Traditional publishers matter less and less due to their grandiose authority to impose restricted control on every ounce of
creative production authors have developed sanely and unconsciously.
Not exact matches
With Joanna Penn on The
Creative Penn blog: Writing Mysteries With Joanna Penn: On Cozy Mysteries With Stephen Campbell of The
Author Biz: Creating a
Production Plan Podcast interview on
Author Stories: Being a Traditional and an Indie
Author Interview with James Moushon:
Author Interview Interview with Victoria Mixon Podcast interview with Jeff Rutherford for the Reading and Writing Podcast Skype interview on the Self Publishing Advice blog on Wattpad Interview with Benjamin Thomas on The Writing Train
-- Self - publishing: No advance; distribution in digital formats with possibility of print - on - demand distribution; a la carte editorial,
production, design and marketing support that the
author pays for; up to 70 % of cover price for digital royalties; and complete
creative control
Self - publishing model (100 % royalties): We do the
creative development and technical
production work, then transfer the book to the
author's IngramSpark site.
They had in place a hybrid publishing agreement with some of their
authors that offered
creative terms — usually in which the
author paid for some or all of their
production and print costs in exchange for higher royalty rates.
I know that Hachette and its ilk have cheapened every aspect of book
production, and that
authors are far from the only
creative professionals they have abused.
Our book video trailer
production services are
creative and unique yet still affordable for today's
author.
We are a team of experts skilled in:
author publicity, book marketing, public relations, social media, influencer marketing,
creative writing, event planning, web design and development, content marketing, SEO, video
production, photography, advertising and viral marketing.
Smaller publishers also run
production and distribution processes for their
authors, kickstart marketing, and are
creative in their marketing.
Bio: Matt Gartland is the founder of Winning Edits, a
creative agency for
authors specializing in the strategy and
production of books, podcasts, and products.
Nato Thompson is also with us, chief curator of
Creative Time and
author of the new book, Seeing Power: Socially Engaged Art in the Age of Cultural
Production.
We speak with organizers Anne Pasternak, the new president of Brooklyn Museum, and president and artistic director of
Creative Time; and Nato Thompson, chief curator of
Creative Time and
author of the new book, «Seeing Power: Socially Engaged Art in the Age of Cultural
Production.»