Sentences with phrase «creative process by»

As part of our mission, Artspace engages the community in the creative process by encouraging visitors to observe our artists as they work.

In the second, Franz West, Thomas Nozkowski, Gabriel Orozco, Dieter Roth and Laura Owens demonstrate their presence in the creative process by making drawings, paintings, sculpture and prints which, to quote Gross» curatorial statement, are «phenomenological projects weighted with human presence.»»

Hopper Drawing explores Edward Hopper's creative process by placing iconic paintings in the context of extensive sketches and preparatory drawings.

His central thesis was that poets are both hindered and encouraged in their creative process by the ambiguous relationship they necessarily maintain with precursor poets.

Improve the creative process by mixing brainstorming sessions with silent idea generation.

Not exact matches

Smart companies have turned Twitter into a money - making machine by making their followers part of the creative process.

This is a process that activates and is facilitated by abstraction, which in turn promotes creative thinking,» Harvard's Francesca Gino, who participated in the study, explained in the Harvard Gazette.

More specifically, your creative skills are largely determined by whether you approach the creative process with a fixed mindset or a growth mindset.

Having creatives in the room to be part of the process of unearthing the brand and the employee value proposition will help ensure that the final brand is fully informed by the process.

Michaels countered by saying the very restrictions of commercial television — fixed time slots, ad breaks, language rules — impose a very necessary discipline on a creative process that could otherwise spiral out of control.

From the city's point of view, the process of presenting a challenge and being offered an in - depth solution by a group of enthusiastic, creative students seemed like a big win.

This process of automating advertising by crowd - sourcing campaign creatives and promotion in an organic way, evoking only natural behaviour on both sides is what is most interesting about FamousEnuf.

It was even more obvious the sacrifice we made by leaving our friendships in a place where the creative process would be impossible.

Thus the hierarchical scheme will provide grounds for a general continuity in history, which can be analyzed logically, and for particular change, which can be accounted for only by description of creative process.

Let us think of process philosophy as a method designed for use on such occasions, evoked by such disputes as an instrument of reasonable good sense and creative imagination, one that will serve to fix what had broken down and to get things running smoothly once again.

Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.

This is the creative process of woman - identified women which Janice Raymond describes as becoming «Self - created,» an «original woman, not fabricated by man» (OFF 7).

This is Whitehead's way of expressing his conviction that with respect to all - encompassing creativity, evolution is itself the creative process that is supported by entities arising within it.

But also it does seem to suggest that the universe exists because of God's creative action and the scientific evidence we have indicates that this creative action was not a one - off event because, in addition to the problem of inheritance, the actual conditions for life to occur on Earth are so stringent that they could not have happened by a process of natural chance.

Whether it's turning an AK - 47 into a rake, an old tire into a flowerbed, or trash into a work of art, there is something profoundly fitting about struggling through the creative process with the goal of finishing something new by Easter to provide a tangible, hands - on experience in discipline, resurrection, and restoration.

The only treatment of Ogden's Christology in reference to his use of process philosophy which I have seen is that by Eugene H. Peters, The Creative Advance: An introduction to Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112process philosophy which I have seen is that by Eugene H. Peters, The Creative Advance: An introduction to Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112 - 117.

Thus, on the one band, the analysis of what an occasion is qua subject requires a reference to what the same occasion will be qua superject; for the subject is not an aimless, creative process, but is guided instead by its ideal of what the superject or outcome of that process is to be (PR 130).

[«The Creative Process,» by I. Sudakov, in Acting: A Handbook of the Stanislavski Method, compiled by Toby Cole (Crown, 1955), p. 82].

Recent papers on process thought and feminism have used the term «androgynous to depict the range of maleness / femaleness expressed in both humans and God.1 In a similar sense, «gynandrous» has been proposed.2 To be sure, the aim is to capture, by means of an appropriate term, the rich texture of human differences, that one is neither strictly «female» or «male» but a creative combination of the qualities historically assigned to both.

Crosby, D. A., Abstract of «On Hartshorne's «Creative Synthesis» and Event Logic» by R. M. Martin, Process Studies 2, 4 (Winter, 1972), 331 - 332.

It seemed to me that in some cases, as in our own cosmos, he pursued this end by means of an evolutionary process crowned by an awakened cosmic mind, which strove to gather into its own awareness the whole wealth of the cosmic existence, and by creative action to increase it.

If we accept Jamison's argument that the greater community might derive an evolutionary benefit from containing a number of mentally ill people, since such an illness is often accompanied by unusual creative talents, what does this say about the kind of Creator who guides the evolutionary process?

The creative movement in the world, in its every detail and its varying degrees of importance, with whatever it has contributed to furthering God's love and his activity in love, is continuously experienced by God, known to him, cherished by him, and used in the furthering of his objective — which is the wider and wider sharing of love, with its related righteousness and truth and in its enduring beauty, in the ongoing of the creative process.

In this view, we are invited by God to participate, for better or worse, in the ongoing creative evolutionary process.

Kaplan maintains that God is the creative process which transforms the chaos of the universe into an organic whole: «Nature is infinite chaos, with all its evils forever being vanquished by creativity, which is God as infinite goodness» (REN 51).

Yet it is they, in Whitehead's view, who have neglected the primary role in the creative process of the world by conflating judgments with propositions, equating propositions with linguistic entities, and restricting propositions to the mere data for a judging subject.

Still, the idea of «God» is the one most frequently invoked by process thinkers to account for the general trajectory» of creative synthesis.

After being partially eclipsed for over two decades by Barthian, Niebuhrian, or Tillichian theology, process theology of the Whiteheadian.Hartshornian strand now stands forth in the theological sunlight as one of the most creative and viable options on the American scene.

As midwife, he helps in a «natural childbirth» process by which a creative group is born.

It deals with Christology and the doctrine of God, as well as prayer, the resurrection, heaven, etc. and it provides a general introduction to Whitehead's thought.128 The Task of Philosophical Theology by C. J. Curtis, a Lutheran theologian, is a process exposition of numerous «theological notions» important to the «conservative, traditional» Christian viewpoint.129 Two very fine semi-popular introductions to process philosophy as a context for Christian theology are The Creative Advance by E. H. Peters130 and Process Thought and Christian Faith by Norman Pittenger.131 The latter, reflecting the concerns of a theologian, provides a concise introduction to the process view of God together with briefer comments on man, Christ, and «eternal life.process exposition of numerous «theological notions» important to the «conservative, traditional» Christian viewpoint.129 Two very fine semi-popular introductions to process philosophy as a context for Christian theology are The Creative Advance by E. H. Peters130 and Process Thought and Christian Faith by Norman Pittenger.131 The latter, reflecting the concerns of a theologian, provides a concise introduction to the process view of God together with briefer comments on man, Christ, and «eternal life.process philosophy as a context for Christian theology are The Creative Advance by E. H. Peters130 and Process Thought and Christian Faith by Norman Pittenger.131 The latter, reflecting the concerns of a theologian, provides a concise introduction to the process view of God together with briefer comments on man, Christ, and «eternal life.Process Thought and Christian Faith by Norman Pittenger.131 The latter, reflecting the concerns of a theologian, provides a concise introduction to the process view of God together with briefer comments on man, Christ, and «eternal life.process view of God together with briefer comments on man, Christ, and «eternal life.»

First, if a creative process begins with a telos and an aiming at an end, even though this end may be vague or only partially determinate, then the creative process begins, at least in part, by virtue of being lured.

This sense of creativity is often overlooked by those who inquire about the topic because most inquiries are concerned with generic traits and abilities common to all processes rather than with the conditions of processes which are peculiarly creative.

It does so by way of the systematic and orderly processes of causal connection and creative advance, processes analogous to those present in mind.

Vatican II emphasized the active and creative role played by the faithful during the process of tradition and reception.

Thus we hold that creative synthesis, as such, is then not subject to localization, and thus without contradicting the current laws of physics God is free to participate in the creative process across the entire universe, because God's contact with the world is not mediated by scientific abstraction and is therefore not subject to the restrictions of a local, postprojective theory.

2 (Cambridge: Cambridge University Press, 1953), p. 102: «Dr. Thornton's own doctrine was rendered inconsistent by his insistence that although the creative process disclosed a series of emergents, life, mind, spirit, and thereby foreshadowed the culmination of the series in the coming of Christ, yet that event differed radically from all its predecessors and signalized not the consummation of the process but the intrusion into it of a Being wholly distinct and independent.»

Unlike Kaplan who identifies God with the creative forces within the universe itself, Whitehead represents God as the «principle of concretion» by means of which actual process takes shape.

But for the process - thinker if God is in fact creator, with creative activity in love as his very heart, then he can not be the God he is, and hence not really God, unless there is a world in which his creativity is expressed and which itself is an expression of that creativity, and unless he is «affected» by that world and what happens in it.

The third point in respect to «evil» may be approached by noting that in speaking of the creative process we have been obliged to use the word «good» to describe what God is «up to» in the world.

In the process perspective, each sacramental action is both created by the community and creative of the community.

For a time biblical criticism played a creative role in genuine liberation and individuation, insofar as its «agentic» function was dialectically related to what Bakan calls «the communion function,» that is, the process by which separation is finally overcome.

Many couples discover that an understanding of the inner nature of creative closeness and the processes by which couples can move toward it is one important step toward satisfying the universal hunger for such closeness.

The one exception again is that mystery of procreation where I think the creative human process approaches most closely to the divine (classically understood) in all of us; viz., in birth there is an extant element of ex nihilo gifted to us by God

Two things: he infallibly preserves each successive cosmic and subcosmic event in his perpetual memory, thereby rendering it immortal; and he gives order and guidance through inspiration to the creatures in the next phase of the creative Process.57 Hartshorne adopts the Whiteheadian view that God may really rule the world but that he does so chiefly by persuasion.

Every decision is a response to a lure or solicitation; that is how God effectively «acts» in a creative process from which he is nowhere absent, by permitting things to «make themselves» as decisions are undertaken that «decide» the degree and kind of actualization that will occur.