Sentences with phrase «creative possibilities for»

The participants have a series of meetings as a group to review and discuss parenting issues, financial disclosure and creative possibilities for resolution of the dispute.

In a new exhibition, the artist's first solo show in New York, Mexican artist Francisco Ugarte explores the creative possibilities for the simple yet elegant combination of transparent slides and projected light.

Twenty years later, do it has taken place in 60 + venues worldwide and includes nearly 400 artists from across the globe, giving new meaning to the concept of an exhibition in progress, while offering infinite creative possibilities for participating audiences everywhere.

«The incredibly lively musical performance — incorporating instruments and wearable works on paper designed by Hamilton with music and choreography by Bang on a Can — demonstrates the creative possibilities for the kind of cooperation and combined programming that will be fostered by the Mellon.»

Beacon technology offers endless creative possibilities for colleges to improve student life.

Character design (especially that of the generic - looking Mary, with her big eyes and standard anime proportions), locations and even the overall story arc do little to assert a new identity or fresh creative possibilities for the upstart outfit.

The creative possibilities for this project are truly endless.

God is the ultimate power of the future, rescuing the world from degeneration into chaos by the relentless provision of ever - new creative possibilities for the world to actualize.

These are all high - quality products that will make your backyard come to life with excitement and creative possibility for your kids.

It's bizarre to be virtually inhabiting a character who is virtually inhabiting another, and suggests yet another layer of creative possibility for VR games down the line.

Not exact matches

The more open you are to possibility, the more creative you become and the more expansive of a world you create for yourself to succeed in.

Still another alternative, the biblical and classical theological image «the Kingdom of God,» seems to be a possibility for creative theological development, both politically and ecologically, but it brings problems of its own.

Infinite concrescent activity creates only that which is infinite (the domain of real possibilities, which is infinitely diverse for every occasion), and requires the finite to create the finitely determinate, which is the final terminus of the creative thrust.

This theory has clear systematic connections to the doctrine of propositions as «lures for feeling» which are linked with possibilities as «a line to creative emergence in the transcendent future.»

God's own creative accomplishments must also be determined sequentially, not primordially nor eternally, since a «fully specified» object only occurs when it is determined, and the possibilities for new (and simultaneously incompatible) determinations are endless.

According to Whitehead, the primordial order waits helplessly for creative events to embody in themselves the eternal objects which are presented to them as possibilities by this order.

Since any momentary experience is a complex creative unification of data from the past and a grasping for the actualization of possibilities, there is always some degree of harmony.

At other times the will finds itself confronted by a genuine «plurality of possibilities» and thus «vacillates to and fro between conscience and desire,» leaving sufficient room for spontaneous and creative decisions by the will (DN 165).

There is a possibility for creative harmony between society and nature, a harmony that enriches both.

In these circumstances the possibilities for creative novelty in the synthesis of feeling which constitutes the satisfaction of the concrescing actual entity are great indeed.

An entity's value in relation to the whole of becoming creation is ever present (in God) and active, What God can do with one's becoming in relation to the possibilities for future becoming is continuously determined by the ongoing creative advance of the world.

The existential paradox of finitude and infinitude and its creative possibilities are negated by the narcissistic search for power and security.

with the totality of the possibilities God envisages for the world, Christ, its incarnation, is seen in the actualization of any radically new and creative possibilities derived from God.

We will know that we can not purge ourselves of the sin and guilt in which we are involved by the moral ambiguities of politics without also disavowing responsibility for creative possibilities of justice.6

It is fatalistic and does not give due account for the creative possibilities of man.

This horizontal line moves from possibilities of actualization, as they are available for the actualization which will produce real entities, through the «creative nexus» (of which we shall speak in a moment), to the concrete occasions with which we are confronted in their presentational immediacy to us.

As we then said, such moments have their «importance» in that they illuminate what has gone before, are in themselves a kind of concentration of what is actually present, and provide new opportunities and possibilities both for understanding (which is the «subjective» side) and for that emergence of novelty in concrete experience (which guarantees «objectivity») which is the occasion for further creative advance as the process continues on its way.

Nevertheless, as we have seen, there is a small but growing number of scientists, both in physics and biology, who operate with a relational model, who see some correspondence between the constructs of the mind and reality itself, however inexact, and who also see the possibility of restoring the experience of meaning if the non-human natural world is perceived as dynamic, creative, full of life and purpose, whom process thinkers have engaged in conversation; together they have attempted to explore new visions of reality better suited for adaptation to the urgent needs of the contemporary world.

The fact of distinction and differences sets up the possibility for dialogue, hope, and creative collaboration.

It also means many more possibilities of creative development for both sexes, especially for women.

If, as Whitehead claims and as process thought in general would assert, the element of «decision» is found everywhere in the creative process, this should not be taken to mean that a quantum of energy, say, knowingly «decides» for this or that among the relevant possibilities that are «offered» to it.

God is only partially transcended by actual occasions, for they can only prehend those aims of God relevant to their particular world, leaving untouched those infinite reservoirs of possibility which are not yet (or no longer) relevant to the creative advance.

Let me also say that Gods ways of working a situation out may not be the way you would, He is so creative and big that He sees all the possibilities and works them all to our favor and its after the dust has settled that we sit back, look back and say Thank You Lord for working that out for me.

The possibilities which are presented are blessedness which comes from self - fulfillment and the acceptance by God of that self - fulfillment — all of this, of course, in relationship with others and not in any presumed human isolation of self hood — or the disintegration or failure which comes from self - destruction or rejection by God because there is nothing to be received by God in His consequent nature for the furthering of His purpose of good in the course of the process of creative advance.

On the contrary, it means that those events and occasions have so much entered into and so much become part of Deity in his consequent aspect — providing new possibilities for relationship, new opportunities for creative advance, new chances for the bringing into actuality of genuine and richer good --- that they are in some deep and real sense integral to the divine life itself.

Accordingly, Hartshorne defines metaphysics as «the search for necessary and categorial truth» and describes metaphysical truths as those which no experience can contradict and which any experience must illustrate.4 In a helpful article on this subject, Hartshorne elaborates: «Metaphysics, in an old phrase, explores «being qua being,» or reality qua reality, meaning by this, the strictly universal features of existential possibility, those which can not be unexemplified»; and he gives as an example of such a necessary truth the affirmation that «experience as creative process occurs.

The «common good» means that, relative to every particular individual in a specific community or other particular individuals, the creative process offers relevant and novel possibilities for that individual's deepened and enriched fulfilment.

In simpler language, we may state that primordial objects in the universe (grounded in an ineffable reality) are causally transformed into a limited set of cosmological, biological and cultural entities, which at the same time, allows for an endless number of creative outcomes and novel possibilities.

Thus God, as principle of order and novelty, is understood here as the creative ground of the emergent universe, giving it its very being and presenting it with whatever possibilities for further emergent self - transcendence may be relevant at each particular phase.

But for many of us, this kind of closed society and the sort of «harmony» that it provides are lacking in any genuine possibility of creative advance.

The writings of Whitehead, Hartshorne, Williams, and other process thinkers are replete with a sense of the tragic character of all existence, possibilities never actualized, perpetual perishing, resistance to the possibility of newness of life and the need to share and be present to each other's lived experiences, the ambiguity of all instances of creative freedom that can always be used for good or ill.

Explore the full range of creative possibilities by combining our natural ingredients for exciting and delicious developments.

They all taste great and the possibilities for using them in a creative and healthy way are endless.

The better organized technology is, the more creative possibilities there are for marketing.

DuPont Cosmetic Solutions to reveal new design possibilities for creatives across a gamut of sectors.

With consumer interest in «natural» and organic health foods on a continuing rise, endless possibilities are open for creative food formulators and marketers

Monreal in at CB provides an adept and semi creative ball playing presence in the defensive third which I think is important to keep us moving the ball fluidly and intelligently and also means opposition need to compensate for the possibility of Monreal clipping the ball over the top to Lacazette and cutting the midfield out.

When they learn the skills and strategies of problem solving and creative thinking, they open up all sorts of other possibilities, along with gaining skills for life

Possibilities here are endless and it's a great chance for you and your child to be creative!

Such innovations are fueling excitement as well as an atmosphere of creative thinking around the possibilities for alternative food production outside the nation's capitol.