand history, use technology, and embrace the creative arts.

«In history they're looking at expansionism, in English they're doing creative writing, and in French they're talking about their holiday.

This doesn't mean that you have to ignore or exclude those parts that are less relevant, it just means that we as teachers need to find creative ways of helping students see the applicability of history in their lives.

The picture books below show these creative women — each a genius in her own right — doing what comes naturally: making history.

For example, some students are creative and write imaginatively but do poorly in history because weak memory skills prevent them from retaining facts.

I wound up being a history and English major; when I wandered into a creative writing class as a junior, I realized that writing was what I could do.»

Especially if they don't have that much of a history within the traditional comics market, but are talented artists with their own not considered commercial creative voice.

Not to pick an undebatable point with one of the greatest creative minds in recent history, but having produced a novel (yes, produced — more on that later) it's fairly clear that all the author traditionally does is put the words together pretty.

The behind the scenes video doesn't show off any new gameplay, but it does provide a better sense of Sucker Punch's approach to the game's open world and the history the creative team is pulling from.

I'm a support - class game dev, helping creative teams make awesome games by getting everything organized and removing hurdles so they can do what they do best: programming, designing, modelling, writing... Also an eternal expatriate, an avid history buff and a passionate horseback rider.

I don't mean the history of reputations and publicity and shocks to the solar plexus, but the history in which we can trace an artist's thinking as he attempts to comprehend both the artistic past and the art of his own contemporaries for whatever may be usable in extending the range of his creative endeavors.

With such a rich history, and so many things to do, it's the ideal place to live and work for creatives seeking industrial inspiration and a regular programme of art, design and cultural events.

The history of Signals as a creative platform for experimental international art has rarely been told and holds just as much relevance today as it did during the early 1960s in London.

These experiences include watching time pass, as in Andy Warhol's Empire; marking, suspending, condensing, or elongating its flow, exemplified here by the work of Martin Creed or Jeff Koons; subjecting the creative process to time, as William Anastasi, Janine Antoni, and Robert Morris do; developing narratives based on cyclical, organic, or illogical models of time, as may be seen in the video work of Bill Viola and Pipilotti Rist; addressing history through the memory of oppressions, displacements, and alienation, as Carrie Mae Weems and Jane and Louise Wilson do; and considering how the past inflects the present, an experience suggested by the work of Shirazeh Houshiary and Gerhard Richter.

2) CAGW movement type models never reconstruct any lengthy past history accurately without creative and unique adjustment of aerosol values used as a fudge factor; that is why models of widely varying sensitivities supposedly all accurately reconstruct the past (different made - up assumed historical values used for each) but fail in future prediction, like they didn't predict how global average temperatures have been flat to declining over the past 15 years.

They can do both: highlight your best skills in a creative way and present your work history.

Do you describe yourself or your work history as «creative», «organizational», or «effective» anywhere on your LinkedIn profile?

Do you describe yourself or your work history as «creative», «organizational», or «effective», on your LinkedIn profile?

Don't Share Your Life History — No matter how creative your resume, you still shouldn't have more than 1 page per about 10 years of experience.

indie film business plan [url = http://comparisonessays.essyawrtserv.pro/page/creative-writing-graduate-programs/] creative writing graduate programs [/ url] resume cover letter attention grabber resume of designer richtlijnen schrijven thesis [url = http://helpessaywrt.xyz/page/history-homework-help-greece/] history homework help greece [/ url] scholarships in tennessee arugmentative essay cover letter application support manager [url = http://essaycreator.essyawrtserv.pro/page/hdsb-homework-help/] hdsb homework help [/ url] taming of the shrew essay marriage business plan film financing emergency contraception in south africa a literature review [url = http://essayservice.helpessaywrt.xyz/page/siri-will-you-do-my-homework/] siri will you do my homework [/ url] online customer service resume for writing college essay uwe dissertation marks [url = http://narrationessay.essyawrtserv.pro/page/nursing-assignment-help-australia/] nursing assignment help australia [/ url] essay on benefits of technology in banking

If you have been creative or nontraditional in your work history, you can cover some of these aspects, but do not make them the focus of your resume.

In his lifetime Saul Rosenzweig did this through his research, through his methodological approach to study the lives of creative individuals, and in his comprehensive history of the Freud - Jung visit.

This course does not require completion of «Expressive Arts Therapy History and Foundational Practices» in order to enroll; advanced mental health and healthcare professionals and students will learn a variety of methods and practices that can be applied to creative interventions with children, adults, groups and communities.