Sentences with phrase «creative process which»

This is a multi-leveled, creative process which anyone can do.

Disrupting the notion of the discrete art work or object, Mackie's practice proposes a creative process which emphasises an understanding of artistic meaning created by synthesising a string of ideas, associations, sentiments and sensations in a non-hierarchical and open - ended fashion.

Writing of assignments is a creative process which requires necessary skills that can be mastered over a period of time.

You also have the opportunity of experiencing a different creative process which can help improve your writing productivity.

Students engage in a CREATIVE PROCESS which CONNECTS an art form and another subject area and meets EVOLVING OBJECTIVES in both.

It is a though - provoking and creative process which ultimately leads to an increased potential of a fulfilled healthy life.

It should be noted that this thesis has involved reference not only to an order or structure but also to a creative process which embodies this structure.

Nevertheless, he never ceased to oppose any interpretation of God or the creative process which moved beyond the range of empirical and rational investigation.

Kaplan maintains that God is the creative process which transforms the chaos of the universe into an organic whole: «Nature is infinite chaos, with all its evils forever being vanquished by creativity, which is God as infinite goodness» (REN 51).

He felt that Whitehead had yielded to the natural human tendency to conceive of God in terms which offered a merely pleasant feeling about religion without demanding the kind of ultimate commitment to the creative process itself which Wieman felt was urgently needed.

Perhaps little can be said, but this transition which originates a new process / whole must be carefully distinguished from the creative process which originates a new object / part, a one of many that is objectified in others.

Not exact matches

Roberta Matuson, a Boston - based business consultant and author of the 2013 book Talent Magnetism, says small firms need not be bound to rigid formal HR processes, which creates the opportunity for more creative hiring practices.

This is a process that activates and is facilitated by abstraction, which in turn promotes creative thinking,» Harvard's Francesca Gino, who participated in the study, explained in the Harvard Gazette.

I would recommend it to anyone struggling with the process of creative innovation — which these days is just about everyone in business.

The takeaway here is that clock time, which is the basis of all measurable productivity, is very opposite to rhythmic time, which is seen as an ebb and flow and essential to the creative process.

Concrescence, for example, takes place in a series of phases (p. 89); it involves sensed passage» (p. 91); it is the droplet of a reality which is «a creative process rhythmically alternating (p. 88).

Thus the hierarchical scheme will provide grounds for a general continuity in history, which can be analyzed logically, and for particular change, which can be accounted for only by description of creative process.

Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.

This is the creative process of woman - identified women which Janice Raymond describes as becoming «Self - created,» an «original woman, not fabricated by man» (OFF 7).

Omnipotence is rather «the power of being which resists nonbeing in all its expressions and which is manifest in the creative process in all its forms.»

Cobb and his colleague (and former student) David Griffin co-wrote Process Theology: An Introductory Exposition in 1976, where the identification of God as «creative - responsive love» appears.52 To say with the New Testament that God is love requires, in their estimation, the further clarification that God is love both creatively, in the way in which God offers an opening to new emergence in the unfolding moment, and responsively: «God enjoys our enjoyments, and suffers with our sufferings.

God and the World are the contrasted opposites in terms of which the creative process achieves its goal.

We must now turn our eyes away from mere created goods to the study of the creative process itself, and devote ourselves, our science, and our technology to that process in order to avoid the destruction which surely awaits our failure to do so.

But these were largely asides, and were clearly distinguished from the discussions about what really grasped Wieman's own soul — the urgent demand that men and women commit themselves without reservation to the process of creative interchange which creates human good through the increase of qualitative meaning.

And therein he reaches a metaphysical understanding of creative process as the becoming, the perishing, and the objective immortalization of those things which jointly constitute what he terms stubborn fact.

The only treatment of Ogden's Christology in reference to his use of process philosophy which I have seen is that by Eugene H. Peters, The Creative Advance: An introduction to Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112process philosophy which I have seen is that by Eugene H. Peters, The Creative Advance: An introduction to Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112Process Philosophy as a Context for Christina Faith (St. Louis: Bethany, 1966), 112 - 117.

In short, because the Whiteheadian God as Wieman understood it had no active role in the creative process, it was neither subject to empirical investigation nor workable as a concrete process to which persons can adjust their activities.

For in a metaphysical system in which process is creative of the relational depths of our lives, the nature of religious experience, if it is metaphysically grounded, will illustrate the same root metaphor found in the system.

In this way, Whitehead distinguishes the notion of advance, which he variously calls creativity, creative advance, or process.

Given the strange restrictions under which their makers must work, the constructions already produced are marvels of ingenuity, although a creature so constituted is probably more plausible as a sensitive observer of sunsets than as the creative agent who, in a surprisingly short burst of intense activity, produced Process and Reality.

These statements give something of the flavor of this early theory: «the first stage of the process of feeling is the reception into the responsive conformity of feeling whereby the datum, which is mere potentiality, becomes the individualized basis for a complex unity of realization» (PR 113C).3 Or, later, «The objectified particular occasions together have the unity of a datum for the creative concrescence» (PR 210C).

It seemed to me that in some cases, as in our own cosmos, he pursued this end by means of an evolutionary process crowned by an awakened cosmic mind, which strove to gather into its own awareness the whole wealth of the cosmic existence, and by creative action to increase it.

The «civil society» as a form of participatory democracy is a framework in which the life, the people and their communities directly participate and multilaterally and multi-dimensionally form solidarity linkages to make creative interventions in the global market process.

As we have seen, what the examination of perception brings to light for Whitehead is an occasion of experience which is a self - creative process, a subject synthesizing past objects into a novel unity.

I quote from Process and Reality: «The image — and it is but an image — the image under which [God's creative working] is best conceived, is that of a tender care that nothing be lost.

The creative movement in the world, in its every detail and its varying degrees of importance, with whatever it has contributed to furthering God's love and his activity in love, is continuously experienced by God, known to him, cherished by him, and used in the furthering of his objective — which is the wider and wider sharing of love, with its related righteousness and truth and in its enduring beauty, in the ongoing of the creative process.

A process is a sequence in which a special kind of causality, «creative activity,» gives direction to the constituents.

As midwife, he helps in a «natural childbirth» process by which a creative group is born.

My brief, fragile life is part of an ongoing creative process — part of a reality in which I can participate and which will continue after I am gone.

Just what will be the content of God's physical nature is, in part at least, contingent upon the freedom of the particular creative events which constitute the world of process.

First, further development of the proposal that agape functions in evolution, and specifically in finite creative processes, would provide a general framework within which distinctively creative processes can be related to other processes.

This sense of creativity is often overlooked by those who inquire about the topic because most inquiries are concerned with generic traits and abilities common to all processes rather than with the conditions of processes which are peculiarly creative.

The feature of evolution which points toward the need for agape is creative growth, that is, the presence of spontaneity and the introduction of unpredictable, intelligible novelty into the process of evolution.

What is remarkable in this process is the linking of consultation and creative reception which leads to consensus.

Thus, transition is a creative process on its own which is distinct from the process of concrescence (IPQ 19:265 - 72).

For such process theists, there is only one «divine entity» and the key to transformation is our willingness to respond to the creative - response love of this entity — to respond to the ideal options of which God continuously makes us aware.

Secondly, if the unity or subject of a creative process acts out of the spontaneity of its own essence, then it bears a certain kind of responsibility for the directions which its seeking takes.

But it can be understood as a part of a universe in which each actual entity is a creative process.

Unlike Kaplan who identifies God with the creative forces within the universe itself, Whitehead represents God as the «principle of concretion» by means of which actual process takes shape.

But for the process - thinker if God is in fact creator, with creative activity in love as his very heart, then he can not be the God he is, and hence not really God, unless there is a world in which his creativity is expressed and which itself is an expression of that creativity, and unless he is «affected» by that world and what happens in it.