Sentences with phrase «creative process from»

As a central element of the exhibition, selections from Mutu's sketchbooks will trace aspects of her creative process from her student days in the 1990s to current projects and provide insight into the origins of her inspiration.

This exhibition sought to express the artistic creative process from local artists as well as artists from around the world.

In doing so, you visualized the phases of the creative process from the initial perception to the completed work.

Photographs, drawings, models, and other materials in the exhibition present the creative process from sketch to finished sculpture.

The new works are discoveries and a creative process from the «autobiography becoming the iconography» and in search of seeing the image as a new invention or archetype.

My experience so far has been that no matter how good or bad my art might or might not be, ive found people are very, very, VERY, interested in watching your creative process from start to finish, and by being openhearted and inclusive, (allowing them to» peek into your world), and to live vicariously through you, the desire to have a» piece» done by you however small or simingly insignificant, becomes a small rageing fire within them!.

Her personal story as a writer is inspirational to many women, and journaling has been an important part of her creative process from the start.»

In solving a challenge, students learn the creative process from imagination to innovation and the skills needed to thrive in school, their careers and beyond.

Cast and crew weigh in on the unique creative process from a variety of perspectives, adding up to a fine companion to the film.

Tell us about creative process from start to finish.

Michael Wachs, chief creative officer at GYK Antler, guides the company's strategic, creative process from conception through detailed design and production.

Every decision is a response to a lure or solicitation; that is how God effectively «acts» in a creative process from which he is nowhere absent, by permitting things to «make themselves» as decisions are undertaken that «decide» the degree and kind of actualization that will occur.

Not exact matches

The gathering is intended to probe what companies from Johnson & Johnson to 3M to Samsung — as well as every leading consulting firm across the globe — have already discovered: that smart, creative, and bold «design thinking» is one of the most essential (if too - often - overlooked) pathways for companies to build better products, connect with customers, improve their collaborations, and make the day - to - day corporate processes that now drive most of us crazy less crazy - making in the future.

In season four, Don's personal demons mean he's MIA from the creative process at the new Sterling Cooper Draper Pryce (SCDP) firm.

Traditionally, patents prohibit others from copying new devices and processes, while copyrights do the same for creative endeavors like books, music or software.

«Real - world creative achievement was associated with leaky sensory processing — or a reduced ability to screen or inhibit stimuli from conscious awareness,» researchers studying the subject have written.

The goal is to separate the creative environment of the start - up process from the regular work - a-day of running a business.

Hirway interviews musicians, from Lorde to The National, about the creative influences and processes that went into making a particular track.

In it he rounds up a diverse selection of creative greats — from fine artists to celebrated writers — all of whom have expressed, one way or another, that a healthy dose of messiness is an essential ingredient in their creative processes.

The professors believe their relatively accurate prediction stems from their familiarity with the creative process.

From the city's point of view, the process of presenting a challenge and being offered an in - depth solution by a group of enthusiastic, creative students seemed like a big win.

This course takes students through Susan Orlean's writing process, from finding a topic to making final edits, and helps them polish their own creative processes.

[42:14] Tony explains the questions to ask an advisor, to ensure they're truly on your side [42:28] 60 % of people surveyed today say they believe their financial advisor is putting the company interests above their own — it's actually worse than they believe [42:45] Why Tony has chosen to support Peter and his firm, Creative Planning [43:33] How you can get a second opinion from Peter's firm, Creative Planning, through their website (www.GetASecondOpinion.com)-- it doesn't matter how much or little you have, they'll give you feedback [44:00] Tony's biggest challenge when writing his first book, and how it brought him to Peter Mallouk [44:30] Peter explains the process Creative Planning went through to open their services to people at the $ 100,000 level, and how offering this extensive range of services to people at this level is unprecedented

And I believe that my experience also reflects the self - creative process of the original woman, from coming apart, through relatedness with other women, to self - creation in the context of deep interrelatedness.

In the preface to Creative Synthesis and Philosophic Method, Hartshorne celebrates «our English inheritance of critical caution and concern for clarity»; he seeks to learn more from Leibniz, «the most lucid metaphysician in the early modern period,» as well as from Bergson, Peirce, James, Dewey, and Whitehead, «five philosophers of process of great genius and immense knowledge of the intellectual and spiritual resources of this century.

IPQ — International Philosophical Quarterly, for Jorge Luis Nobo, «Transition: A Creative Process Distinct From Concrescence, September, 1979.

Let us reverse the process we took above and move up from matter to man in order to see the effect of belief as a principle of creative and radical transformation.

Ford's general and surely correct thesis is that between Science and the Modern World and Process and Reality there is a shift from monism to pluralism, a devolution of creative power from a Spinozistic substantial activity to the self - creating activity of actual occasions.

Perhaps little can be said, but this transition which originates a new process / whole must be carefully distinguished from the creative process which originates a new object / part, a one of many that is objectified in others.

We must now turn our eyes away from mere created goods to the study of the creative process itself, and devote ourselves, our science, and our technology to that process in order to avoid the destruction which surely awaits our failure to do so.

But these were largely asides, and were clearly distinguished from the discussions about what really grasped Wieman's own soul — the urgent demand that men and women commit themselves without reservation to the process of creative interchange which creates human good through the increase of qualitative meaning.

If the following passage from Process and Reality is at all significant, the answer must be that that is precisely what Whitehead means: «The oneness of the universe, and the oneness of each element in the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self - identity of things and their mutual diversities» (347f).

As a process theologian Cobb argues that the appropriation of insights from other religions can be authentically Christian, inasmuch as Christianity is itself an ongoing process capable of creative transformation through openness to other Ways.

Each religiously creative age is only a stage of religious truth, for, in distinction from philosophic truth, it is no tenet but a way, no thesis but a process.

If we accept Jamison's argument that the greater community might derive an evolutionary benefit from containing a number of mentally ill people, since such an illness is often accompanied by unusual creative talents, what does this say about the kind of Creator who guides the evolutionary process?

I quote from Process and Reality: «The image — and it is but an image — the image under which [God's creative working] is best conceived, is that of a tender care that nothing be lost.

For Bergson, like many process thinkers (Peirce, James and Dewey come particularly to mind), the entire concept of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270).

Apart from this element of transcendence, God would be so completely bound to process as to be unable to be a creative factor in it.

Finally, in Science, Secularization and God Kenneth Cauthen seeks to show how a version of process theology (drawn from Brightman, Tillich and Teilhard, as well as Whitehead) can positively relate the creative and redemptive God of Christianity to «currents springing from science and secularization.

If all the cultures are dynamic and learning from the multicultural situation itself and from one another, then a new situation of mutual support and cooperation can grow out of this creative process.

IPQ — International Philosophical Quarterly, for Jorge Luis Nobo, «Transition in Whitehead: A Creative Process Distinct from Concrescence,» 19/3 (September, 1979), 265 - 83.

The second interpretation is that of Jorge Luis Nobo in his «Whitehead's Principle of Relativity» (PS 8:1 - 20) and his «Transition in Whitehead: A Creative Process Distinct from Concrescence» (LPQ 19:265 - 83).

Thus, transition is a creative process on its own which is distinct from the process of concrescence (IPQ 19:265 - 72).

Since this divine individuality can not be gradually introduced into the creative process, that process can not be allowed to progressively culminate in the Christ, but must be seen merely as the material basis for the sudden irruption of the Logos - Creator from beyond.

2 (Cambridge: Cambridge University Press, 1953), p. 102: «Dr. Thornton's own doctrine was rendered inconsistent by his insistence that although the creative process disclosed a series of emergents, life, mind, spirit, and thereby foreshadowed the culmination of the series in the coming of Christ, yet that event differed radically from all its predecessors and signalized not the consummation of the process but the intrusion into it of a Being wholly distinct and independent.»

In the series, Scher describes her creative process as starting from a point of breaking down her own self - awareness and allowing subconscious to take hold.

In The Liberation of Life: From the Cell to the Community, one of the most creative encounters between science and the relational vision, John B. Cobb, Jr., a process theologian, and Charles Birch, an Australian biologist and quite a lay theologian of the process persuasion in his own right, develop an ecological, relational view of reality and the sciences.

Can we enlarge on the insights of artists such as Gerlach, whose creative gifts depend on the process of letting - go or opening, to receive imaginative insights from a Spirit greater than ourselves?

Such examples as these from the New Testament demonstrate the appropriateness of «creative transformation» as a norm in «process hermeneutics» guiding the uses of Scripture in process theology.

Perhaps sufficient will have been said if I point out that process thought is based upon wide generalizations made from those experiences of fact, and those facts of experience, which demonstrate to us the dynamic, active, on - going «creative advance» of the world; and which, in recognizing and accepting the patent reality of such a world, sees man as part of it sharing in that movement, and a principle of ordering and direction, which may properly be called God, explaining why and how the advance goes on as it does.