Sentences with phrase «creative positioning of»

are fantastically creative positioning of a potentially dull product.

Not exact matches

A senior designer who came from a large company might be able to advance to the position of creative director by joining a smaller business.
By building a Lego version of herself and providing «instructions,» which was really a list of her top skills and qualifications, the redditor by the name «Leah» showed her creative side to the advertising agency internship position she was applying for.
This type of financing is not only a creative, flexible way to raise capital, but it may also improve a company's equity position.
David Gardner is founder and CEO of Chicago - based ColorJar, a creative tech agency that specializes in brand - positioning strategy and custom websites and apps.
By managing your time efficiently, you can become more successful in your current position and more creative when it comes to your Plan B. Regardless of how busy your workday is, it's important that you do not lose sight of the tasks that you need to complete.
Gelbard says photography can be a valuable hobby to list if you're looking for an account or creative director position at a digital marketing agency because it communicates creativity, positioning, and patience, «all of which can be helpful in your target roles.»
Creative Planning boosted its position in shares of Brookfield Asset Management by 8.3 % during the 4th quarter.
In Los Angeles, that kind of space has been specifically positioned for more creative firms, rather than those in fields like insurance, law and finance, according to John D. Zanetos, senior vice president for brokerage services at the commercial real estate services firm CBRE in Los Angeles.
The crowdfunding industry is exploding with entrepreneurs, investors, portal operators, third party service providers and experts from around the world who are all jockeying for position to take advantage of a promising and brand new fundraising channel for SMEs and creative or social projects.
His idea of the creative Word, in fact, holds a commanding position in the history of thought,» and, in its developed form, it has become central to the philosophy of the Christian religion.
You may start out with well reasoned and good - intentioned theology, but once in a position of power, the system goes to closure and the creative power goes to inertia, which brings corruption and corrosion to the system.
The culture of consumerism and the chase for material symbols of wealth and security have sometimes come to be dominant; the pursuit of spiritual fulfillment in many has slowly begun to degenerate into empty and sterile ritualism; the legitimate thirst for education has often become perverted into an obsessive drive to acquire with the greatest speed the formal diplomas necessary to gain entry to jobs offering the easiest opportunities to make the quickest rupees; political statesmanship in some areas has begun to depreciate into an opportunities race for power and position; the spirit of SEVA (Service) to the nation has intermittently begun to be suffocated in many, by the abuse of discretions, sometimes mediated by a bloated bureaucracy itself enmeshed in a vast network of multiplying paper and self - proliferating regulations; menacingly many good and decent people even in public life, have come to be corroded by a culture of demanding corruption; and some potentially creative lawyers, have begun to take perverted pride in mere «cleverness», rendering themselves vulnerable to the prejudice that they are a parasitic obstruction in the pursuit of substantive justice.
In such books as Beyond Humanism, Man's Vision of God, A Natural Theology for Our Time, Creative Synthesis and Philosophic Method, and The Logic of Perfection, Hartshorne has been indefatigable in the presentation of this «di - polar» position.
I feel that what must be done is to bring the «absurd hero» within the context of a revised, naturalistic, neo-Whiteheadian ontology — this merger will dispel the harshness of bleak despair from the one position and the remnants of parsonage Victorianism from the other as it links creative insecurity, adventure, with a more penetrating metaphysical analysis than the existentialists were ever able to achieve.
Another way to say it would be to observe that my story testifies to the truth of the position the Christian church has held with almost total unanimity throughout the centuries — namely, that homosexuality was not God's original creative intention for humanity, that it is, on the contrary, a tragic sign of human nature and relationships being fractured by sin, and therefore that homosexual practice goes against God's express will for all human beings, especially those who trust in Christ.»
We have now seen how, between a philosophy of creative act which excludes the possibility of the real relation of God to the world and a modal philosophy which demands reciprocal relations between God and the world, it is possible to posit a «third position — a philosophy of creative act with real but asymmetrical relations between God and the world.
Simply put, I hold to a position that our imago dei consists of such nature as to reflect God's sovereign creative abilities, most thoroughly expressed through procreation but not limited to it.
Yet there undeniably is in this position, too, a truth in the fact of man's creative self - transcendence.
Because God is fully creative in all senses and, thus, the model of subjectivity and vivid feelings, and because God feels the finite entity during its concrescence (and not just after it has achieved its stasis), it follows that God feels the world with a constant freshness and rich intensity that Whitehead's own position prevented him from fully articulating.
The position of Thomas entails creative philosophic work on the part of the theologian.
The new creative campaign with the tagline «Hold True» has been developed on the back of extensive consumer research and sees the brand focusing on its position as an original «true cider» since 1935.
«I couldn't afford one of my cakes, which is, I think, the position that most creative food workers are in.»
I couldn't afford one of my cakes either, which is, I think, the position that most creative food workers are in,» he says.
Instead of positioning itself as another web design firm, Hungry Media is a creative digital agency that focuses on establishing a marketing partnership with its nationwide clients.
Iwobi not the creative genius of Ozil, but could forcible protect the ball with defenders in his back, unlike Walcott and Ozil in the same position.
I think Ramsey play better coming off the bench, when ever he's in the starting eleven he rarely scores a goal, he gives the ball away far to often and sometimes in dangerous positions, he makes straight forward passes or the simple passes, I've never seen him make a defense splitting pass or a through ball, the only positive about him starting a match is his engine, he will definitely cover a lot of ground but i think we need more of a creative or Attacking CM in that position because of the back three formation.
Cazorla is our best creative midfielder, Mert is important to assist with our young defenders development, both are not speedy customers, so no need to think of their lack of pace, they more rely on skill and positioning.
His creative ability from a variety of attacking midfield positions made him a highly influential player almost straight away, and with a highly impressive haul of 22 goals and 12 assists in his final season with the club in 2006/07, he was snapped up by Spanish giants Real Madrid for # 23million.
He could produce more creative turns in the deeper position without worrying of getting robbed, because he was protected by Xhaka and Wilshere.
This mythical «left wing» position is one of Wenger's obsessions — a position he likes to use for the more creative type.
Bale is awesome ruining with the ball but Aaron is the conductor of the welsh team without him they fall short on making real chances, we at arsenal not so dependent on the Creative player because we have a few like him infarct these days Aaron is some way back in the pecking order for that position.
Ramsey was too weak defensively and kept going out of position, and Coq / Moh not creative enough going forward.
Wenger has always aimed to get in creative midfielders and there is no doubt that we have more than enough of quality in those positions, but is there any chance of Jack supplanting any of his competitors unless we have another wave of injuries?
He is a real leader in the Sweden team that qualified for the world cup, he is happy to take the ball in tough positions and to take on the mantle of being the main creative outlet.
He's not a winger, because he isn't creative, or a crosser of the ball, and he doesn't seem to have good positioning, and instincts, that a striker needs, and is awful at finishing.
Of course, there isn't really a spot open for him here at Arsenal — our creative midfield positions a packed full of quality playerOf course, there isn't really a spot open for him here at Arsenal — our creative midfield positions a packed full of quality playerof quality players.
Answer: because both are utterly mediocre and massively overpaid... Sell the pair and bring in a couple io world class attackers... Add a creative midfielder... And then maybe we will b in some kind of position to challenge
I think that's his best position has he has the technical skills for it, but every creative / attacking midfielder believes that is their best position because of the freedom the role allows and the reduced defensive duties due to the role being that essentially of a 2nd striker in a 442 or 4411, leaving the bulk of defending to 2 CMs.
The Red Devils are desperate to bring in a new creative midfielder in the January transfer window, and Strootman is thought to have been one of Louis van Gaal's main targets in that position.
Santi's been producing arguably his best form at our club while playing in a deeper role and Ozil's playing in his preferred position with a lot of creative and positional freedom between the two.
Looking at Liverpool's current midfield dynamic, Henderson himself is the team's custodian of the creative controller role, but not after having journeyed through an eclectic range of midfield positions.
«Arshavin's best position looks to be behind the striker now because that's where his vision, the creative side of his game, can be very efficient.
Even though Francis Coqulin and Aaron Ramsey haven't played together very often in the middle of the pitch, Coquelin's better positioning and better ball distribution should give the Welshman more confidence when bombing forward in support of the main striker and allow Arsenal's more creative players to stay higher up the pitch.
But his positioning sense means that he is always well placed to nick the ball — he makes an average of 1.8 tackles and 1.6 interceptions per game — and immediately looks to find one of the Partenopei's more creative players.
A map of the Everton players» average positions across the 90 minutes [number 18, below] shows Sigurdsson typically adopting a berth closer to Palace's goal than any of his teammates — the attacker occupying space beyond striker Oumar Niasse from where he could impose his creative smarts on Roy Hodgson's Eagles.
He is a tremendous player with a lot of effective skills like controlling the ball, making creative passes and assists, taking the right position in the field every time.
To conclude, Klopp need not surrender his philosophies to accommodate Liverpool's best players into one starting XI, he only needs to put them in positions they are fairly comfortable with, and that way the team as a unit can succeed; with Benteke as the focal point of the attack, but Sturridge and Firmino also expected to chip in with a decent goal contribution, whilst Coutinho, Henderson (when fit) and Firmino can all provide a creative aspect to outweigh any creative spark lost by not having Coutinho at the very middle of the attacking midfielders.
She has more than 20 years of editorial and creative marketing writing experience and has held senior - level positions at Walmart.com, Walmart stores, Cnet, and Bay Area Parent magazine.
A writer and book artist, she loves the creative aspects of her position and is delighted to have the opportunity to promote the mission of Sunbridge Institute.
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