Sentences with phrase «creative order of the world»

Therefore, we identify God with the creative order of the world, a process which transforms human beings, brings values from a potential to an actual state, and works to overcome evil with good.

Not exact matches

Having ascertained the place of belief in the world and its role as the operative and creative principle in human striving and drive toward the future, we shall next consider its evolutionary stages and origin in order that we may realize its cosmic dimension.

In my dialogues with Third World Christians, I have sought to use the creative aspects of the black Christian eschatology in order to help us to see beyond what is present to the future that is coming.

In order for the world to be independent of God and to possess its own existence, or to undergo a genuine self - transcendence in evolution, its creative ground would in some way make itself absent from that world instead of overwhelming it with divine presence.

The humanly good life is the immediately intense, novel enjoyment of an agent - filled world, plus creative implication in furthering the world's novelty of character and significant order (PR 339ff.

Logos means an immanent, creative world force, a principle of reason and order that pervades all things and binds them together in a concrete unity.

Two things: he infallibly preserves each successive cosmic and subcosmic event in his perpetual memory, thereby rendering it immortal; and he gives order and guidance through inspiration to the creatures in the next phase of the creative Process.57 Hartshorne adopts the Whiteheadian view that God may really rule the world but that he does so chiefly by persuasion.

Perhaps sufficient will have been said if I point out that process thought is based upon wide generalizations made from those experiences of fact, and those facts of experience, which demonstrate to us the dynamic, active, on - going «creative advance» of the world; and which, in recognizing and accepting the patent reality of such a world, sees man as part of it sharing in that movement, and a principle of ordering and direction, which may properly be called God, explaining why and how the advance goes on as it does.

[The] intrinsic rationality in the world, according to Athanasius of Alexandria, is maintained by the creative Logos of God, which is not an immanent principle of the world, but the transcendent artificer of order and harmony in created existence, which is thus contingent upon the transcendent rationality of God (p. 219).

God's love is creative power bringing the worlds into being, and working with them for the fulfilment of an ever new creative order of life.

Finally, Charles Villa - Vicencio takes up the new work of making liberation theology not just a theology of resistance but of reconstruction in places like South Africa and El Salvador, where civil war has ended but the crushing burdens of building a more humane society continue — in a new world order with less and less compassion or creative insight for the plight of the poor.

The creative lure is overlaid and obscured by layers of the created order derived from the world.

This was a new biological emergence, a vital breakthrough in the evolutionary history of the world, made possible by the creative order made available by God in that specific situation.

If, as we shall be arguing in a moment, we may be sure of «objective immortality», the taking into God's life of every good that has been achieved in the creative process; and if, as that understanding of the world order implies, one of the goods is the agency by which these given goods have been achieved, including at this point the human agent as a peculiarly significant focus — may it not be the case that not only the good which has been achieved but the agent who has achieved it (himself good, despite defect and the instances of his failure in this mortal existence) will be preserved beyond the «perishing of occasions»?

Books, Kermode observes, «are indeed world models,» but they are also science models, and so in the best of them we find not pre-fascist prescriptions for a unity beyond entropy but demonstrations of the order that can be achieved in a creative confrontation with it.

Therefore, in attempting to relate the notion of divine causation to such a universe we have to understand God not only as the ground of whatever order happens to have emerged, but also as the creative pull that energizes the world's ever becoming «more».

Often the exceptionally imaginative and creative people are the ones most vulnerable to persecution, since through them even newer and more disturbing dreams of a still better world enter the arena of our social consciousness, stirring up criticism of the present order and making obsolete our plans for a new society.

The Rhys Method ® Profiles is the foundation of my work and a gift I'm honored to be able to introduce in order to help all Creative Idealists, Emotional Intelligence Specialists, Team Players, Knowledgeable Achievers and Charismatic Leaders across this country and across the world.

Not one to let a potential tent - pole franchise go to waste, Disney Studios and producer Jerry Bruckheimer (On Stranger Tides, Prince of Persia) dust off the white cowboy hat in order to try to bring the iconic lawman into the modern era with The Lone Ranger, which is crafted by the creative team behind the first three Pirates of the Caribbean flicks, director Gore Verbinski (At World's End, Dead Man's Chest), and writing team Ted Elliott and Terry Rossio (Shrek, Small Soldiers), plus Justin Haythe (Snitch, The Clearing).

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In order to increase teacher candidates» awareness of the potential of geospatial technologies, I took the existing course goals and worked to augment them through the incorporation of geospatial technology - based activities that added real - word context to educational content and standards, allowed for creative work, and prompted a reorientation to problems in the social and physical world.

However, HOT Schools believes that the successful 21st Century learner and citizen will have had regular opportunities designed through creative instructional practice, requiring students to skillfully explore and investigate their world, learn new things and identify and solve problems through all of the elements of higher order thinking described below.

The school's model integrates blended learning and mastery - based progress with problem - based learning in grades 9 to 12 in order to unleash the creative and intellectual potential of young people to solve the world's toughest problems.

In order for the natural world to exist alongside fast - moving vehicles and towering skyscrapers, we've had to come up with some creative solutions to ensure the conservation of animal species.

In order to give back to the communities that she photographs, 25 % of all sales from Kristen Emma Creative are donated back to local charities around the world.

Inspired by Song dynasty painting techniques and calling on a generous worldview, Liang's creative process hints at her concern for articulating an alternative way of expressing the inexhaustible chaos of our world and challenges the viewer to restore order.

The writings in Out of Order, Out of Sight trace the development of her thinking about her artwork and the art world, and her evolving awareness of herself as a creative, racial, and gendered subject situated in an often limiting and always absurd cultural and social context.

According to Maciunas, the aim of Fluxus was to revolutionize the creative world in order to bring about a closer integration of life and art; a type of art with no barriers between the genres, and which embraced as many artistic activities as possible, from vaudeville to «found objects» and junk art.

In the world Si - Qin constructs, the artist is not only a regenerative creative force like the mythic namesake of the exhibition, a central figure within Navajo mythology who grows old each winter and is young again come spring, but also an architect looking at extant forms of culture in order to transfigure them, discovering which traits can be refashioned to abstract or practical effect.

In the world Si - Qin constructs, the artist is not only a regenerative creative force like the mythic namesake of the exhibition, a central figure within Navajo mythology who grows old each winter and is young again come spring, but also an architect looking at extant forms of culture in order... [read more»]