Sentences with phrase «creative nature of»

His charm and humor fed into the creative nature of the missions Ubisoft Montreal continued to dream up for him, and his own tragic story made for good gameplay.
While I appreciate the creative nature of the motions filed, the legal realities don't seem very helpful.
Due to the competitive marketplace, speed of advancing technology, and creative nature of game development, long hours have always been a challenge for the games industry.
This data supports the idea that Santa Barbara must preserve the creative nature of the Funk Zone to help foster and stimulate the artistic energy that thrives there.
Preceding her role in business development, she worked as a book publicist for nearly seven years which introduced her to the reality of the relentless and creative nature of the book publicity industry.
Loved the writing, the creative nature of the magic, and the influence of religion on practitioners.
Whether it's men being able to better identify with tech - savvy women or simply the inherently creative nature of techier gigs, it seems that geeks rule both the online and real world romantic spaces.
The creative nature of esthetic activity, it is held, itself indicates that these values are made rather than discovered, and the fact that the creation is individual and free means that everyone in such matters is wholly autonomous.
The great linguist stresses the creative nature of speech.
Rabbinic Judaism has a respect for the text and content of that which was being passed on, and in this respect is absolutely different from the freely creative nature of the synoptic tradition.
For Man, by the act of «noospherically» concentrating himself upon himself, not only becomes reflectively aware of the ontological current on which he is borne, but also gains control of certain of the springs of energy which dictate this advance: above all, collective springs, in so far as he consciously realizes the value, biological efficiency and creative nature of social organization; but also individual springs m as much as, through the collective work of science, he feels himself to be on the verge of acquiring the power of physicochemical control of the operations of heredity and morphogenesis in the depths of his own being.
Niebuhr said that if «biblical thought seems to neglect the creative aspect of the extension of human powers in its prophecies of doom upon proud nations, this is due only to the fact that it is more certain than is Greek thought that, whatever the creative nature of human achievements, there is always a destructive element in human power.»
Whenever its the gay issue - all you see is ignorant Christians holding tight to their prejudices - why is it so hard to find a christian these days espousing any principle that is christlike - I was raised in evangelical christianity - and still hold on to some great teachings - but division, non unity, non acceptance and certainly denial of the creative nature of God is NOT christ - like.
She celebrates the vision of «women - identified women brave enough to risk sharing the erotic's electrical charge without having to look away, and without distorting the enormously powerful and creative nature of that exchange» (UE 59).

Not exact matches

«Part of it is the nature of working with creative people that are looking for an outlet to express it not just in their work, but as a way of showing affection for their co-workers and having fun,» explains Bluebeam's Chief Human Capital Officer, Tracy Heverly, about the tradition.
«We're trying to understand how somebody thinks, how conceptual they are, how logical they are, how quickly they can metabolize new information and have that evolve their thinking, how creative somebody is — things of that nature,» Kreiter said.
However, given the increasingly competitive nature of software development, the creative problem - solving that empowered engineering teams provide will likely prove the difference between the winners and the losers in your and our respective spaces.
These three brands have tapped into something deeper in all of us with their spot - on video advertising campaigns that, respectively, inspire our love of nature and adventure, our need for human connection and the desire for creative thought and expression.
Layer in the global nature of the job (imagine branding a product or a company in 180 countries) and one can see why today's chief marketing officer needs to be a creative, tech - savvy internationalist.
«The competitive nature of Silicon Valley forces you to get creative,» said Farbood Nivi, founder of San Francisco's online learning start - up Grockit.
Developed by local design firm Myron Creative, the new logo features bold, interwoven lines that form the shape of a «V» — intended to represent the connected and inclusive nature of not just our organization, but the Greater Vancouver business community.
Fortunately, nature, or if you prefer God, is clever enough that there is no need for mal - adaptive transitions because the environment is varied enough and the diversity of life creative enough to allow for multiple paths to a similar outcome.
But one time - system is inadequate to express the passage of events which is the creative advance of nature.
Second, it identifies God's self - creative subjectivity solely with the constitution of his primordial nature, as Ford argues at length in IPQ.
The nature of significant freedom dictates that God's creative choices are limited by the decisions which he knows free creatures would make if created (NN 169 - 84).
There is a difference between the creative passage of nature «which is not properly serial at all» and passage in any one time - series (CN 178).
Schönborn is willing, then, to explain in detail how we might understand the interplay of God's creative action and the conditions and causes within nature.
Later the idea gained ground that we can not «speak of nature apart from human perception in the historical development of knowledge», that all knowledge is «a creative interaction between the known and the knower» and that therefore there is no System of scientific knowledge or of technology which does not have the subjective purposes and faith - presuppositions of humans built into it.
What is required by the criterion of human integrity is that occupations be so defined that manual work is also a rational pursuit and an opportunity for constructive imagination, that symbolic skills may be exercised in clear relation to material necessities and in the light of moral responsibilities, and that creative professional activities will be conducted with a vivid sense of the realities of nature and the canons of reason.
There would be no need to «make» God share in man's adventure or be affected by human actions according to Whitehead, for such is the nature of God: «Decay, Transition, Loss, Displacement belong to the essence of Creative Advance» (Al 368 - 69).
Another way to say it would be to observe that my story testifies to the truth of the position the Christian church has held with almost total unanimity throughout the centuries — namely, that homosexuality was not God's original creative intention for humanity, that it is, on the contrary, a tragic sign of human nature and relationships being fractured by sin, and therefore that homosexual practice goes against God's express will for all human beings, especially those who trust in Christ.»
Most of the Anglo - Catholic clergy who stayed in their ghetto did so because of their refusal to leave their people behind: asone Anglican priest who had attempted to take his Parish to Rome and had been repulsed by his local Catholic bishop put it to me, the essential was that «Rome has got to have a more creative view of the corporate nature of our present existence».
The argument is really about what precisely is the «intelligence» we find in Nature, and how it organises matter into a creative economy of inter-related entities.
Not all events involve a mind, but some do, and it may be that what gives the character and creative advance [sic] to the whole of nature and every part of nature is that there is operative throughout the whole of nature a Mind.
Every touch of which a creative mind could conceive, and still stay within the limits of a realistic story, has been used to depict the free and absolute nature of the father's forgiveness, all in deliberate contrast to the expectation of those to whom the parable was addressed.
We can see that the universe hangs together and exhibits some creative advance, but how can we possibly know anything about this consequent nature of God?
Thus, Wieman was convinced that in the matter of the empirical nature of this creative process, «We are discussing, not logical inconsistency, but life and death» (SHG 31),
That realm of nature which used to be beyond human understanding and control, with which, therefore, one could only establish a creative relation by means of this hypothesis «God», is now more and more being conquered by reason and technique.17
In religious experience, interpreted within process thought, the physical emotions, purposes, desires, and volitions of individuals are fused with conceptual insights into the nature of things for the purpose of transforming the individual, of enlarging his or her experience, and of advancing the creative process whereby new values emerge.
However, our new technologies must harmonize with nature, which is not always benign, but is consistently creative in the larger patterns of its actions.
Does the belief that the whole world of nature and history is the creative and redemptive venture of eternal Love make sense?
Within limits, as also for Marx, it is creative and plastic, having no nature to the realization of which it must aspire.
For in a metaphysical system in which process is creative of the relational depths of our lives, the nature of religious experience, if it is metaphysically grounded, will illustrate the same root metaphor found in the system.
It hence determines the form of the novel event, since With the creative advance of nature the abstract region becomes a definite event.
Thus, in reclaiming the creative, everyday nature of the garden, feminist theologians must acknowledge its muddied history.
(People could well differ on what this would allow us to say about God, with some opting, for example, for Whitehead's primordial nature of God while rejecting the consequent, with others considering even the primordial nature too speculative and speaking only of «creative interchange» or «creative passage,» and with still others considering the consequent nature of God the most empirically grounded feature of Whitehead's doctrine.)
The superjective nature, then, is God exercising his objective immortality by laying down a datum which conditions the form of all subsequent creative acts.
Can that explain the law - abiding cosmos, the beauty of nature, history's creative minds and towering characters?
His object, therefore, the past event, is not only an eternal object but also a necessary object, an object that must be what it is, and is known rationally in apprehending this necessity; Par.39: Applying these results to our knowledge of nature: we regard nature as a self - creative process and therefore creative of eternal objects.»
Suffice it to say that it reached its culmination, so far as scriptural witness is concerned, in the affirmation that in Christ the Word (the self - expressive creative Activity which is divine in nature) «became flesh and dwelt among us,» while in formal theological statement the climax was the declaration that in him there is a genuine union of divine Activity («true God») and human activity like our own («true human being»).
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